Man of the House: Difference between revisions
No edit summary |
link |
||
| Line 5: | Line 5: | ||
MAN OF THE HOUSE, FREDERICK CHARLES WILLIAM LAZARO HIPOL III | MAN OF THE HOUSE, FREDERICK CHARLES WILLIAM LAZARO HIPOL III | ||
[ | [https://flipbook.upd.edu.ph/view/020798af00de45b797643d8a39152a4a.pdf View Thesis] | ||
[[Category:CMC Thesis]][[Category:FILM INSTITUTE]][[Category:GENDER ROLES]][[Category:COMMERCIAL]] | [[index.php?title=Category:CMC Thesis]][[index.php?title=Category:FILM INSTITUTE]][[index.php?title=Category:GENDER ROLES]][[index.php?title=Category:COMMERCIAL]] | ||
[[Category:Department of Film and Audio Visual Communication Thesis]][[Category:Theses]] | [[index.php?title=Category:Department of Film and Audio Visual Communication Thesis]][[index.php?title=Category:Theses]] | ||
Subject Index: Parenthood, Motherhood, Motherhood in motion pictures | Subject Index: Parenthood, Motherhood, Motherhood in motion pictures | ||
Revision as of 13:37, 17 December 2024
MAN OF THE HOUSE
Man of the House is a film about Kuya who comes from one middle-class household. He, after his mother learns of his father’s infidelity, takes on a role which is his mother’s in their home. This film is about the fluidity of roles in the family. It aims to suggest that the playing of roles are performances in themselves and are not fixed but are flexible- that if all is role play; any role, any one can play. The film operates guided by the Family Sytems Theory by Bowen, the Social Learning Theory by Bandura and Gender/Identity as Performance by Butler.
MAN OF THE HOUSE, FREDERICK CHARLES WILLIAM LAZARO HIPOL III
index.php?title=Category:CMC Thesisindex.php?title=Category:FILM INSTITUTEindex.php?title=Category:GENDER ROLESindex.php?title=Category:COMMERCIAL index.php?title=Category:Department of Film and Audio Visual Communication Thesisindex.php?title=Category:Theses
Subject Index: Parenthood, Motherhood, Motherhood in motion pictures
