Maia: Difference between revisions
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Maia tells the story of Max, who copes with the death of her twin sister, Alex, through the use of Maia – an editing software that creates hyper-realistic films without the use of a camera. Max uses this to reconstruct her memories with Alex. The film is guided by Kracauer’s Memory Studies, Freud's Psychoanalysis and Reflexive Cinema. | Maia tells the story of Max, who copes with the death of her twin sister, Alex, through the use of Maia – an editing software that creates hyper-realistic films without the use of a camera. Max uses this to reconstruct her memories with Alex. The film is guided by Kracauer’s Memory Studies, Freud's Psychoanalysis and Reflexive Cinema. | ||
[ | [https://iskomunidad.upd.edu.ph/flipbook/viewer/?fb=2009-35530-Barbaza- View Thesis] | ||
[[Category: CMC Thesis]][[Category:Theses]][[Category:Film Institute]][[Category:2016 Thesis]] | [[Category: CMC Thesis]][[Category:Theses]][[Category:Film Institute]][[Category:2016 Thesis]] | ||
Latest revision as of 13:19, 17 June 2022
Barbaza, A.R. (2016). Maia, Unpublished Undergraduate Thesis, University of the Philippines College of Mass Communication.
Abstract
Maia tells the story of Max, who copes with the death of her twin sister, Alex, through the use of Maia – an editing software that creates hyper-realistic films without the use of a camera. Max uses this to reconstruct her memories with Alex. The film is guided by Kracauer’s Memory Studies, Freud's Psychoanalysis and Reflexive Cinema.