MUSDIKS:kulintang: Difference between revisions
Sttrinidad (talk | contribs) New page: Word: kulintang Source of Term: Filipino Heritage vol.6 Language:Maranao Category: Musical Instrument Description: A set of eight graduated gongs laid horizontally.This is a melodious ... |
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Word: kulintang | Word: kulintang | ||
Source of Term: Filipino Heritage vol.6 | Source of Term: Filipino Heritage vol.6 | ||
Language:Maranao | Language:Maranao | ||
Category: Musical Instrument | Category: Musical Instrument | ||
[[Category:Dictionary of Filipino Music Terms|kulintang]][[category:musical instrument| | Description: A set of eight graduated gongs laid horizontally.This is a melodious | ||
::instrument. Each set tuned differently from the other but all weaving in and out of | |||
::a pentatonic scale. | |||
Word: kulintang | |||
Category: instrument | |||
1. Ethno-linguistic group: Maguindanaon | |||
2. General physical description: a series of eight graduated bossed gongs arranged horizontally from largest to the smallest and laid over an antangan. | |||
3. General playing technique: struck by a pair of sticks called basal. | |||
4. Musical function: plays the melody in palabunibunyan | |||
5. Playing circumstance: it is heard in various occasions like weddings, water baptism called paigo sa ragat, and curing rites called kapagipat | |||
Source:CCP Encyclopedia of Philippine Art, Volume I, Peoples of the Philippines, K-Z | |||
[[Category:Dictionary of Filipino Music Terms|kulintang]][[category:musical instrument|Kulintang]] | |||
Latest revision as of 14:13, 1 September 2009
Word: kulintang
Source of Term: Filipino Heritage vol.6
Language:Maranao
Category: Musical Instrument
Description: A set of eight graduated gongs laid horizontally.This is a melodious
- instrument. Each set tuned differently from the other but all weaving in and out of
- a pentatonic scale.
Word: kulintang
Category: instrument
1. Ethno-linguistic group: Maguindanaon
2. General physical description: a series of eight graduated bossed gongs arranged horizontally from largest to the smallest and laid over an antangan.
3. General playing technique: struck by a pair of sticks called basal.
4. Musical function: plays the melody in palabunibunyan
5. Playing circumstance: it is heard in various occasions like weddings, water baptism called paigo sa ragat, and curing rites called kapagipat
Source:CCP Encyclopedia of Philippine Art, Volume I, Peoples of the Philippines, K-Z