Kanlungan: Difference between revisions
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Their pursuit for an ocean in the desert is guided by semiotics and a surrealist structure whilst anchored on the basic tenet of Philippine Psychology, the Kapwa Theory. The theory renders pakikipagkapwa or having a sense of shared identity as a distinct Filipino value. Kanlungan attempts to convey the vitality of connections in life and in death. | Their pursuit for an ocean in the desert is guided by semiotics and a surrealist structure whilst anchored on the basic tenet of Philippine Psychology, the Kapwa Theory. The theory renders pakikipagkapwa or having a sense of shared identity as a distinct Filipino value. Kanlungan attempts to convey the vitality of connections in life and in death. | ||
[https:// | [https://iskwiki.upd.edu.ph/viewer/?fb=2009-31859-KANLUNGA View Thesis] | ||
[[Category:Theses]][[Category:CMC Thesis]][[Category: Film Thesis]][[Category: 2014 Thesis]][[Category: Connections]][[Category: Life]][[Category: Death]][[Category: Kapwa Theory]] | [[Category:Theses]][[Category:CMC Thesis]][[Category: Film Thesis]][[Category: 2014 Thesis]][[Category: Connections]][[Category: Life]][[Category: Death]][[Category: Kapwa Theory]] | ||
Latest revision as of 10:58, 30 August 2022
Kanlungan Mendoza, L.C. (2014) Kanlungan, Unpublished Undergraduate Thesis, University of the Philippines College of Mass Communication
KANLUNGAN is a stylized narrative film that explores the significance of connections and the phenomena of human deterioration and death. It is told through the accounts of a desert wanderer and his waterborne companion's search for water.
Their pursuit for an ocean in the desert is guided by semiotics and a surrealist structure whilst anchored on the basic tenet of Philippine Psychology, the Kapwa Theory. The theory renders pakikipagkapwa or having a sense of shared identity as a distinct Filipino value. Kanlungan attempts to convey the vitality of connections in life and in death.