SINAG: Difference between revisions
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|colspan="2" style="text-align: center; font-size: larger;" |'''SINAG'''<br> | |colspan="2" style="text-align: center; font-size: larger;" |'''SINAG'''<br> | ||
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| colspan="2" style="padding: 1em 0; text-align: center;" | [[Image:SinagColored.gif|250px]] <br /> | | colspan="2" style="padding: 1em 0; text-align: center;" | [[Image:SinagColored.gif|250px]] <br /> | ||
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! style="border-top: solid 1px #aaaaaa;" | Officer-in-Charge <br> | ! style="border-top: solid 1px #aaaaaa;" | Officer-in-Charge <br> | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Renze Carlo Santos | ||
|- valign="top" | |- valign="top" | ||
! style="border-top: solid 1px #aaaaaa;" | Business Manager | ! style="border-top: solid 1px #aaaaaa;" | Business Manager | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Mary Grace Soriano<br> | ||
|- valign="top" | |||
! style="border-top: solid 1px #aaaaaa;" | Secretary to the Editorial Board | |||
| style="border-top: solid 1px #aaaaaa;" | Mary Roseann Ramirez<br> <br> | |||
|- valign="top" | |- valign="top" | ||
! style="border-top: solid 1px #aaaaaa;" | News Editor | ! style="border-top: solid 1px #aaaaaa;" | News Editor | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Jane Blessilda Fabula | ||
|- valign="top" | |- valign="top" | ||
! style="border-top: solid 1px #aaaaaa;" | Features and Cultures Editor | ! style="border-top: solid 1px #aaaaaa;" | Features and Cultures Editor | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Maria Katrina Lucas | ||
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! style="border-top: solid 1px #aaaaaa;" | Literature Editor | ! style="border-top: solid 1px #aaaaaa;" | Literature Editor | ||
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! style="border-top: solid 1px #aaaaaa;" | Graphics Editor | ! style="border-top: solid 1px #aaaaaa;" | Graphics Editor | ||
| style="border-top: solid 1px #aaaaaa;" | Maria Socorro Marina de Villa | | style="border-top: solid 1px #aaaaaa;" | Maria Socorro Marina de Villa <br> | ||
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! style="border-top: solid 1px #aaaaaa;" | | ! style="border-top: solid 1px #aaaaaa;" | Web & Systems Administrator | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Ingrid Acosta | ||
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! style="border-top: solid 1px #aaaaaa;" | | ! style="border-top: solid 1px #aaaaaa;" | Editorial Consultant | ||
| style="border-top: solid 1px #aaaaaa;" | | | style="border-top: solid 1px #aaaaaa;" | Gromico Chopitea <br> Alexandra Gabrielle Francisco<br /> <br /> | ||
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! style="border-top: solid 1px #aaaaaa;" | Staff | ! style="border-top: solid 1px #aaaaaa;" | Staff | ||
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! style="border-top: solid 1px #aaaaaa;" | Adviser | ! style="border-top: solid 1px #aaaaaa;" | Adviser | ||
| style="border-top: solid 1px #aaaaaa;" | Dr. Ruth Lusterio-Rico, Ph.D | | style="border-top: solid 1px #aaaaaa;" | Dr. Ruth Lusterio-Rico, Ph.D<br /> | ||
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! style="border-top: solid 1px #aaaaaa;" | Office | ! style="border-top: solid 1px #aaaaaa;" | Office | ||
Revision as of 03:58, 15 August 2010
SINAG is the official student publication of the College of Social Sciences and Philosophy of the University of the Philippines, Diliman.
| SINAG | |
 | |
| Officer-in-Charge |
Renze Carlo Santos |
|---|---|
| Business Manager | Mary Grace Soriano |
| Secretary to the Editorial Board | Mary Roseann Ramirez |
| News Editor | Jane Blessilda Fabula |
| Features and Cultures Editor | Maria Katrina Lucas |
| Literature Editor | Genarro Rafael Pascual |
| Graphics Editor | Maria Socorro Marina de Villa |
| Web & Systems Administrator | Ingrid Acosta |
| Editorial Consultant | Gromico Chopitea Alexandra Gabrielle Francisco |
| Staff | Mark Sherwin Bayanito Joseph Raphael Bunao Maria Katrina Angela Colet John Edward Lee Dayog Jane Blessilda Fabula Adrian Gabriel Kriscell Labor Maria Katrina Lucas Marian Torres |
| Adviser | Dr. Ruth Lusterio-Rico, Ph.D |
| Office | 1/F East Wing, Palma Hall, University of the Philippines, 1101 Diliman, Quezon City |
History
SINAG was established in 1968. Its beginnings are traced from the time when the Philippines was facing a national situation. The students of then College of Arts and Sciences deemed the need of a venue to respond to the ongoing call to speak their minds and take a stand through an official student publication; thus the publication was born. The name is a portmanteau of sining and agham, Filipino words for arts and sciences respectively, while the portmanteau itself means ray of light in Filipino.
Thrust
SINAG will continuously seek to uphold its commitment to fair, vigilant, academic, and relevant journalism under the principle of democratization of discourse in order to take a coherent stand on pertinent issues. Now on Volume XLIII, SINAG has the vision to foster significance of the College campus publication in scholastic eminence and social empowerment.
Sections
Culture
The Culture Section highlights popular culture as reflected in the students’ lifestyle and in the general public. The Section shall ensure relevance of issues pertaining to life and to the world within the context of learning the environment using the social science disciplines.
News
The News section keeps its reader informed of the pertinent issues in the University, as well as in the national and international setting. Likewise it is subjected to heavy scrutiny of the editors to ensure its timeliness and accuracy.
Features
The Features Section of the publication showcases contemporary student life at the, but necessarily limited to the, College of Social Sciences and Philosophy. The Section serve this end through the publication of articles that highlight the human interest, information and entertainment and social awareness through informal discourse guided by the general framework of social science theory.
Literary
The Literary Section takes appreciation of creative arts in literature for its sake. The section facilitates an atmosphere of freedom of expression through prose and poetry.
Fun Page
The Fun Page provides a venue for the expression of the different eccentricities of its writers. Due to its very daring and controversial nature, it has provoked a multitude of criticisms in the course of its existence, both negative and positive.
