Difference between revisions of "Anril Pineda Tiatco"

Line 37: Line 37:
'''Creative Works'''
'''Creative Works'''
Atang (2008)
Atang (2008)

Revision as of 00:29, 26 February 2009

PhD Anthropology (Cultural Anthropology/Performance Studies)
College of Social Science and Philosophy, UP Diliman (ongoing)
MA Theatre Arts
UP Diliman, 2006

Courses handled

Undergraduate Theatre 11 (Dula at Palabas)

Theatre 12 (Introduction to the Art and Craft of Acting)

Theatre 160 (History of the Theatre)

Theatre 161 (Contemporary Philippine Theatre)

Theatre 162 (Asian Theatre and Drama)

Theatre 163 (Creative Theatre for Children and the Youth)

Theatre 171 (Playwriting)

Speech 199 (Theatre Research)

Theatre 200 (Undergraduate Thesis)


Theatre 291 (Theatre Seminar: Readings in Philippine Performance Studies)

Creative Works

Atang (2008)


Dulaang UP

Direction: Alexander Cortez

Devise: Floy Quintos

Isang Panaginip na Fili (2008)

(Actor: Padre Irene)

Dulaang UP

Direction and Playwright: Floy Quintos

UAAP 71st Season Opening Ceremony (2008)

(Concept of Scriptwriter)

Araneta Coliseum

University of the Philippines (Host)

Orosman at Zafira (2008)

(Dramaturg and Deviser)

Dulaang UP

Direction: Dexter Santos

Conferences/Published Papers

30th Anthropological Association in the Philippines Annual Conference

Paper Presenter: “Post-script to UP Komedya Fiesta: Prelude to a National Theatre and Heritage Discourse”

City of San Fernando, Pampanga

October 23 – 25, 2008

51st International Federation for Theatre Research Conference

Paper Presenter: “Apalit’s Fluvial Parade, Cutud’s Ritual of Nailing on the Cross and Calabanga’s Funeral of the Dead Christ: Theatres of Ambivalences in Three Philippine Catholic Communities”

Chung-Ang University, Seoul, South Korea

July 14 – 19, 2008

Postscript to UP KOMEDYA FIESTA 2008: Preliminary Insights on Komedya, National Theatre and Heritage

(in press)Asian Theatre Journal, Volume 26, Number 1 (Spring 2009 Issue)

University of Hawaii

Celebrating in the Waters and Frolicking with St. Peter: Performance of a Catholic Narrative and a Folk Narrative in a Kapampangan Community

Philippine Humanities Review, Volume 10 (2008)

(Special Issue on Philippine Performance Studies)

University of the Philippines

Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering

Lead Author (with Prof. Amihan Bonifacio-Ramolete)

Asian Theatre Journal, Volume 25, Number 1 (Spring 2008 Issue)

University of Hawaii

Awards and Recognitions

UP Foundation Professorial Chair Award (2008)

For the research “Libad ng Apung Iru and Pamamaku king Krus: The Ambiguity of Catholicism in Two Kapampangang Cultural Spectacles”

University of the Philippines System

International Publication Award (2008)

For the article “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering”

University of the Philippines System