MUSDIKS:kulintang: Difference between revisions
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[[Category:Dictionary of Filipino Music Terms|kulintang]][[category:musical instrument|Kulintang]] | [[Category:Dictionary of Filipino Music Terms|kulintang]][[category:musical instrument|Kulintang]] | ||
Word: kulintang | |||
Category: instrument | |||
1. Ethno-linguistic group: Maguindanaon | |||
2. General physical description: a series of eight graduated bossed gongs arranged horizontally from largest to the smallest and laid over an antangan. | |||
3. General playing technique: struck by a pair of sticks called basal. | |||
4. Musical function: plays the melody in palabunibunyan | |||
5. Playing circumstance: it is heard in various occasions like weddings, water baptism called paigo sa ragat, and curing rites called kapagipat | |||
Source:CCP Encyclopedia of Philippine Art, Volume I, Peoples of the Philippines, K-Z | |||
[[category: Dictionary of Filipino Music Terms]][[category:instrument|K]] | |||
Revision as of 17:21, 31 July 2009
Word: kulintang
Source of Term: Filipino Heritage vol.6
Language:Maranao
Category: Musical Instrument
Description: A set of eight graduated gongs laid horizontally.This is a melodious
- instrument. Each set tuned differently from the other but all weaving in and out of
- a pentatonic scale.
Word: kulintang
Category: instrument
1. Ethno-linguistic group: Maguindanaon
2. General physical description: a series of eight graduated bossed gongs arranged horizontally from largest to the smallest and laid over an antangan.
3. General playing technique: struck by a pair of sticks called basal.
4. Musical function: plays the melody in palabunibunyan
5. Playing circumstance: it is heard in various occasions like weddings, water baptism called paigo sa ragat, and curing rites called kapagipat
Source:CCP Encyclopedia of Philippine Art, Volume I, Peoples of the Philippines, K-Z