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Revision as of 17:35, 13 March 2012 view source Jtadolacion (talk \| contribs) 6 edits New page: Almost all of Shakespeare's Hamlet can be understood as a play about acting and the theatre. For example, there is Hamlet's pretense of madness, the "antic disposition" that he puts on to ...		Latest revision as of 17:36, 13 March 2012 view source Jtadolacion (talk \| contribs) 6 edits Removing all content from page
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	Almost all of Shakespeare's Hamlet can be understood as a play about acting and the theatre. For example, there is Hamlet's pretense of madness, the "antic disposition" that he puts on to protect himself and prevent his antagonists from plucking out the heart of his mystery. When Hamlet enters his mother's room, he holds up, side by side, the pictures of the two kings, Old Hamlet and Claudius, and proceeds to describe for her the true nature of the choice she has made, presenting truth by means of a show. Similarly, when he leaps into the open grave at Ophelia's funeral, ranting in high heroic terms, he is acting out for Laertes, and perhaps for himself as well, the folly of excessive, melodramatic expressions of grief.

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