CYBERSPACE AS APPARATUS: AN EXPLORATION OF FILM APPARATUS THEORY IN A MASSIVELY MULTIPLAYER ONLINE ROLE-PLAYING GAME: Difference between revisions
(New page: by Jongsuk Ham '''Abstract'''<br /> The same apparatus principle that once created the theoretical simulacrum in Plato’s Cave is manifested in the whole new virtual world of online c...) |
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The same apparatus principle that once created the theoretical simulacrum in Plato’s Cave is manifested in the whole new virtual world of online cyberspace in the late 20th century. The impression of reality on the wall of Plato’s Cave that dazzled the prisoners has become more than a fleeting impression in cyberspace. Now the viewers’ perception can actually dwell within this impression of reality and it makes them turn into players with the capability of intervention in the reality. | The same apparatus principle that once created the theoretical simulacrum in Plato’s Cave is manifested in the whole new virtual world of online cyberspace in the late 20th century. The impression of reality on the wall of Plato’s Cave that dazzled the prisoners has become more than a fleeting impression in cyberspace. Now the viewers’ perception can actually dwell within this impression of reality and it makes them turn into players with the capability of intervention in the reality. | ||
However, existing studies on online visual cyberspace have focused mainly on the behavior of players, ignoring the potential effect of visual images. Cyberspace can basically be understood as virtual space where the players can interact with one another. Since the reality of this virtual space comes from the visual images that the apparatus creates, the behavior of players would certainly be affected by it. | However, existing studies on online visual cyberspace have focused mainly on the behavior of players, ignoring the potential effect of visual images. Cyberspace can basically be understood as virtual space where the players can interact with one another. Since the reality of this virtual space comes from the visual images that the apparatus creates, the behavior of players would certainly be affected by it. | ||
Thus, this study aims to examine the possible effects of visual images in cyberspace through apparatus theory in film. The specific instance of the cyberspace to be studied will be World of Warcraft (WoW), which is a Massively Multiplayer Online Role-Playing Game (MMORPG). WoW has been one of the most popular online cyberspace examples, with its over ten million subscribers worldwide, and it provides its players with an absolute environment for social interaction. Thus this model of cyberspace would be the most suitable text for this study to look at the general relations between visual images and players in online cyberspace. | Thus, this study aims to examine the possible effects of visual images in cyberspace through apparatus theory in film. The specific instance of the cyberspace to be studied will be World of Warcraft (WoW), which is a Massively Multiplayer Online Role-Playing Game (MMORPG). WoW has been one of the most popular online cyberspace examples, with its over ten million subscribers worldwide, and it provides its players with an absolute environment for social interaction. Thus this model of cyberspace would be the most suitable text for this study to look at the general relations between visual images and players in online cyberspace. | ||
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[http://iskwiki.upd.edu.ph/flipbooks/Cyberspace188 View thesis] | |||
[[Category:Student Papers]][[Category:CMC Thesis]][[Category: Theses]][[Category:Department of Film and Audio Visual Communication Thesis]] | |||
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Revision as of 17:54, 8 March 2012
by Jongsuk Ham
Abstract
The same apparatus principle that once created the theoretical simulacrum in Plato’s Cave is manifested in the whole new virtual world of online cyberspace in the late 20th century. The impression of reality on the wall of Plato’s Cave that dazzled the prisoners has become more than a fleeting impression in cyberspace. Now the viewers’ perception can actually dwell within this impression of reality and it makes them turn into players with the capability of intervention in the reality.
However, existing studies on online visual cyberspace have focused mainly on the behavior of players, ignoring the potential effect of visual images. Cyberspace can basically be understood as virtual space where the players can interact with one another. Since the reality of this virtual space comes from the visual images that the apparatus creates, the behavior of players would certainly be affected by it.
Thus, this study aims to examine the possible effects of visual images in cyberspace through apparatus theory in film. The specific instance of the cyberspace to be studied will be World of Warcraft (WoW), which is a Massively Multiplayer Online Role-Playing Game (MMORPG). WoW has been one of the most popular online cyberspace examples, with its over ten million subscribers worldwide, and it provides its players with an absolute environment for social interaction. Thus this model of cyberspace would be the most suitable text for this study to look at the general relations between visual images and players in online cyberspace.
Keywords: Cyberspace, MMORPG, online game, World of Warcraft, Apparatus theory, Oedipal Trajectory