Anril Pineda Tiatco: Difference between revisions
No edit summary |
Rsmoralejo (talk | contribs) No edit summary |
||
| (2 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
PhD Anthropology (Cultural Anthropology/Performance Studies)<br /> | |||
College of Social Science and Philosophy, UP Diliman (ongoing)<br /> | |||
MA Theatre Arts<br /> | |||
UP Diliman, 2006 | |||
[[Image:AnrilTiatco.jpg|200px|thumb|right|Anril Pineda Tiatco]] | [[Image:AnrilTiatco.jpg|200px|thumb|right|Anril Pineda Tiatco]] | ||
__TOC__ | |||
==Courses handled== | |||
'''Undergraduate''' | |||
Theatre 11 (Dula at Palabas) | Theatre 11 (Dula at Palabas) | ||
| Line 40: | Line 41: | ||
==Creative Works== | |||
''Atang (2008) | ''Atang (2008) | ||
| Line 85: | Line 86: | ||
==Conferences/Published Papers== | |||
''30th Anthropological Association in the Philippines Annual Conference'' | ''30th Anthropological Association in the Philippines Annual Conference'' | ||
| Line 136: | Line 137: | ||
==Awards and Recognitions== | |||
''UP Foundation Professorial Chair Award (2008)'' | ''UP Foundation Professorial Chair Award (2008)'' | ||
| Line 151: | Line 152: | ||
University of the Philippines System | University of the Philippines System | ||
==See Also== | |||
* [[UP College of Arts and Letters]] | |||
* [[Department of Speech Communication and Theater Arts]] | |||
[[Category:UP People]][[Category:UPD Faculty]][[Category:CAL Faculty]][[Category:DSCTA Faculty]] | |||
Latest revision as of 14:41, 22 May 2012
PhD Anthropology (Cultural Anthropology/Performance Studies)
College of Social Science and Philosophy, UP Diliman (ongoing)
MA Theatre Arts
UP Diliman, 2006
Courses handled
Undergraduate
Theatre 11 (Dula at Palabas)
Theatre 12 (Introduction to the Art and Craft of Acting)
Theatre 160 (History of the Theatre)
Theatre 161 (Contemporary Philippine Theatre)
Theatre 162 (Asian Theatre and Drama)
Theatre 163 (Creative Theatre for Children and the Youth)
Theatre 171 (Playwriting)
Speech 199 (Theatre Research)
Theatre 200 (Undergraduate Thesis)
Graduate
Theatre 291 (Theatre Seminar: Readings in Philippine Performance Studies)
Creative Works
Atang (2008) (Dramaturg)
Dulaang UP
Direction: Alexander Cortez
Devise: Floy Quintos
Isang Panaginip na Fili (2008) (Actor: Padre Irene)
Dulaang UP
Direction and Playwright: Floy Quintos
UAAP 71st Season Opening Ceremony (2008) (Concept of Scriptwriter)
Araneta Coliseum
University of the Philippines (Host)
Orosman at Zafira (2008) (Dramaturg and Deviser)
Dulaang UP
Direction: Dexter Santos
Conferences/Published Papers
30th Anthropological Association in the Philippines Annual Conference
Paper Presenter: “Post-script to UP Komedya Fiesta: Prelude to a National Theatre and Heritage Discourse”
City of San Fernando, Pampanga
October 23 – 25, 2008
51st International Federation for Theatre Research Conference Paper Presenter: “Apalit’s Fluvial Parade, Cutud’s Ritual of Nailing on the Cross and Calabanga’s Funeral of the Dead Christ: Theatres of Ambivalences in Three Philippine Catholic Communities”
Chung-Ang University, Seoul, South Korea
July 14 – 19, 2008
Postscript to UP KOMEDYA FIESTA 2008: Preliminary Insights on Komedya, National Theatre and Heritage (in press)Asian Theatre Journal, Volume 26, Number 1 (Spring 2009 Issue)
University of Hawaii
Celebrating in the Waters and Frolicking with St. Peter: Performance of a Catholic Narrative and a Folk Narrative in a Kapampangan Community Philippine Humanities Review, Volume 10 (2008)
(Special Issue on Philippine Performance Studies)
University of the Philippines
Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering Lead Author (with Prof. Amihan Bonifacio-Ramolete)
Asian Theatre Journal, Volume 25, Number 1 (Spring 2008 Issue)
University of Hawaii
Awards and Recognitions
UP Foundation Professorial Chair Award (2008)
For the research “Libad ng Apung Iru and Pamamaku king Krus: The Ambiguity of Catholicism in Two Kapampangang Cultural Spectacles”
University of the Philippines System
International Publication Award (2008) For the article “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering”
University of the Philippines System