Sumagang - Revision history

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2022-06-17T07:32:07Z

Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

← Older revision		Revision as of 15:32, 17 June 2022
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	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbooks/SUMAGANG.z421 View Thesis]		[https://iskomunidad.upd.edu.ph/flipbooks/SUMAGANG.z421 View Thesis]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]][[Category:2012 Thesis]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]][[Category:2012 Thesis]]

Rsmoralejo at 04:28, 11 April 2012

2012-04-11T04:28:00Z

← Older revision		Revision as of 12:28, 11 April 2012
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	~~SUMAGANG~~


	ABSTRACT		ABSTRACT

	~~Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, (2012)~~

			“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.

	~~“Sumagang” (~~in ~~direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man~~, ~~Carl’s recount on one of his journey~~ from ~~his hike in~~ the ~~mountains,~~ to escape from ~~his problems. He sees the mountains~~ to ~~be a realm where he might get rid of his burden of self. But~~, ~~some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe~~, ~~he discovers the impossibility to escape~~, ~~and~~ that the ~~place has also ills~~ of ~~their own~~, ~~the only thing to do is to transcend~~ and ~~look on a different perspective~~.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.

	The film ~~uses two theories: theory of Orientalism~~, ~~in which, the people~~ from the ~~West have tendency to~~ escape ~~from its current ills~~, ~~and~~ to ~~seek solace, however unrealistic and evanescent~~, in ~~imaginary worlds elsewhere, a longing for a timeless state of being~~ that ~~transcends~~ the ~~painful divisions~~ of ~~this world. (Clarke, John James~~, ~~1997:19)~~ and ~~Existentialism~~.		The two perspective applies on the film, with its elements on an individual that searches freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers from the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.

	~~The two perspective applies on the film~~, ~~with its elements on an individual that searches freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems~~, ~~but his choices~~ of ~~circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers from~~ the ~~ills~~ of ~~their own and somehow mirrored his disputes~~, ~~and he realizes that escape is neither the solution nor the answer.~~		Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, (2012)


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	~~View Thesis: [~~[http://iskwiki.upd.edu.ph/flipbooks/SUMAGANG.z421]]		[http://iskwiki.upd.edu.ph/flipbooks/SUMAGANG.z421 View Thesis]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]][[Category:2012 Thesis]]

Cnfilio at 15:12, 29 March 2012

2012-03-29T15:12:36Z

← Older revision		Revision as of 23:12, 29 March 2012
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	The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.

	The two perspective applies on the film, with its elements on an individual that searches ~~for a~~ freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.		The two perspective applies on the film, with its elements on an individual that searches freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers from the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.

Cnfilio at 15:11, 29 March 2012

2012-03-29T15:11:27Z

← Older revision		Revision as of 23:11, 29 March 2012
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	“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.		“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.

	The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.

	The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.		The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.

Cnfilio at 15:10, 29 March 2012

2012-03-29T15:10:22Z

← Older revision		Revision as of 23:10, 29 March 2012
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	ABSTRACT		ABSTRACT

	Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, 2012		Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, (2012)


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	The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.
	The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.		The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.


	Subject Index: Existentialism and Orientalism in motion picture		Subject Index: Existentialism and Orientalism in motion picture

Cnfilio at 15:07, 29 March 2012

2012-03-29T15:07:49Z

← Older revision		Revision as of 23:07, 29 March 2012
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	Subject Index: Existentialism and Orientalism in motion picture		Subject Index: Existentialism and Orientalism in motion picture

	Keywords: Journey, Orientalism		Keywords: Journey, Orientalism


	View Thesis: [[~~z421~~:SUMAGANG.~~pdf~~]]		View Thesis: [[http://iskwiki.upd.edu.ph/flipbooks/SUMAGANG.z421]]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]

Cnfilio at 15:06, 29 March 2012

2012-03-29T15:06:36Z

← Older revision		Revision as of 23:06, 29 March 2012
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	ABSTRACT		ABSTRACT

	Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, 2012		Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, 2012

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	View Thesis:		View Thesis: [[z421:SUMAGANG.pdf]]
	[[~~flipbooks~~:SUMAGANG~~.z421~~.pdf]]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]

Cnfilio at 15:01, 29 March 2012

2012-03-29T15:01:25Z

← Older revision		Revision as of 23:01, 29 March 2012
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	View Thesis:		View Thesis:
	[[~~Image~~:SUMAGANG.~~zip~~.pdf]]		[[flipbooks:SUMAGANG.z421.pdf]]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]

Cnfilio at 14:56, 29 March 2012

2012-03-29T14:56:33Z

← Older revision		Revision as of 22:56, 29 March 2012
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	ABSTRACT		ABSTRACT
	Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, 2012		Filio, Chanelle N. Sumagang. Unpublished Student Thesis, University of the Philippines College of Mass Communication, 2012


	“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.		“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.
	The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.
	The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.		The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.

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	View Thesis:[[Image: ~~http://iskwiki.upd.edu.ph/flipbooks/~~SUMAGANG.~~z421/~~.pdf]]		View Thesis:
			[[Image:SUMAGANG.zip.pdf]]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]

Cnfilio at 14:54, 29 March 2012

2012-03-29T14:54:33Z

← Older revision		Revision as of 22:54, 29 March 2012
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	“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.		“Sumagang” (in direct translation to Filipino can mean “sunrise” or “rising sun”) is a thirteen-minute short film about a disheartened young man, Carl’s recount on one of his journey from his hike in the mountains, to escape from his problems. He sees the mountains to be a realm where he might get rid of his burden of self. But, some mishaps compelled him to stay several days with the indigenous people- called Agta. As he immersed with the indigenous tribe, he discovers the impossibility to escape, and that the place has also ills of their own, the only thing to do is to transcend and look on a different perspective.
	The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.		The film uses two theories: theory of Orientalism, in which, the people from the West have tendency to escape from its current ills, and to seek solace, however unrealistic and evanescent, in imaginary worlds elsewhere, a longing for a timeless state of being that transcends the painful divisions of this world. (Clarke, John James, 1997:19) and Existentialism.
	The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.		The two perspective applies on the film, with its elements on an individual that searches for a freedom from the bleakness of human existence on a realm that he thinks will help him escape his problems, but his choices of circumstances lead him to be introduced to the indigenous people- Agta, who dwells in that place. There he discovered that the place also suffers in the ills of their own and somehow mirrored his disputes, and he realizes that escape is neither the solution nor the answer.

	"View Thesis:"[[Image: http://iskwiki.upd.edu.ph/flipbooks/SUMAGANG.z421/.pdf]]		Subject Index: Existentialism and Orientalism in motion picture
			Keywords: Journey, Orientalism


			View Thesis:[[Image: http://iskwiki.upd.edu.ph/flipbooks/SUMAGANG.z421/.pdf]]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:Thesis--Cinema]][[Category:Thesis--Orientalism]]