Moro Love: The Ambivalence of Representation - Revision history

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← Older revision		Revision as of 13:20, 17 June 2022
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	TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.		TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbooks/MoroLove.z70 View Thesis]		[https://iskomunidad.upd.edu.ph/flipbooks/MoroLove.z70 View Thesis]


	[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2012 Thesis]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2012 Thesis]]

Iskwiki.admin at 13:32, 17 April 2012

2012-04-17T13:32:19Z

← Older revision		Revision as of 21:32, 17 April 2012
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	TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.		TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

	~~"View Thesis:"~~ http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70		[http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70 View Thesis]


			[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2012 Thesis]]

Jbtampol at 12:35, 17 April 2012

2012-04-17T12:35:18Z

← Older revision		Revision as of 20:35, 17 April 2012
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	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.		''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.

	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation

Jbtampol: Categories: CMC Thesis | Department of Broadcast Communication Thesis | Theses

2012-04-17T12:34:06Z

Categories: CMC Thesis | Department of Broadcast Communication Thesis | Theses

← Older revision		Revision as of 20:34, 17 April 2012
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	By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.		By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.

	This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.		This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers. Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.

	Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.

	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.		''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.

Jbtampol: Categories: CMC Thesis | Department of Broadcast Communication Thesis | Theses

2012-04-17T12:33:24Z

Categories: CMC Thesis | Department of Broadcast Communication Thesis | Theses

← Older revision		Revision as of 20:33, 17 April 2012
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	ABSTRACT		ABSTRACT

	This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.		This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.

	By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.		By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.

	This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.		This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.

	Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.		Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.

	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.		''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.
	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation
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	"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70		"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70


	~~Categories: CMC Thesis \| Department of Broadcast Communication Thesis \| Theses~~

Jbtampol at 12:32, 17 April 2012

2012-04-17T12:32:23Z

← Older revision		Revision as of 20:32, 17 April 2012
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	This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.		This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.
	Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.		Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.
	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.		''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.
	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation

	TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.		TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

	"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70		"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70


	Categories: CMC Thesis \| Department of Broadcast Communication Thesis \| Theses		Categories: CMC Thesis \| Department of Broadcast Communication Thesis \| Theses

Jbtampol at 12:31, 17 April 2012

2012-04-17T12:31:41Z

← Older revision		Revision as of 20:31, 17 April 2012
Line 1:		Line 1:
	ABSTRACT		ABSTRACT

	~~TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.~~


	This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.		This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.
			By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.

	By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.


	This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.		This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.
	Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.		Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.
			''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.

	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.





	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation
			TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.
			"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70


			Categories: CMC Thesis \| Department of Broadcast Communication Thesis \| Theses

	~~"View~~ Thesis~~:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70~~

Jbtampol at 12:19, 17 April 2012

2012-04-17T12:19:47Z

← Older revision		Revision as of 20:19, 17 April 2012
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	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation
	"View Thesis:" ~~[[Image~~:MoroLove.~~pdf]]~~



			"View Thesis:" http://iskwiki.upd.edu.ph/flipbooks/MoroLove.z70

Jbtampol at 12:16, 17 April 2012

2012-04-17T12:16:41Z

← Older revision		Revision as of 20:16, 17 April 2012
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	Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation		Keywords: Moro, colonialism, resistance, White Love, ambivalence, nation
			"View Thesis:" [[Image:MoroLove.pdf]]

Jbtampol at 12:14, 17 April 2012

2012-04-17T12:14:43Z

← Older revision		Revision as of 20:14, 17 April 2012
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	TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.		TAMPOL, J.B. (2012). ''Moro Love: The Ambivalence of Representation'', Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.


	This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.		This study will seek to interrogate, examine and deconstruct the stigmatized representations of the Moro identities, lives and struggles in the films ''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001). I will look at how these audio-visual texts make representations of the Moro to legitimize the status quo and to favor the othering of the Moro.


	By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.		By using Vicente Rafael’s (2000) concept of White Love, Homi Bhabha’s (1994) ambivalence of colonial discourse and his application of Sigmund Freud’s (1927) fetish, this study will endeavor to expose the contradictions embedded within the stereotypes of the Moro, how these stereotypes reflect the pseudo-superiority of the Filipinos over the Moros.


	This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.		This study will argue that the concept of Filipino nation is impossible. Drawing on Slavoj Zizek’s (1993) enjoyment of the other, the Filipinos detest Moros' organization of their enjoyment, which is grounded upon their political and social ascendancy which began during the 13th century and their history of resistance against the colonizers.
	Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.		Thus, Moro Love functions the same as White Love, where the Filipinos have taken upon themselves to assume the moral duty to suppress and oppress the Moros as a toll for their unyielding resistance to the powers and ideology of the colonizers.


	''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.		''Zamboanga'' (1937), ''The Real Glory'' (1939), ''Badjao'' (1957) and ''Bagong Buwan'' (2001) as colonial discourses serve the purpose of the Moro Love by unrepresenting the Moros through their representation.