Katapusang Labok - Revision history

Iskwiki.admin: Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

2022-06-16T04:58:19Z

Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

← Older revision		Revision as of 12:58, 16 June 2022
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	Key Words: Motion Picture, Post-colonialism, Sociology of Religion, Marxism, Fisher folks, Resistance		Key Words: Motion Picture, Post-colonialism, Sociology of Religion, Marxism, Fisher folks, Resistance

	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]		[https://iskomunidad.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

	[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:Theses]][[Category:2012 Thesis]]		[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:Theses]][[Category:2012 Thesis]]

Aealonso at 03:06, 12 April 2012

2012-04-12T03:06:30Z

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	Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication		Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication


	ABSTRACT		ABSTRACT

Aealonso at 03:06, 12 April 2012

2012-04-12T03:06:18Z

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			Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication

	ABSTRACT		ABSTRACT

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	Religious influences push the protagonist to employ metaphysical means i.e. superstitious and ceremonial activities to aid his gambling. This is how religion in this post-colonialist culture functions as an ideological state apparatus that reinforces the status quo. However, Katapusang Labok aims to adopt a materialist view. With this, it shows that understanding faith with its’ underlying socio-political and economic conditions, one can create and set his or her own conditions on religion. Katapusang Labok suggests that the resolution to the contradiction is derived from a conscious internal decision that is geared towards the struggle because; as long as there is oppression, there is resistance.		Religious influences push the protagonist to employ metaphysical means i.e. superstitious and ceremonial activities to aid his gambling. This is how religion in this post-colonialist culture functions as an ideological state apparatus that reinforces the status quo. However, Katapusang Labok aims to adopt a materialist view. With this, it shows that understanding faith with its’ underlying socio-political and economic conditions, one can create and set his or her own conditions on religion. Katapusang Labok suggests that the resolution to the contradiction is derived from a conscious internal decision that is geared towards the struggle because; as long as there is oppression, there is resistance.

	~~Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication~~

Rsmoralejo at 04:03, 10 April 2012

2012-04-10T04:03:59Z

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	~~'''Katapusang Labok'''~~		ABSTRACT

	~~ABSTRACT~~		Katapusang Labok is set in a quiet seaside town, north of Cebu, where fisher folks face the harsh reality of human-induced environmental conditions. Fueled by the consequences of dwindling marine resources, Randy, a late 20’s fisherman, has delved into the world of cockfighting. He wants to make his first try in the town’s derby. His mother tells him that he can find hope and luck if he participates in the city’s Solemn Procession for the feast of the Señor Santo Niño. At the same time, Tonyo, a fellow fisher folk, invites Randy to take part in their fight against the coral harvesters. Ultimately, Randy has to make a choice between the struggle and devotion to the Santo Niño.

			Religious influences push the protagonist to employ metaphysical means i.e. superstitious and ceremonial activities to aid his gambling. This is how religion in this post-colonialist culture functions as an ideological state apparatus that reinforces the status quo. However, Katapusang Labok aims to adopt a materialist view. With this, it shows that understanding faith with its’ underlying socio-political and economic conditions, one can create and set his or her own conditions on religion. Katapusang Labok suggests that the resolution to the contradiction is derived from a conscious internal decision that is geared towards the struggle because; as long as there is oppression, there is resistance.

	Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication		Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication

	Katapusang Labok is set in a quiet seaside town, north of Cebu, where fisher folks face the harsh reality of human-induced environmental conditions. Fueled by the consequences of dwindling marine resources, Randy, a late 20’s fisherman, has delved into the world of cockfighting. He wants to make his first try in the town’s derby. His mother tells him that he can find hope and luck if he participates in the city’s Solemn Procession for the feast of the Señor Santo Niño. At the same time, Tonyo, a fellow fisher folk, invites Randy to take part in their fight against the coral harvesters. Ultimately, Randy has to make a choice between the struggle and devotion to the Santo Niño.

	Religious influences push the protagonist to employ metaphysical means i.e. superstitious and ceremonial activities to aid his gambling. This is how religion in this post-colonialist culture functions as an ideological state apparatus that reinforces the status quo. However, Katapusang Labok aims to adopt a materialist view. With this, it shows that understanding faith with its’ underlying socio-political and economic conditions, one can create and set his or her own conditions on religion. Katapusang Labok suggests that the resolution to the contradiction is derived from a conscious internal decision that is geared towards the struggle because; as long as there is oppression, there is resistance.

	Key Words: Motion Picture, Post-colonialism, Sociology of Religion, Marxism, Fisher folks, Resistance		Key Words: Motion Picture, Post-colonialism, Sociology of Religion, Marxism, Fisher folks, Resistance

Iskwiki.admin at 00:10, 9 April 2012

2012-04-09T00:10:30Z

← Older revision		Revision as of 08:10, 9 April 2012
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	[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

	[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]]		[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:Theses]][[Category:2012 Thesis]]

Aealonso: Katapusang labok moved to Katapusang Labok

2012-04-08T18:09:14Z

Katapusang Labok moved to Katapusang Labok

← Older revision		Revision as of 02:09, 9 April 2012
(No difference)

Aealonso at 18:08, 8 April 2012

2012-04-08T18:08:18Z

← Older revision		Revision as of 02:08, 9 April 2012
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	[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

	[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis~~]][[Category:UPFI~~]]		[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]]

Aealonso at 18:07, 8 April 2012

2012-04-08T18:07:58Z

← Older revision		Revision as of 02:07, 9 April 2012
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	[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

	[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:~~Thesis--Subject Field]][[Category:Thesis--Subject Sub-field~~]]		[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:UPFI]]

Aealonso at 18:07, 8 April 2012

2012-04-08T18:07:12Z

← Older revision		Revision as of 02:07, 9 April 2012
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	[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

	[[Category:~~Theses]][[Category:College of Mass Communication~~ Thesis]][[Category:Department of Film Thesis]][[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]]		[[Category:CMC Thesis]][[Category:Department of Film and Audio Visual Communication Thesis]][[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]]

Aealonso: New page: '''Katapusang Labok''' ABSTRACT Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication Katapusang Labok is set i...

2012-04-08T18:03:22Z

New page: '''Katapusang Labok''' ABSTRACT Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication Katapusang Labok is set i...

New page

'''Katapusang Labok'''

ABSTRACT

Alonso, A.E. (2012). Katapusang Labok. Unpublished Student Thesis, University of the Philippines College of Mass Communication

Katapusang Labok is set in a quiet seaside town, north of Cebu, where fisher folks face the harsh reality of human-induced environmental conditions. Fueled by the consequences of dwindling marine resources, Randy, a late 20’s fisherman, has delved into the world of cockfighting. He wants to make his first try in the town’s derby. His mother tells him that he can find hope and luck if he participates in the city’s Solemn Procession for the feast of the Señor Santo Niño. At the same time, Tonyo, a fellow fisher folk, invites Randy to take part in their fight against the coral harvesters. Ultimately, Randy has to make a choice between the struggle and devotion to the Santo Niño.

Religious influences push the protagonist to employ metaphysical means i.e. superstitious and ceremonial activities to aid his gambling. This is how religion in this post-colonialist culture functions as an ideological state apparatus that reinforces the status quo. However, Katapusang Labok aims to adopt a materialist view. With this, it shows that understanding faith with its’ underlying socio-political and economic conditions, one can create and set his or her own conditions on religion. Katapusang Labok suggests that the resolution to the contradiction is derived from a conscious internal decision that is geared towards the struggle because; as long as there is oppression, there is resistance.

Key Words: Motion Picture, Post-colonialism, Sociology of Religion, Marxism, Fisher folks, Resistance

[http://iskwiki.upd.edu.ph/flipbooks/Katapusang5329/ View Thesis]

[[Category:Theses]][[Category:College of Mass Communication Thesis]][[Category:Department of Film Thesis]][[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]]