Katahimikan, 2500 - Revision history

Iskwiki.admin: Text replacement - "iskomunidad.upd.edu.ph/flipbook/" to "iskwiki.upd.edu.ph/"

2022-08-30T02:58:06Z

Text replacement - "iskomunidad.upd.edu.ph/flipbook/" to "iskwiki.upd.edu.ph/"

← Older revision		Revision as of 02:58, 30 August 2022
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	The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.		The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.

	[https://~~iskomunidad~~.upd.edu.ph~~/flipbook~~/viewer/?fb=2013-70635-Katahimi View Thesis]		[https://iskwiki.upd.edu.ph/viewer/?fb=2013-70635-Katahimi View Thesis]

	[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]		[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]

Iskwiki.admin: Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

2022-06-16T05:02:17Z

Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

← Older revision		Revision as of 05:02, 16 June 2022
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	The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.		The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.

	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbook/viewer/?fb=2013-70635-Katahimi View Thesis]		[https://iskomunidad.upd.edu.ph/flipbook/viewer/?fb=2013-70635-Katahimi View Thesis]

	[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]		[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]

Mpbelardo at 09:27, 29 May 2021

2021-05-29T09:27:48Z

← Older revision		Revision as of 09:27, 29 May 2021
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	'''Abstract'''		'''Abstract'''

			"Katahimikan, 2500"

	Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.		Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.

Mpbelardo at 09:27, 29 May 2021

2021-05-29T09:27:32Z

← Older revision		Revision as of 09:27, 29 May 2021
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	'''Abstract'''		'''Abstract'''


	Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.		Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.
	The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.		The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.

Mpbelardo at 09:27, 29 May 2021

2021-05-29T09:27:18Z

← Older revision		Revision as of 09:27, 29 May 2021
Line 1:		Line 1:
	'''Abstract'''		'''Abstract'''
	<Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.		Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.
	The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.>		The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.

	[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2013-70635-Katahimi View Thesis]		[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2013-70635-Katahimi View Thesis]

	[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]		[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]

Mpbelardo: Created page with "'''Abstract'''
2021-05-29T09:27:00Z

Created page with "'''Abstract''' <Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humani..."

New page
'''Abstract'''
<Two girls, Jun and Mia, travel together from their small village to a faraway rocket ship station. Along the way, Mia is confronted with the reality of humanity’s destruction of the world, while Jun grapples with having to lose her closest friend. Standing at the rocket’s doors, Mia is forced to choose between leaving Earth and Jun, and a pathway to a new existence among the stars.
The film touches on the pain of leaving home for a better life, while also picturing a world after humanity. Through a lens of posthumanism and narrative theory, the film asks what it means to be human, and meditates on images of unrequited love and post-apocalypse. It explores Japanese Buddhist and Zen Aesthetics as they relate to hand-drawn animation.>

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2013-70635-Katahimi View Thesis]

[[Category:College of Mass Communication Thesis]][[Category:Theses]][[Category:Film]][[Category:2019 Thesis]]