Jose Wendell P. Capili - Revision history

Jpcapili: /* Biography */

2024-01-11T16:29:56Z

Biography

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	He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, the University of Hong Kong, Universiti Kebangsaan Malaysia, the University of Malaya, the University of Melbourne, the University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.		He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, the University of Hong Kong, Universiti Kebangsaan Malaysia, the University of Malaya, the University of Melbourne, the University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.

	His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on ~~Multicultural~~ Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at the Hilo Humanities International Conference (UHHHIC, 2019), the International Multidisciplinary Academic Conference (IMAC) on "Embracing Teaching and Learning In The New Norm Education" (Kota Kinabalu, 2022) and the International Conference on Literature, Language, History, and Media (Faculty of Cultural Sciences, Universitas Jember, Indonesia, 2023)		His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multidisciplinary Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at the Hilo Humanities International Conference (UHHHIC, 2019), the International Multidisciplinary Academic Conference (IMAC) on "Embracing Teaching and Learning In The New Norm Education" (Kota Kinabalu, 2022) and the International Conference on Literature, Language, History, and Media (Faculty of Cultural Sciences, Universitas Jember, Indonesia, 2023)

	He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).

Jpcapili: /* Biography */

2024-01-09T06:48:22Z

Biography

Jpcapili: /* Biography */

2023-12-02T16:34:40Z

Biography

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	He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).		He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).

	Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-~~March 2019~~) ~~and Officer in Charge~~, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).		Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works, and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019), OIC-Director, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023) and Vice President for Public Affairs (February-August 2023).

	He is among the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022) ~~and~~ the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), ~~University~~ of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.		He is among the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022, 2022-2023) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022, 2022-2023, 2023-2024) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.

	His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).		His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).
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	Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).		Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).

	His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (Manila: Limbagang Pangkasaysayan, 2023), ~~The~~ Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), Get Luckier (Poetry Festival Singapore (2022), ~~ITJ~~ (Tokyo), ~~A Habit~~ of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, ~~Philippines Graphic~~, Philippines Graphic Reader, ~~Philippine~~ Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, The Lives of a Filipino/a High School Student (UST Publishing House, 2022), ~~Tinig~~, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？(Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).		His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (Manila: Limbagang Pangkasaysayan, 2023), The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), Get Luckier (Poetry Festival Singapore (2022), ITJ (Tokyo), A Habit of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Paramita: Historical Studies Journal (Universitas Negeri Semarang and Indonesian Historical Society, 2023), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, Philippines Graphic, Philippines Graphic Reader, Philippine Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, The Lives of a Filipino/a High School Student (UST Publishing House, 2022), Tinig, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？(Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).

	He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration and popular culture.		He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration, and popular culture.

	He is a Life Member of Clare Hall, University of Cambridge. He sits on the International Advisory Board of the Hawai'i Journal of the Humanities and 3L: Language, Linguistics, Literature®️ The Southeast Asian Journal of English Language Studies (Universiti Kebangsaan Malaysia).		He is a Life Member of Clare Hall, University of Cambridge. He sits on the International Advisory Board of the Hawai'i Journal of the Humanities and 3L: Language, Linguistics, Literature®️ The Southeast Asian Journal of English Language Studies (Universiti Kebangsaan Malaysia).

	He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, University of Hong Kong, Universiti Kebangsaan Malaysia, University of Malaya, University of Melbourne, University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.		He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, the University of Hong Kong, Universiti Kebangsaan Malaysia, the University of Malaya, the University of Melbourne, the University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.

	His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), ~~and at~~ the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).		His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at the Hilo Humanities International Conference (UHHHIC, 2019), the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022) and the International Conference on Literature, Language, History, and Media (Faculty of Cultural Sciences, Universitas Jember, Indonesia, 2023)

	He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).

Jpcapili at 19:51, 5 August 2023

2023-08-05T19:51:31Z

← Older revision		Revision as of 03:51, 6 August 2023
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	He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).

	~~== Previous Administrative Positions ==~~

	Assistant Vice President for Public Affairs, Internal Communication and Cultural Programs (1 January 2019-9 February 2023) and OIC-Director, UP Media and Public Relations Office (January 2021-9 February 2023)

	~~Assistant Vice President for Public Affairs and Director, Office of Alumni Relations, UP System (January 2018-January 2019)~~

	~~Assistant Vice President for Public Affairs (Communications, February-December 2017) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office on 1 April 2017)~~

	~~(SIO)/UP Media and Public Relations Office (MPRO), UP System (February-June 2017)~~

	~~Assistant Vice President for Public Affairs and Director, Office of Alumni Relations, UP System (February 2011-February 2017)~~

	~~Assistant Vice President for Public Affairs and Director, Information Office, UP System (May 2009-February 2011)~~

	~~Associate Dean for Academic Affairs and Coordinator, Graduate Studies Office (GSO), College of Arts and Letters, UP Diliman (June 2007-July 2009)~~

	~~Associate Dean for Research, Creative Works and Publications, College of Arts and Letters, UP Diliman (April-May 2007)~~

	~~Associate Dean for Administration and Development, UP College of Arts and Letters, UP Diliman (2000-2003, 2003-2004)~~

	~~Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001)~~

	==Courses handled==		==Courses handled==

Jpcapili: /* Biography */

2023-08-05T19:50:37Z

Biography

← Older revision		Revision as of 03:50, 6 August 2023
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	Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.		Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.

	He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD)~~.He is also Vice President for Public Affairs, University of the Philippines System~~.		He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).

	Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).		Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).

Jpcapili at 00:36, 27 April 2023

2023-04-27T00:36:00Z

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	Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).		Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).

	He is ~~one of~~ the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.		He is among the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.

	His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).		His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).
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	His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), and at the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).		His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), and at the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).

	He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (~~Online~~/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).

	== Administrative Positions ==		== Previous Administrative Positions ==

	Assistant Vice President for Public Affairs, Internal Communication and Cultural Programs (1 January 2019-9 February 2023) and OIC-Director, UP Media and Public Relations Office (January 2021-9 February 2023)		Assistant Vice President for Public Affairs, Internal Communication and Cultural Programs (1 January 2019-9 February 2023) and OIC-Director, UP Media and Public Relations Office (January 2021-9 February 2023)

Jpcapili: /* Biography */

2023-04-23T15:42:32Z

Biography

← Older revision		Revision as of 23:42, 23 April 2023
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	His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), and at the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).		His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), and at the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).

	~~In 2023, he~~ was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies (~~AAS~~) ~~Conference~~. The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Online/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).



	== Administrative Positions ==		== Administrative Positions ==

Jpcapili at 15:30, 7 April 2023

2023-04-07T15:30:33Z

Jpcapili: /* Administrative Positions */

2023-01-21T15:07:52Z

Administrative Positions

← Older revision		Revision as of 23:07, 21 January 2023
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	== Administrative Positions ==		== Administrative Positions ==

	Assistant Vice President for Public Affairs, Internal Communication and Cultural Programs (January 2019-~~present~~) and ~~Office in Charge~~, UP Media and Public Relations Office (January 2021-~~present(~~		Assistant Vice President for Public Affairs, Internal Communication and Cultural Programs (1 January 2019-9 February 2023) and OIC-Director, UP Media and Public Relations Office (January 2021-9 February 2023)

	Assistant Vice President for Public Affairs and Director, Office of Alumni Relations, UP System (January 2018-January 2019)		Assistant Vice President for Public Affairs and Director, Office of Alumni Relations, UP System (January 2018-January 2019)

Jpcapili: /* Biography */

2023-01-21T15:06:11Z

Biography

← Older revision		Revision as of 23:06, 21 January 2023
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	Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.		Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.

	He is Professor 12 (Department of English and Comparative Literature) at the College of Arts and Letters (CAL), UP Diliman (UPD)~~, and Assistant Vice President for Public Affairs (May 2009-present), University of the Philippines System~~.		He is Professor 12 (Department of English and Comparative Literature) at the College of Arts and Letters (CAL), UP Diliman (UPD).

	Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-January 2019) and ~~Officer in Charge~~, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-~~present~~).		Previously, he was also Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-January 2019) and OIC-Director, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023). He was Assistant Vice President for Public Affairs (May 2009-9 February 2023), University of the Philippines System.

	He is one of the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle--Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.		He is one of the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle--Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.

← Older revision		Revision as of 14:48, 9 January 2024
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	==Biography==		==Biography==

	Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.		Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), the University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.

	He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).		He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).
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	He is among the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022, 2022-2023) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022, 2022-2023, 2023-2024) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.		He is among the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022, 2022-2023) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022, 2022-2023, 2023-2024) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.

	His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (~~pop culture~~, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).		His books are A Madness of Birds (poetry, University of the Philippines Press, 1998), Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (Pop Culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).

	Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).		Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).

	His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (Manila: Limbagang Pangkasaysayan, 2023), The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), Get Luckier (Poetry Festival Singapore (2022), ITJ (Tokyo), A Habit of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Paramita: Historical Studies Journal (Universitas Negeri Semarang and Indonesian Historical Society, 2023), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, Philippines Graphic, Philippines Graphic Reader, Philippine Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, The Lives of a Filipino/a High School Student (UST Publishing House, 2022), Tinig, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？(Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).		His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Indonesia, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (Manila: Limbagang Pangkasaysayan, 2023), The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), Get Luckier (Poetry Festival Singapore (2022), ITJ (Tokyo), A Habit of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Paramita: Historical Studies Journal (Universitas Negeri Semarang and Indonesian Historical Society, 2023), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, Philippines Graphic, Philippines Graphic Reader, Philippine Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, The Lives of a Filipino/a High School Student (UST Publishing House, 2022), Tinig, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？ (Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).

	He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration, and popular culture.		He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration, and popular culture.
Line 32:		Line 32:
	He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, the University of Hong Kong, Universiti Kebangsaan Malaysia, the University of Malaya, the University of Melbourne, the University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.		He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, the University of Hong Kong, Universiti Kebangsaan Malaysia, the University of Malaya, the University of Melbourne, the University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.

	His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at the Hilo Humanities International Conference (UHHHIC, 2019), the International Multidisciplinary Academic Conference (IMAC) on ~~“Embracing~~ Teaching and Learning In The New Norm ~~Education”~~ (Kota Kinabalu, 2022) and the International Conference on Literature, Language, History, and Media (Faculty of Cultural Sciences, Universitas Jember, Indonesia, 2023)		His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at the Hilo Humanities International Conference (UHHHIC, 2019), the International Multidisciplinary Academic Conference (IMAC) on "Embracing Teaching and Learning In The New Norm Education" (Kota Kinabalu, 2022) and the International Conference on Literature, Language, History, and Media (Faculty of Cultural Sciences, Universitas Jember, Indonesia, 2023)

	He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).		He was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies Conference (Virtual/Boston, 2023). The session was sponsored by the AAS Southeast Asia Council (SEAC).

← Older revision		Revision as of 23:30, 7 April 2023
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	Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.		Jose Wendell P. Capili (カピリ・ホセ) obtained degrees from the University of Santo Tomas (UST), University of the Philippines (UP), The University of Tokyo, The University of Cambridge and The Research School of Pacific and Asian Studies (renamed School of Culture, History & Language, College of Asia and the Pacific) of The Australian National University (ANU), where he earned his Ph.D.

	He is Professor 12 (Department of English and Comparative Literature~~) at the~~ College of Arts and Letters (CAL), UP Diliman (UPD).		He is Professor 12 at the Department of English and Comparative Literature, College of Arts and Letters (CAL), UP Diliman (UPD).He is also Vice President for Public Affairs, University of the Philippines System.

	Previously, he was ~~also~~ Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-~~January 2019~~) and ~~OIC-Director~~, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023)~~. He was Assistant Vice President for Public Affairs (May 2009-9 February 2023), University of the Philippines System~~.		Previously, he was Program Development Associate to the UP Diliman Chancellor (1997-1999, 1999-2001); UP CAL Associate Dean for Administration and Development (2000-2003, 2003-2004), Associate Dean for Research, Creative Works and Publications (April-May 2007), Associate Dean for Academic Affairs (June 2007-July 2009), Coordinator, UP CAL Graduate Studies Office (June 2007-July 2009); Director, UP System Information Office (May 2009-February 2011), Director, UP System Office of Alumni Relations (February 2011-February 2017; January 2018-March 2019) and Officer in Charge, UP System Information Office (renamed UP Media and Public Relations Office [MPRO], February-June 2017; 18 January 2021-9 February 2023).

	He is one of the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), ~~and~~ the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle--Bacolod (2001), ~~University~~ of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.		He is one of the 7 Achievement Awardees for 2020 of the Department of Science and Technology-National Research Council of the Philippines (DOST-NRCP). He was a recipient of the Carlos Palanca Memorial Award for Literature (Essay, 1996), the Cultural Center of the Philippines Award for Literature (Poetry, 1993), the UP International Publication Award (2001), the UP Diliman Gawad Chancellor (1998), the UP System Outstanding Student Artist Award (1989), the UP System Creative Writing Grant (2003-2004), the UP Carlos P. Romulo Professorial Chair (1998-1999, 2000-2001), the UP Centennial Professorial Chair (2008-2009, 2009-2010, 2010-2011, 2016-2017), the UP Centennial Faculty Grant (2021-2022) and the One UP Professorial Chair for Teaching and Research (2016-2017, 2017-2018, 2018-2019, 2019-2020, 2020-2021, 2021-2022) as well as scholarships, grants and fellowships from Arts NSW (renamed Create NSW)/Sydney Writers Festival (2007, 2008), the city councils of Blacktown, Casula, and Fairfax, NSW (2007, 2008), The Cambridge Trust (1995-1996), British Council (2000, 2001), The Japanese Ministry of Education (Monbusho)/University of Tokyo (1993-1995), The University of Hawai'i at Hilo (2017, 2019), The University of Hong Kong/Standard Chartered Bank (2000), Korea Foundation/Seoul National University/Yonsei University (1995), Asia-Europe Institute (2003) and Cultural Centre (2003) of The University of Malaya (UM), Universiti Kebangsaan Malaysia (UKM, 2012), Silliman University (1989, 2017), University of St. La Salle-Bacolod (2001), University of Kyoto (2012), Waseda University (1997), UP (1990, 2004-2007) and ANU (2004-2007) in the fields of creative writing, literature, social anthropology and (Pacific and Asian) history.

	His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).		His books are A Madness of Birds (poetry, University of the Philippines Press, 1998); Bloom and Memory (essays, University of Santo Tomas Publishing House, 2002), Mabuhay to Beauty! (pop culture, Milflores Publishing, 2003), From the Editors: Migrant Communities and Emerging Australian Community (Casula Powerhouse Arts Centre, 2007) and Salu-Salo: In Conversation with Filipinos (with John Cheeseman, Blacktown, and Liverpool, NSW: Blacktown Arts Centre and Casula Powerhouse, 2008). With John Jack Wigley, he translated and edited Lupito and the Circus Village (written by Rowald Almazar, artworks by Jose Santos III, Manila: University of Santo Tomas Publishing House, 2008).
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	Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).		Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007), his seventh book, was launched by the University of the Philippines Press on 27 May 2016. On 2 December 2017, the book garnered the 36th Philippine National Book Award for Literary History/Literary Criticism from the Manila Critics Circle and the National Book Development Board (NBDB).

	His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including ~~The~~ Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), ~~ITJ~~ (Tokyo), ~~A Habit~~ of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, ~~Philippine~~ Graphic, ~~Philippine~~ Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, ~~Tinig~~, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？(Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).		His poems, reviews, creative/critical essays, newspaper articles, translations and academic papers were published in Australia, Austria, China, England, Hong Kong, India, Japan, Korea, Malaysia, the Philippines, Singapore, and the United States, including Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (Manila: Limbagang Pangkasaysayan, 2023), The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-'90s to 2016 (UP Press, 2018), Amihan, Ang Aklat Likhaan ng Tula at Maikling Kuwento, Anagram (Johns Hopkins University), Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (translation of poems by Joi Barrios, Babaylan Women's Publishing Collective, 1990), Ani (Cultural Center of the Philippines), Asian Studies: Journal of Critical Perspectives on Asia, At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English (The Philippine PEN Poetry Anthology, 2007), Budhi (Ateneo de Manila University), Bukal, Bulawan (National Commission on Culture and the Arts), Business Mirror, Caracoa, Carillon, Dadaanin (Anvil/De la Salle University), Daluyan, Dapitan, Diliman Review, Dyaryo Filipino, Environment and Literature (Tokyo), Evening Paper, Filipino Magazin, The Filipino Reporter (New York), Flame, Flippin': Filipinos on America (New York: Asian-America Writers' Workshop, 1996), Get Luckier (Poetry Festival Singapore (2022), ITJ (Tokyo), A Habit of Shores (UP Press, 1998), Heritage and History of the University of Santo Tomas (2012), HanPil (Occasional Papers on Korean and Philippine Studies), Katipunan (Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Ateneo de Manila University), Korea Herald, Korea Times, Le Spirit D’Aujourd'hui (Tokyo: Shibundo Co. Ltd., 1999), Likhaan Anthology of Poetry and Fiction, Literary Review (Farleigh Dickinson University), Look Japan, Love Gathers All: Philippine-Singapore Poetry (Singapore: Ethos Press, 2002), Mabuhay (Philippine Air Lines), Manila Bulletin, Manila Chronicle, Mantala (NCCA), Mirror, Mr. & Ms., Nation and Culture (Solidaridad Publishing House, 2012), National Midweek, Panitikang Filipino, 100 Love Poems: Philippine Love Poetry since 1905 (UP Press, 2004), Philippine Collegian, Philippine Daily Globe, The Philippine Daily Inquirer, The Philippines Free Press, Philippines Graphic, Philippines Graphic Reader, Philippine Panorama, Philippine Studies (Ateneo de Manila University), Poet's Voice (University of Salzburg, Austria), Saligan, Sa Madaling Salita (UP Sentro ng Wikang Filipino, 2019), Sands and Coral (Silliman University), Sansiglong Mahigit ng Makabagong Tula sa Filipinas (One Hundred Years of Modernist Poetry in the Philippines, Anvil, 2006), Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (UP Press, 2004), Second Genesis (India), Social Science Diliman, Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts), Southeast Asian Review of English (Malaysia), Starweek, Sunday Inquirer Magazine, The Lives of a Filipino/a High School Student (UST Publishing House, 2022), Tinig, Tomas, 21st Century Literature, Under the Storm, UPdate, UP Forum, Varsitarian, Varsity (University of Cambridge), Westerly (University of Western Australia), World Poetry Yearbook (China), Writ Hop (NCCA, 2005), Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (NCCA, 2008), 環境と文学：言葉で何ができるか？(Japan PEN), ), 東京大学国際センターニュース (University of Tokyo), 東部研究の国際会議のトランザクション ( 東京：東方学会) and 詩のアンソロジー (Japan PEN).

	He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration and popular culture.		He was interviewed by the BBC, CNN, CCTV (China), Channel NewsAsia (Singapore), Agencia EFE (Spain), eldiario.es (Spain), El Pais (Spain), KENH-14 (Vietnam), Madame Figaro (France), Nong Nghiep (Vietnam), SBS (Australia), South China Morning Post (Hong Kong), The Strait Times (Singapore), Telemundo (Latin America), The Nation (Thailand) and Voice TV (Thailand), for his insights on creative writing, higher education, literature, migration and popular culture.

	He is a Life Member of Clare Hall, University of Cambridge. He ~~also~~ sits on the International Advisory Board of the Hawai'i Journal of the Humanities and 3L: Language, Linguistics, Literature®️ The Southeast Asian Journal of English Language Studies (Universiti Kebangsaan Malaysia). ~~In 2005, he~~ was a visiting scholar at ~~The~~ National University of Singapore, ~~The~~ University of Sydney, ~~The~~ University of Western Australia~~, The University of Melbourne~~, and ~~The~~ University ~~of Queensland~~. His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019).		He is a Life Member of Clare Hall, University of Cambridge. He sits on the International Advisory Board of the Hawai'i Journal of the Humanities and 3L: Language, Linguistics, Literature®️ The Southeast Asian Journal of English Language Studies (Universiti Kebangsaan Malaysia).

			He was a visiting scholar at the University of Cambridge, the University of Hawaii at Hilo, University of Hong Kong, Universiti Kebangsaan Malaysia, University of Malaya, University of Melbourne, University of Queensland, Seoul National University, Silpakorn University, National University of Singapore, University of Sydney, Waseda University, University of Western Australia, and Yonsei University.

			His poems and critical essays were read and featured in conferences and festivals, including the Cambridge Seminar on the Contemporary Writer, organized by the British Council at Downing College, University of Cambridge (2000), the inaugural Hong Kong International Literary Festival at the Fringe Club & the University of Hong Kong (2001), the Sydney Writers' Festival at The Liverpool Regional Museum (2007), Blacktown Arts Centre (2008) & Casula Powerhouse (2008), the 76th PEN International Congress at Keio Plaza Hotel, Japan PEN Club, & Waseda University (Tokyo, 2010), Poetry Festival Singapore (2022), and the First International Conference on Multicultural Filipino Studies in Hawai'i (2017), where he was the Keynote Speaker. He also delivered the Keynote Address at the University of Hawaiʻi at Hilo Humanities International Conference (UHHHIC, 2019), and at the International Multidisciplinary Academic Conference (IMAC) on “Embracing Teaching and Learning In The New Norm Education” (Kota Kinabalu, 2022).

			In 2023, he was one of the speakers during the Roundtable Session in Honor of the Scholarship of Australian National University Professor Emeritus Benedict J. Tria Kerkvliet at the Association for Asian Studies (AAS) Conference. The session was sponsored by the AAS Southeast Asia Council (SEAC).



	== Administrative Positions ==		== Administrative Positions ==