Game of love - Revision history

Iskwiki.admin: Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

2022-06-16T05:05:11Z

Text replacement - "http://iskwiki.upd.edu.ph" to "https://iskomunidad.upd.edu.ph"

← Older revision		Revision as of 05:05, 16 June 2022
Line 24:		Line 24:


	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]		[https://iskomunidad.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]

	Subject Index : Dating shows (Television Programs)--Philippines		Subject Index : Dating shows (Television Programs)--Philippines

	[[Category: CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]		[[Category: CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]

Mqmallonga at 06:36, 5 February 2012

2012-02-05T06:36:11Z

← Older revision		Revision as of 06:36, 5 February 2012
Line 25:		Line 25:

	[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]

			Subject Index : Dating shows (Television Programs)--Philippines

	[[Category: CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]		[[Category: CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]

Rsmoralejo at 02:38, 29 March 2011

2011-03-29T02:38:16Z

← Older revision		Revision as of 02:38, 29 March 2011
Line 26:		Line 26:
	[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]

	[[Category: CMC]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]		[[Category: CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]

Rsmoralejo at 02:37, 29 March 2011

2011-03-29T02:37:50Z

← Older revision		Revision as of 02:37, 29 March 2011
Line 26:		Line 26:
	[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]		[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]

	[[Category: CMC]][[Category:Department of Broadcast Communication]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]		[[Category: CMC]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]

Rsmoralejo at 02:37, 29 March 2011

2011-03-29T02:37:00Z

← Older revision		Revision as of 02:37, 29 March 2011
Line 24:		Line 24:


	~~View Thesis~~ [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]		[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/ View Thesis]

	[[Category: CMC]][[Category: Department of Broadcast Communication]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]]		[[Category: CMC]][[Category:Department of Broadcast Communication]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]][[Category:Theses]]

Jsbautista2 at 17:30, 28 March 2011

2011-03-28T17:30:30Z

← Older revision		Revision as of 17:30, 28 March 2011
Line 6:		Line 6:

	This study aims to determine the preteen audience’s perception on the Filipino courtship presented in the reality-TV dating show Take Me Out. The show is a localized version of Fremantle’s popular dating program which is said to be the very first studio-based dating show in the Philippines where a mystery guy makes an impression to 30 girls for four rounds, and gets to date the girl with the light left turned on by the end of the show.		This study aims to determine the preteen audience’s perception on the Filipino courtship presented in the reality-TV dating show Take Me Out. The show is a localized version of Fremantle’s popular dating program which is said to be the very first studio-based dating show in the Philippines where a mystery guy makes an impression to 30 girls for four rounds, and gets to date the girl with the light left turned on by the end of the show.


	To fulfil its objectives, the researcher utilized textual analysis to describe the show based on the mechanics, the male searchers, the female searchees, and the dynamics of the interaction of the participants of the show. It was completed in order to describe Filipino courtship behavior presented in Take Me Out. Two sets of focus group discussions were conducted to determine the preteen audience’s perception of the media messages and images presented in the reality-dating show. All focus group discussion participants, aged 10-12, were from the Lipa and Batangas City. The first group consisted of preteens from public schools and the other was comprised of children from private schools.		To fulfil its objectives, the researcher utilized textual analysis to describe the show based on the mechanics, the male searchers, the female searchees, and the dynamics of the interaction of the participants of the show. It was completed in order to describe Filipino courtship behavior presented in Take Me Out. Two sets of focus group discussions were conducted to determine the preteen audience’s perception of the media messages and images presented in the reality-dating show. All focus group discussion participants, aged 10-12, were from the Lipa and Batangas City. The first group consisted of preteens from public schools and the other was comprised of children from private schools.


	The Encoding/Decoding Theory was employed as the study’s main framework. The theory states that the producers manipulate the media content and they encode their preferred meaning on media messages, while the audience on the other hand decode these messages based on their social values, own experiences, and individual points of view. The theory of Postcolonialism was also used in the study. The theory considers that the Western ideology and culture are carried on to the developing countries through the media. However, it also recognizes that the once colonized people already have control on what ideas to resist and what ideas to conform to, and they do not merely approve of subordination to the dominant cultures.		The Encoding/Decoding Theory was employed as the study’s main framework. The theory states that the producers manipulate the media content and they encode their preferred meaning on media messages, while the audience on the other hand decode these messages based on their social values, own experiences, and individual points of view. The theory of Postcolonialism was also used in the study. The theory considers that the Western ideology and culture are carried on to the developing countries through the media. However, it also recognizes that the once colonized people already have control on what ideas to resist and what ideas to conform to, and they do not merely approve of subordination to the dominant cultures.


	It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.		It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.


	The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.		The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.
Line 21:		Line 25:

	View Thesis [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]		View Thesis [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]

			[[Category: CMC]][[Category: Department of Broadcast Communication]][[Category:Thesis--Entertainment TV]][[Category:Thesis--Reality TV Dating Shows]]

Jsbautista2 at 17:09, 28 March 2011

2011-03-28T17:09:08Z

← Older revision		Revision as of 17:09, 28 March 2011
Line 1:		Line 1:
	Game of Love: The Perception of the Preteen Audience on the Filipino Courtship presented in the Reality-TV Dating Show Take Me Out		'''Game of Love: The Perception of the Preteen Audience on the Filipino Courtship presented in the Reality-TV Dating Show Take Me Out'''


	~~Abstract~~		ABSTRACT

	This study aims to determine the preteen audience’s perception on the Filipino courtship presented in the reality-TV dating show Take Me Out. The show is a localized version of Fremantle’s popular dating program which is said to be the very first studio-based dating show in the Philippines where a mystery guy makes an impression to 30 girls for four rounds, and gets to date the girl with the light left turned on by the end of the show.
			This study aims to determine the preteen audience’s perception on the Filipino courtship presented in the reality-TV dating show Take Me Out. The show is a localized version of Fremantle’s popular dating program which is said to be the very first studio-based dating show in the Philippines where a mystery guy makes an impression to 30 girls for four rounds, and gets to date the girl with the light left turned on by the end of the show.

	To fulfil its objectives, the researcher utilized textual analysis to describe the show based on the mechanics, the male searchers, the female searchees, and the dynamics of the interaction of the participants of the show. It was completed in order to describe Filipino courtship behavior presented in Take Me Out. Two sets of focus group discussions were conducted to determine the preteen audience’s perception of the media messages and images presented in the reality-dating show. All focus group discussion participants, aged 10-12, were from the Lipa and Batangas City. The first group consisted of preteens from public schools and the other was comprised of children from private schools.		To fulfil its objectives, the researcher utilized textual analysis to describe the show based on the mechanics, the male searchers, the female searchees, and the dynamics of the interaction of the participants of the show. It was completed in order to describe Filipino courtship behavior presented in Take Me Out. Two sets of focus group discussions were conducted to determine the preteen audience’s perception of the media messages and images presented in the reality-dating show. All focus group discussion participants, aged 10-12, were from the Lipa and Batangas City. The first group consisted of preteens from public schools and the other was comprised of children from private schools.

	The Encoding/Decoding Theory was employed as the study’s main framework. The theory states that the producers manipulate the media content and they encode their preferred meaning on media messages, while the audience on the other hand decode these messages based on their social values, own experiences, and individual points of view. The theory of Postcolonialism was also used in the study. The theory considers that the Western ideology and culture are carried on to the developing countries through the media. However, it also recognizes that the once colonized people already have control on what ideas to resist and what ideas to conform to, and they do not merely approve of subordination to the dominant cultures.		The Encoding/Decoding Theory was employed as the study’s main framework. The theory states that the producers manipulate the media content and they encode their preferred meaning on media messages, while the audience on the other hand decode these messages based on their social values, own experiences, and individual points of view. The theory of Postcolonialism was also used in the study. The theory considers that the Western ideology and culture are carried on to the developing countries through the media. However, it also recognizes that the once colonized people already have control on what ideas to resist and what ideas to conform to, and they do not merely approve of subordination to the dominant cultures.

	It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.		It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.

	The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.		The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.

	~~courtship~~, Filipino courtship~~, courtship process, courtship practices, reality~~-TV~~, reality television,~~ Take Me Out, ~~dating show, preteen audience perception~~
			Bautista, J. A. (2011). ''Game of love: The Perception of the Preteen Audience on the
			Filipino courtship presented in the Reality-TV dating show Take Me Out''. Unpublished Undergraduate Thesis, University of the Philippines Diliman at Quezon City.


	View Thesis [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]		View Thesis [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]

Jsbautista2 at 16:46, 28 March 2011

2011-03-28T16:46:02Z

← Older revision		Revision as of 16:46, 28 March 2011
Line 12:		Line 12:
	courtship, Filipino courtship, courtship process, courtship practices, reality-TV, reality television, Take Me Out, dating show, preteen audience perception		courtship, Filipino courtship, courtship process, courtship practices, reality-TV, reality television, Take Me Out, dating show, preteen audience perception

	View Thesis [[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]]		View Thesis [http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]

Jsbautista2: Category:CMC ThesisDepartment of Broadcast Communication ThesisCategory:Thesis--Filipino courtship and Preteen Audience Perception[[Category:Thesis--reality television]

2011-03-28T16:41:17Z

Category:CMC Thesis Department of Broadcast Communication Thesis Category:Thesis--Filipino courtship and Preteen Audience Perception[[Category:Thesis--reality television]

← Older revision		Revision as of 16:41, 28 March 2011
Line 1:		Line 1:
	Game of Love: The Perception of the Preteen Audience on the Filipino Courtship presented in the Reality-TV Dating Show Take Me Out		Game of Love: The Perception of the Preteen Audience on the Filipino Courtship presented in the Reality-TV Dating Show Take Me Out


	Abstract		Abstract
Line 8:		Line 9:
	It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.		It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.
	The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.		The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.

			courtship, Filipino courtship, courtship process, courtship practices, reality-TV, reality television, Take Me Out, dating show, preteen audience perception

			View Thesis [[http://iskwiki.upd.edu.ph/flipbooks/GAMEOFLOVE1225/]]

Jsbautista2: courtship, Filipino courtship process, courtship practices, reality-TV, reality television, Take Me Out

2011-03-28T16:33:56Z

courtship, Filipino courtship process, courtship practices, reality-TV, reality television, Take Me Out

New page

Game of Love: The Perception of the Preteen Audience on the Filipino Courtship presented in the Reality-TV Dating Show Take Me Out

Abstract

This study aims to determine the preteen audience’s perception on the Filipino courtship presented in the reality-TV dating show Take Me Out. The show is a localized version of Fremantle’s popular dating program which is said to be the very first studio-based dating show in the Philippines where a mystery guy makes an impression to 30 girls for four rounds, and gets to date the girl with the light left turned on by the end of the show.
To fulfil its objectives, the researcher utilized textual analysis to describe the show based on the mechanics, the male searchers, the female searchees, and the dynamics of the interaction of the participants of the show. It was completed in order to describe Filipino courtship behavior presented in Take Me Out. Two sets of focus group discussions were conducted to determine the preteen audience’s perception of the media messages and images presented in the reality-dating show. All focus group discussion participants, aged 10-12, were from the Lipa and Batangas City. The first group consisted of preteens from public schools and the other was comprised of children from private schools.
The Encoding/Decoding Theory was employed as the study’s main framework. The theory states that the producers manipulate the media content and they encode their preferred meaning on media messages, while the audience on the other hand decode these messages based on their social values, own experiences, and individual points of view. The theory of Postcolonialism was also used in the study. The theory considers that the Western ideology and culture are carried on to the developing countries through the media. However, it also recognizes that the once colonized people already have control on what ideas to resist and what ideas to conform to, and they do not merely approve of subordination to the dominant cultures.
It was found out that the Filipino courtship presented in Take Me Out are aligned with stages of a normal and actual courtship process as illustrated by the male and the female participants in the four rounds of the studio-based dating show. Moreover, the preteen audience generally perceived these stages positively and confirmed the evident aspects of courtship which influenced the behavior and interaction of the participants in the program. Nevertheless, the preteen audience opposed the forthright behavior of the females towards the males.
The researcher concluded that Take Me Out reflected the courtship witnessed in the Philippine society and it mirrored the perspective of the preteen audience on Filipino courtship. All the observations and remarks posted by the audience were rooted on their personal background, social values, and individual experiences. Furthermore, the large part of the media messages encoded by the local producers was decoded the same way by the preteen audience members.