Contemporary bayani - Revision history

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2022-08-30T02:46:43Z

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← Older revision		Revision as of 10:46, 30 August 2022
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	The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.		The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.

	[https://~~iskomunidad~~.upd.edu.ph~~/flipbook~~/viewer/?fb=2015-13280-F200-Com View Thesis]		[https://iskwiki.upd.edu.ph/viewer/?fb=2015-13280-F200-Com View Thesis]

	[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:UPFI Thesis]][[Category:Department of Film Thesis]][[Category:2020 Thesis]][[Category:Thesis--Film]][[Category:Thesis--Documentary]][[Category:Thesis--Documentary Film]][[Category:Thesis--Production]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:UPFI Thesis]][[Category:Department of Film Thesis]][[Category:2020 Thesis]][[Category:Thesis--Film]][[Category:Thesis--Documentary]][[Category:Thesis--Documentary Film]][[Category:Thesis--Production]]

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2022-06-14T03:03:46Z

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← Older revision		Revision as of 11:03, 14 June 2022
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	The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.		The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.

	[~~http~~://~~iskwiki~~.upd.edu.ph/flipbook/viewer/?fb=2015-13280-F200-Com View Thesis]		[https://iskomunidad.upd.edu.ph/flipbook/viewer/?fb=2015-13280-F200-Com View Thesis]

	[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:UPFI Thesis]][[Category:Department of Film Thesis]][[Category:2020 Thesis]][[Category:Thesis--Film]][[Category:Thesis--Documentary]][[Category:Thesis--Documentary Film]][[Category:Thesis--Production]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:UPFI Thesis]][[Category:Department of Film Thesis]][[Category:2020 Thesis]][[Category:Thesis--Film]][[Category:Thesis--Documentary]][[Category:Thesis--Documentary Film]][[Category:Thesis--Production]]

Rlcartagena at 12:33, 6 April 2022

2022-04-06T12:33:42Z

← Older revision		Revision as of 20:33, 6 April 2022
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	Barrios, N.A.~~S. (2019). Contemporary Bayani,~~ Unpublished ~~Student~~ Thesis, University of the Philippines ~~College of Mass Communication~~.		Barrios, Najeel Ayra. “Contemporary Bayani.” Unpublished Undergraduate Thesis, University of the Philippines Film Institute, 2019.

	The film tackles the life of Marina Sarno, a former distressed domestic worker, who overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.		The film tackles the life of Marina Sarno, a former distressed domestic worker, who overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.

	The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.		The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.

	[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2015-13280-F200-Com View Thesis]		[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2015-13280-F200-Com View Thesis]

	[[Category:Theses]][[Category:CMC Thesis]][[Category:~~University~~ of ~~the Philippines~~ Film ~~Institute~~ Thesis]][[Category:~~2019~~]][[Category:Thesis--Documentary]][[Category:Thesis--~~Migration~~]]		[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:UPFI Thesis]][[Category:Department of Film Thesis]][[Category:2020 Thesis]][[Category:Thesis--Film]][[Category:Thesis--Documentary]][[Category:Thesis--Documentary Film]][[Category:Thesis--Production]]

Nsbarrios: Created page with "Barrios, N.A.S. (2019). Contemporary Bayani, Unpublished Student Thesis, University of the Philippines College of Mass Communication. The film tackles the life of Marina..."

2022-04-06T12:25:47Z

Created page with "Barrios, N.A.S. (2019). Contemporary Bayani, Unpublished Student Thesis, University of the Philippines College of Mass Communication. The film tackles the life of Marina..."

New page

Barrios, N.A.S. (2019). Contemporary Bayani, Unpublished Student Thesis, University of the Philippines College of Mass Communication.

The film tackles the life of Marina Sarno, a former distressed domestic worker, who overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.

The documentary utilizes the feminist framework of Arlie Hochschild’s concepts on emotional labor. It emphasizes that women are not only commodified through their physical labor but as well as emotional labor since it is also sold for a wage and has exchange value. This is manifested in the film as women domestic workers are being commodified through working abroad.

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2015-13280-F200-Com View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:University of the Philippines Film Institute Thesis]][[Category:2019]][[Category:Thesis--Documentary]][[Category:Thesis--Migration]]