Bonsai Garden - Revision history

Cgmartin: /* About Mr. Modesto Manglicmot */

2012-03-12T13:04:34Z

About Mr. Modesto Manglicmot

← Older revision		Revision as of 21:04, 12 March 2012
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	Modesto Manglicmot was an agriculturist at the University of the Philippines Los Baños from 1953 to 1970. Upon graduating, ~~he did not apply~~ for ~~any~~ government ~~position but instead~~ did actual farming. In 1970, he applied for a teaching position in Jose Abad Santos Memorial School (JASMS), a school in Quezon City. In his 15 years there, he worked on ornamental plant production, rice culture and poultry.		Modesto Manglicmot was an agriculturist at the University of the Philippines Los Baños from 1953 to 1970. Upon graduating, instead of applying for government positions, he did actual farming to broaden his agricultural experience. In 1970, he applied for a teaching position in Jose Abad Santos Memorial School (JASMS), a school in Quezon City. In his 15 years there, he worked on ornamental plant production, rice culture and poultry.

Macruz8 at 10:56, 12 March 2012

2012-03-12T10:56:42Z

← Older revision		Revision as of 18:56, 12 March 2012
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	</gallery>		</gallery>
	Bulaong, Carmen Bettina (Professor, College of Architecture). Lecture on Japanese Architecture. 17 February 2012.		Bulaong, Carmen Bettina (Professor, College of Architecture). Lecture on Japanese Architecture. 17 February 2012.

	Virtudazo, Maricar. UP Diliman Bonsai Garden breathes new life to a fading art form. From http://www.noypi.ph/index.php/featured/5080-up-diliman-bonsai-garden-breathes-new-life-to-a-fading-art-form.html<br/>		Virtudazo, Maricar. UP Diliman Bonsai Garden breathes new life to a fading art form. From http://www.noypi.ph/index.php/featured/5080-up-diliman-bonsai-garden-breathes-new-life-to-a-fading-art-form.html<br/>


	[[Category:Venues]]		[[Category:Venues]]

Macruz8 at 10:56, 12 March 2012

2012-03-12T10:56:21Z

← Older revision		Revision as of 18:56, 12 March 2012
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	[[Image:Bonsaigarden.jpg]]		[[Image:Bonsaigarden.jpg]]

	~~<gallery>~~
	~~Image:bonsai.jpg\|Bonsai Garden Map~~
	~~</gallery>~~

	The UP Bonsai Garden		The UP Bonsai Garden

Macruz8 at 10:55, 12 March 2012

2012-03-12T10:55:29Z

← Older revision		Revision as of 18:55, 12 March 2012
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	[[Image:Bonsaigarden.jpg]]		[[Image:Bonsaigarden.jpg]]

			<gallery>
			Image:bonsai.jpg\|Bonsai Garden Map
			</gallery>

	The UP Bonsai Garden		The UP Bonsai Garden
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	~~-- Jasmine Sabado & Bea Tempongko~~		Corenne Martin and Trisha Cruz

	References:		References:
	Pineda, Haidee. UPD's Bonsai Garden. From http://www.upd.edu.ph/whatsup/venue.html<br />		Pineda, Haidee. UPD's Bonsai Garden. From http://www.upd.edu.ph/whatsup/venue.html<br />
	~~Jose~~, ~~Kathryn~~. UP Diliman Bonsai Garden. From http://en.~~wikipilipinas~~.~~org~~/index.php~~?title=UP_Diliman_Bonsai_Garden~~<br />		<gallery>
	~~Manglicmot, Modesto. Personal interview. September 23, 2009~~		Image:Example.jpg\|Caption1
			Image:Example.jpg\|Caption2
			</gallery>
			Bulaong, Carmen Bettina (Professor, College of Architecture). Lecture on Japanese Architecture. 17 February 2012.
			Virtudazo, Maricar. UP Diliman Bonsai Garden breathes new life to a fading art form. From http://www.noypi.ph/index.php/featured/5080-up-diliman-bonsai-garden-breathes-new-life-to-a-fading-art-form.html<br/>


	[[Category:Venues]]		[[Category:Venues]]

Macruz8 at 10:48, 12 March 2012

2012-03-12T10:48:22Z

← Older revision		Revision as of 18:48, 12 March 2012
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	Because the concept of a bonsai garden is Japanese in nature, many characteristics of Japanese architecture can be seen in the UP Bonsai Garden. It must be known that gardens are important to the Japanese because they believe that their home is an extension of nature, and therefore they must have even just a part of nature in their homes. Japanese gardens were developed under the influences of the distinctive and stylized Chinese gardens and the tradition was passed down from sensei to apprentice, in the same way that the art of cultivating bonsai was taught to Mr. Manglicmot by a master of the art.		Because the concept of a bonsai garden is Japanese in nature, many characteristics of Japanese architecture can be seen in the UP Bonsai Garden. It must be known that gardens are important to the Japanese because they believe that their home is an extension of nature, and therefore they must have even just a part of nature in their homes. Japanese gardens were developed under the influences of the distinctive and stylized Chinese gardens and the tradition was passed down from sensei to apprentice, in the same way that the art of cultivating bonsai was taught to Mr. Manglicmot by a master of the art.


	The art behind Japanese gardens is based on three principles: reduced scale, symbolizations and borrowed view. First, the principle of reduced scale means to miniaturize views seen in the unbuilt environment such as rivers, ponds and mountains, enabling them to be confined in a closed or limited space. This is an important principle because it exhibits the belief of the Japanese that nature is an extension of their home. Second, symbolizations in Japanese gardens means using objects such as rocks or water to represent large scenes or objects. This is seen in the way raked sand is used to represent rivers, and groupings of rocks and stones is used to represent islands. Last, borrowed views is the manner in which Japanese gardens seemingly encompass even the spaces, such as mountains, forests and rivers, even though the spaces are beyond it. The principle of borrowed views makes the garden seem larger and more spacious, using elements beyond it. Also, it must be noted that aside from these principles, the typical features of a Japanese garden include rocks, a water feature, enclosure devices such as a fence or hedge, moss and ornaments, and also that Japanese architecture uses Shizen or natural, meaning the utilization of natural materials is present. It is a characteristic, after all, not only of Japanese architecture but of Japanese gardens as well, to follow the belief of Metabolism in design, which is the utilization and preference of natural, temporal and organic materials over those of which are processed or manufactured.[http://www.yupedia.com/japanese-gardens-time-space-beauty-and-meaning.html]		The art behind Japanese gardens is based on three principles: reduced scale, symbolizations and borrowed view. First, the principle of reduced scale means to miniaturize views seen in the unbuilt environment such as rivers, ponds and mountains, enabling them to be confined in a closed or limited space. This is an important principle because it exhibits the belief of the Japanese that nature is an extension of their home. Second, symbolizations in Japanese gardens means using objects such as rocks or water to represent large scenes or objects. This is seen in the way raked sand is used to represent rivers, and groupings of rocks and stones is used to represent islands. Last, borrowed views is the manner in which Japanese gardens seemingly encompass even the spaces, such as mountains, forests and rivers, even though the spaces are beyond it. The principle of borrowed views makes the garden seem larger and more spacious, using elements beyond it. Also, it must be noted that aside from these principles, the typical features of a Japanese garden include rocks, a water feature, enclosure devices such as a fence or hedge, moss and ornaments, and also that Japanese architecture uses Shizen or natural, meaning the utilization of natural materials is present. It is a characteristic, after all, not only of Japanese architecture but of Japanese gardens as well, to follow the belief of Metabolism in design, which is the utilization and preference of natural, temporal and organic materials over those of which are processed or manufactured.[http://www.yupedia.com/japanese-gardens-time-space-beauty-and-meaning.html]


	If the UP Bonsai Garden is observed carefully, these elements are present. The Bonsai Garden is an example of a reduced scale space in an enclosed, which miniaturizes a forest or a natural aspect of the environment. It makes use of stones and rocks, water features and the plants, of course, and it seemingly extends beyond its 50-meter by 100-meter property line, to the areas beyond it. Unfortunately, new buildings are being constructed and these obstruct the borrowed views the Bonsai Garden used to have. The Bonsai Garden also makes use of different man made elements, such as the boundaries, which are, too, very Japanese. At first glance, these boundaries appear as capiz windows found in Philippine architecture, but if they are observed closer, they actually are Shoji windows, as proved by the wideness of the spaces bounded by the wood. The use of Shoji windows and of bamboo as a finish to the structural support of the shaded areas of the garden is an example of Metabolism and the whole of the garden emphasizes nature and its connection to man and his or her home.		If the UP Bonsai Garden is observed carefully, these elements are present. The Bonsai Garden is an example of a reduced scale space in an enclosed, which miniaturizes a forest or a natural aspect of the environment. It makes use of stones and rocks, water features and the plants, of course, and it seemingly extends beyond its 50-meter by 100-meter property line, to the areas beyond it. Unfortunately, new buildings are being constructed and these obstruct the borrowed views the Bonsai Garden used to have. The Bonsai Garden also makes use of different man made elements, such as the boundaries, which are, too, very Japanese. At first glance, these boundaries appear as capiz windows found in Philippine architecture, but if they are observed closer, they actually are Shoji windows, as proved by the wideness of the spaces bounded by the wood. The use of Shoji windows and of bamboo as a finish to the structural support of the shaded areas of the garden is an example of Metabolism and the whole of the garden emphasizes nature and its connection to man and his or her home.

Macruz8 at 10:47, 12 March 2012

2012-03-12T10:47:57Z

← Older revision		Revision as of 18:47, 12 March 2012
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	The UP Bonsai Garden		The UP Bonsai Garden


	''Background''		''Background''
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	In 2002, two years after the memorandum of agreement was signed, the Bonsai Garden was opened to the public. Presently, the garden boasts of a wide array of over 400 home grown Bonsais and is displayed for free to anyone who wishes to view them. Although large amounts of money, even reaching millions, were offered to purchase Mr. Manglicmot's bonsais, they have never been for sale, not even for the purpose of gaining income. Instead, income for maintenance of the Bonsai Garden comes from the rent that is paid to use the garden for various events, which include weddings, parties, book releases and the like.		In 2002, two years after the memorandum of agreement was signed, the Bonsai Garden was opened to the public. Presently, the garden boasts of a wide array of over 400 home grown Bonsais and is displayed for free to anyone who wishes to view them. Although large amounts of money, even reaching millions, were offered to purchase Mr. Manglicmot's bonsais, they have never been for sale, not even for the purpose of gaining income. Instead, income for maintenance of the Bonsai Garden comes from the rent that is paid to use the garden for various events, which include weddings, parties, book releases and the like.


	''Awards''		''Awards''

	From Mr. Manglicmot’s collection, 98 percent are Philippine species and more than 50 percent have won awards, with 25 pieces belonging to the top 10 winners in various Bonsai competitions. In addition, two trees have won as Best Bonsai in Show and three as Best Plant in Show in the Philippine Horticultural Annual Exhibit.[http://www.upd.edu.ph/whatsup/venue.html]		From Mr. Manglicmot’s collection, 98 percent are Philippine species and more than 50 percent have won awards, with 25 pieces belonging to the top 10 winners in various Bonsai competitions. In addition, two trees have won as Best Bonsai in Show and three as Best Plant in Show in the Philippine Horticultural Annual Exhibit.[http://www.upd.edu.ph/whatsup/venue.html]


	''Design''		''Design''
Line 20:		Line 23:
	Because the concept of a bonsai garden is Japanese in nature, many characteristics of Japanese architecture can be seen in the UP Bonsai Garden. It must be known that gardens are important to the Japanese because they believe that their home is an extension of nature, and therefore they must have even just a part of nature in their homes. Japanese gardens were developed under the influences of the distinctive and stylized Chinese gardens and the tradition was passed down from sensei to apprentice, in the same way that the art of cultivating bonsai was taught to Mr. Manglicmot by a master of the art.		Because the concept of a bonsai garden is Japanese in nature, many characteristics of Japanese architecture can be seen in the UP Bonsai Garden. It must be known that gardens are important to the Japanese because they believe that their home is an extension of nature, and therefore they must have even just a part of nature in their homes. Japanese gardens were developed under the influences of the distinctive and stylized Chinese gardens and the tradition was passed down from sensei to apprentice, in the same way that the art of cultivating bonsai was taught to Mr. Manglicmot by a master of the art.

	The art behind Japanese gardens is based on three principles: reduced scale, symbolizations and borrowed view. First, the principle of reduced scale means to miniaturize views seen in the unbuilt environment such as rivers, ponds and mountains, enabling them to be confined in a closed or limited space. This is an important principle because it exhibits the belief of the Japanese that nature is an extension of their home. Second, symbolizations in Japanese gardens means using objects such as rocks or water to represent large scenes or objects. This is seen in the way raked sand is used to represent rivers, and groupings of rocks and stones is used to represent islands. Last, borrowed views is the manner in which Japanese gardens seemingly encompass even the spaces, such as mountains, forests and rivers, even though the spaces are beyond it. The principle of borrowed views makes the garden seem larger and more spacious, using elements beyond it. Also, it must be noted that aside from these principles, the typical features of a Japanese garden include rocks, a water feature, enclosure devices such as a fence or hedge, moss and ornaments, and also that Japanese architecture uses Shizen or natural, meaning the utilization of natural materials is present.		The art behind Japanese gardens is based on three principles: reduced scale, symbolizations and borrowed view. First, the principle of reduced scale means to miniaturize views seen in the unbuilt environment such as rivers, ponds and mountains, enabling them to be confined in a closed or limited space. This is an important principle because it exhibits the belief of the Japanese that nature is an extension of their home. Second, symbolizations in Japanese gardens means using objects such as rocks or water to represent large scenes or objects. This is seen in the way raked sand is used to represent rivers, and groupings of rocks and stones is used to represent islands. Last, borrowed views is the manner in which Japanese gardens seemingly encompass even the spaces, such as mountains, forests and rivers, even though the spaces are beyond it. The principle of borrowed views makes the garden seem larger and more spacious, using elements beyond it. Also, it must be noted that aside from these principles, the typical features of a Japanese garden include rocks, a water feature, enclosure devices such as a fence or hedge, moss and ornaments, and also that Japanese architecture uses Shizen or natural, meaning the utilization of natural materials is present. It is a characteristic, after all, not only of Japanese architecture but of Japanese gardens as well, to follow the belief of Metabolism in design, which is the utilization and preference of natural, temporal and organic materials over those of which are processed or manufactured.[http://www.yupedia.com/japanese-gardens-time-space-beauty-and-meaning.html]

			If the UP Bonsai Garden is observed carefully, these elements are present. The Bonsai Garden is an example of a reduced scale space in an enclosed, which miniaturizes a forest or a natural aspect of the environment. It makes use of stones and rocks, water features and the plants, of course, and it seemingly extends beyond its 50-meter by 100-meter property line, to the areas beyond it. Unfortunately, new buildings are being constructed and these obstruct the borrowed views the Bonsai Garden used to have. The Bonsai Garden also makes use of different man made elements, such as the boundaries, which are, too, very Japanese. At first glance, these boundaries appear as capiz windows found in Philippine architecture, but if they are observed closer, they actually are Shoji windows, as proved by the wideness of the spaces bounded by the wood. The use of Shoji windows and of bamboo as a finish to the structural support of the shaded areas of the garden is an example of Metabolism and the whole of the garden emphasizes nature and its connection to man and his or her home.

	If the UP Bonsai Garden is observed carefully, these elements are present. The Bonsai Garden is an example of a reduced scale space in an enclosed, which miniaturizes a forest or a natural aspect of the environment. It makes use of stones and rocks, water features and the plants, of course, and it seemingly extends beyond its 50-meter by 100-meter property line, to the areas beyond it. Unfortunately, new buildings are being constructed and these obstruct the borrowed views the Bonsai Garden used to have. The Bonsai Garden also makes use of different man made elements, such as the boundaries, which are, too, very Japanese. At first glance, these boundaries appear as capiz windows found in Philippine architecture, but if they are observed closer, they actually are Shoji windows, as proved by the wideness of the spaces bounded by the wood.

	== About Mr. Modesto Manglicmot ==		== About Mr. Modesto Manglicmot ==

Macruz8: /* The UP Bonsai Garden */

2012-03-11T12:24:58Z

The UP Bonsai Garden

← Older revision		Revision as of 20:24, 11 March 2012
Line 1:		Line 1:
	[[Image:Bonsaigarden.jpg]]		[[Image:Bonsaigarden.jpg]]

	~~== About the UPD~~ Bonsai Garden ==		The UP Bonsai Garden

			''Background''

	The ~~UP Diliman~~ Bonsai Garden~~, formerly called Mr. Modesto Manglicmot Bonsai Park,~~ is located along Delos Reyes Street in the University ~~campus. It exhibits Bonsais and other species of plants personally cultivated by Mr. Modesto Manglicmot. He officially donated 175~~ of ~~his Bonsais to~~ the ~~University as part of a memorandum of agreement signed on April 4~~, ~~2000~~. ~~When asked why he agreed to this kind of arrangement, he said~~ that ~~aside from~~ the ~~free space,~~ the ~~University~~ of ~~the Philippines~~ is ~~an excellent venue to exhibit his plants especially because~~ of ~~the University’s academic environment. The Bonsai Garden was opened to the public two years after the agreement was signed due to reconstructions~~ and ~~renovations done on the venue to make it suitable for his plants~~. ~~The garden now currently holds more than 400 Bonsais~~, ~~which would eventually belong to the University, too~~.		The Bonsai Garden is located at Delos Santos Avenue along Delos Reyes Street in the University of the Philippines, Diliman. It is a 5000-square meter lot that lies within the property of the UP College of Architecture and is taken care of and maintained by Mr. Modesto Manglicmot, a noted landscape designer and a bonsai cultivator.


			It exhibits not only Bonsais but also other species of plants personally cultivated by Mr. Modesto Manglicmot, who donated 175 of his Bonsais to the University as part of a memorandum of agreement signed on April 4, 2000. Prior to the donation though, Mr. Manglicmot's bonsais were formerly displayed at the Manila Seeding Bank Garden in Quezon City.

			In 2002, two years after the memorandum of agreement was signed, the Bonsai Garden was opened to the public. Presently, the garden boasts of a wide array of over 400 home grown Bonsais and is displayed for free to anyone who wishes to view them. Although large amounts of money, even reaching millions, were offered to purchase Mr. Manglicmot's bonsais, they have never been for sale, not even for the purpose of gaining income. Instead, income for maintenance of the Bonsai Garden comes from the rent that is paid to use the garden for various events, which include weddings, parties, book releases and the like.

			''Awards''

	From Mr. Manglicmot’s collection, 98 percent are Philippine species and more than 50 percent have won awards, with 25 pieces belonging to the top 10 winners in various Bonsai competitions. In addition, two trees have won as Best Bonsai in Show and three as Best Plant in Show in the Philippine Horticultural Annual Exhibit.[http://www.upd.edu.ph/whatsup/venue.html]		From Mr. Manglicmot’s collection, 98 percent are Philippine species and more than 50 percent have won awards, with 25 pieces belonging to the top 10 winners in various Bonsai competitions. In addition, two trees have won as Best Bonsai in Show and three as Best Plant in Show in the Philippine Horticultural Annual Exhibit.[http://www.upd.edu.ph/whatsup/venue.html]

			''Design''

	~~Sir Modi’s Bonsais~~ have ~~been offered millions but none~~ of ~~his Bonsais are for sale~~. ~~Among~~ the ~~many famous visitors who have visited his Bonsai garden~~ was the ~~late former President Corazon C~~. ~~Aquino, whom he has gifted with two Bonsais~~.		Because the concept of a bonsai garden is Japanese in nature, many characteristics of Japanese architecture can be seen in the UP Bonsai Garden. It must be known that gardens are important to the Japanese because they believe that their home is an extension of nature, and therefore they must have even just a part of nature in their homes. Japanese gardens were developed under the influences of the distinctive and stylized Chinese gardens and the tradition was passed down from sensei to apprentice, in the same way that the art of cultivating bonsai was taught to Mr. Manglicmot by a master of the art.

			The art behind Japanese gardens is based on three principles: reduced scale, symbolizations and borrowed view. First, the principle of reduced scale means to miniaturize views seen in the unbuilt environment such as rivers, ponds and mountains, enabling them to be confined in a closed or limited space. This is an important principle because it exhibits the belief of the Japanese that nature is an extension of their home. Second, symbolizations in Japanese gardens means using objects such as rocks or water to represent large scenes or objects. This is seen in the way raked sand is used to represent rivers, and groupings of rocks and stones is used to represent islands. Last, borrowed views is the manner in which Japanese gardens seemingly encompass even the spaces, such as mountains, forests and rivers, even though the spaces are beyond it. The principle of borrowed views makes the garden seem larger and more spacious, using elements beyond it. Also, it must be noted that aside from these principles, the typical features of a Japanese garden include rocks, a water feature, enclosure devices such as a fence or hedge, moss and ornaments, and also that Japanese architecture uses Shizen or natural, meaning the utilization of natural materials is present.

	~~The garden’s main income comes from events held at~~ the Bonsai Garden ~~and donations from generous enthusiasts~~. ~~Mr. Manglicmot constructed two function rooms and~~ a ~~restroom~~, which makes the ~~garden ideal for wedding receptions~~, ~~parties~~, ~~conferences~~, ~~and~~ the ~~like~~. ~~Bonsai Workshops~~ are ~~also~~ being ~~held at~~ the ~~garden for free every Saturday at 10 o’clock in~~ the ~~morning~~. ~~Come with materials and packed lunch~~. ~~First timers~~ are ~~welcome to observe first for~~ the ~~list~~ of ~~materials needed~~.		If the UP Bonsai Garden is observed carefully, these elements are present. The Bonsai Garden is an example of a reduced scale space in an enclosed, which miniaturizes a forest or a natural aspect of the environment. It makes use of stones and rocks, water features and the plants, of course, and it seemingly extends beyond its 50-meter by 100-meter property line, to the areas beyond it. Unfortunately, new buildings are being constructed and these obstruct the borrowed views the Bonsai Garden used to have. The Bonsai Garden also makes use of different man made elements, such as the boundaries, which are, too, very Japanese. At first glance, these boundaries appear as capiz windows found in Philippine architecture, but if they are observed closer, they actually are Shoji windows, as proved by the wideness of the spaces bounded by the wood.

	== About Mr. Modesto Manglicmot ==		== About Mr. Modesto Manglicmot ==

Macruz8: /* About the UPD Bonsai Garden */

2012-03-11T09:53:52Z

About the UPD Bonsai Garden

← Older revision		Revision as of 17:53, 11 March 2012
Line 4:		Line 4:


	The UP Diliman Bonsai Garden, formerly called Mr. Modesto Manglicmot Bonsai Park~~[http://en.wikipilipinas.org/index.php?title=UP_Diliman_Bonsai_Garden]~~, is located along Delos Reyes Street in the University campus. It exhibits Bonsais and other species of plants personally cultivated by Mr. Modesto Manglicmot. He officially donated 175 of his Bonsais to the University as part of a memorandum of agreement signed on April 4, 2000. When asked why he agreed to this kind of arrangement, he said that aside from the free space, the University of the Philippines is an excellent venue to exhibit his plants especially because of the University’s academic environment. The Bonsai Garden was opened to the public two years after the agreement was signed due to reconstructions and renovations done on the venue to make it suitable for his plants. The garden now currently holds more than 400 Bonsais, which would eventually belong to the University, too.		The UP Diliman Bonsai Garden, formerly called Mr. Modesto Manglicmot Bonsai Park, is located along Delos Reyes Street in the University campus. It exhibits Bonsais and other species of plants personally cultivated by Mr. Modesto Manglicmot. He officially donated 175 of his Bonsais to the University as part of a memorandum of agreement signed on April 4, 2000. When asked why he agreed to this kind of arrangement, he said that aside from the free space, the University of the Philippines is an excellent venue to exhibit his plants especially because of the University’s academic environment. The Bonsai Garden was opened to the public two years after the agreement was signed due to reconstructions and renovations done on the venue to make it suitable for his plants. The garden now currently holds more than 400 Bonsais, which would eventually belong to the University, too.


Line 14:		Line 14:

	The garden’s main income comes from events held at the Bonsai Garden and donations from generous enthusiasts. Mr. Manglicmot constructed two function rooms and a restroom, which makes the garden ideal for wedding receptions, parties, conferences, and the like. Bonsai Workshops are also being held at the garden for free every Saturday at 10 o’clock in the morning. Come with materials and packed lunch. First timers are welcome to observe first for the list of materials needed.		The garden’s main income comes from events held at the Bonsai Garden and donations from generous enthusiasts. Mr. Manglicmot constructed two function rooms and a restroom, which makes the garden ideal for wedding receptions, parties, conferences, and the like. Bonsai Workshops are also being held at the garden for free every Saturday at 10 o’clock in the morning. Come with materials and packed lunch. First timers are welcome to observe first for the list of materials needed.



	== About Mr. Modesto Manglicmot ==		== About Mr. Modesto Manglicmot ==

Bbtempongko at 02:50, 15 October 2009

2009-10-15T02:50:46Z

← Older revision		Revision as of 10:50, 15 October 2009
Line 1:		Line 1:
	~~<googlemap lat="14~~.~~649756" lon="121.064669" zoom="17">~~		[[Image:Bonsaigarden.jpg]]
	~~</googlemap>~~

	== About the UPD Bonsai Garden ==		== About the UPD Bonsai Garden ==

Bbtempongko at 02:31, 15 October 2009

2009-10-15T02:31:01Z

← Older revision		Revision as of 10:31, 15 October 2009
Line 1:		Line 1:
			<googlemap lat="14.649756" lon="121.064669" zoom="17">
			</googlemap>

	== About the UPD Bonsai Garden ==		== About the UPD Bonsai Garden ==

Line 36:		Line 39:


	- Jasmine Sabado & Bea Tempongko		-- Jasmine Sabado & Bea Tempongko

	References:		References:
Line 42:		Line 45:
	Jose, Kathryn. UP Diliman Bonsai Garden. From http://en.wikipilipinas.org/index.php?title=UP_Diliman_Bonsai_Garden<br />		Jose, Kathryn. UP Diliman Bonsai Garden. From http://en.wikipilipinas.org/index.php?title=UP_Diliman_Bonsai_Garden<br />
	Manglicmot, Modesto. Personal interview. September 23, 2009		Manglicmot, Modesto. Personal interview. September 23, 2009

			[[Category:Venues]]