Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Community portal
Contributor's Page
Flipbook
Directories
Catalogs
Theses
Help Support
Getting Started
Create a New Page
Basic Formatting
Create Events and Announcements
Flibook Tutorial
Iskomunidad
Search
Search
Appearance
Log in
Personal tools
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Funny Women Empower
Page
Discussion
English
Read
Edit
Edit source
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
Edit source
View history
Refresh
General
What links here
Related changes
Page information
Cargo data
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
Pineda, M. L. C. (2016). Funny women empower: A semiotic and self-reflexive analysis of the representations of selected lead female television comedy characters and of the self, and women empowerment. (Unpublished Undergraduate Thesis). University of the Philippines, College of Mass Communication. The study aims to determine how I, as a woman and a Filipina, am empowered by television shows in the media, specifically through the representations of the lead characters of female-driven television comedies. This is achieved through a textual and a self-reflexive analysis. Through a textual analysis guided by Ferdinand de Saussure and Roland Barthes’ semiotic tradition, the study identifies and describes the representations of the female lead characters, namely Leslie Knope, Mindy Lahiri, Jane Villanueva, and Kimmy Schmidt, in their respective television comedies. With the character as text, the study observed her verbal and nonverbal cues, physical attributes, relationship status, and actions in the narrative. The thesis conceives meaningful connections and nuances of the female lead characters’ representations with the concept of women empowerment, aided by Naila Kabeer’s three dimensions of women empowerment. To further examine these representations and findings, the study turns to the anthropology of the self, where I, the self, also become text. Inspired by Ien Ang’s study of women viewers and the television soap opera Dallas, I relate the representations with my own thoughts and experiences as a woman viewer and as a Filipina who believes she identifies with and is empowered by these leading ladies in television comedies. Ultimately, the study’s goal is to highlight the significance of female-driven television comedy characters in the pursuit of women empowerment through entertainment media. The author hopes that this study shall encourage media practitioners to create more profound and inspiring female lead characters not just in comedy, but also in other genres here in the Philippines and around the world. Keywords: women empowerment, television comedy, representation, semiotics, self-reflexivity [[Category:Theses]][[Category:College of Mass Communication Thesis]] [[Category:CMC Thesis]] [[Category:Department of Broadcast Communication Thesis]][[Category:2016 Thesis]]
Summary:
Please note that all contributions to Iskomunidad may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Iskomunidad:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Funny Women Empower
Add topic