Iskomunidad - User contributions [en]

PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations

2013-04-23T02:00:06Z

Taantiporda:

'''ABSTRACT'''

Pascual, J. T. (2013). ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations''. Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

Being the most accessible of all media platforms in the Philippines, radio is still very much a part of our daily lives, sharing our experiences and instilling in us a collective memory and identity. Listening to radio, especially to stations on the FM band is not limited to listening to songs, but more importantly, it involves listening to the disc jockeys (DJs) who provide us with entertainment and education. These DJs often project identities on-air that may be different from their true identities, and this can be seen primarily in their constructed DJ names. Rhyming words or puns are usually employed by DJs when they present themselves over the airwaves. This play of words usually reflects or represents certain groups of people in society, especially those in the working or lower classes. Aside from using groups of people as basis for their on-air names, DJs also incorporate Filipino values or characteristics in their constructed identities.

This study titled ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations'' aimed to determine how identities of DJs are constructed, how these identities are reflected in their programs, and what role do the listening audience play in the construction of these identities. Applying Bourdieu’s concept of taste, a large part of the population listens to these mass-oriented radio stations and find a connection with the DJs. With the audience constantly looking for something they can relate to in the overall performance that a DJ presents on-air, this connection demonstrates the application of the symbolic convergence theory by Ernest Bormann, particularly the construction of fantasy themes, which are reflected in the very programs and identities of the DJs. These may or may not be reacted upon by the audience. Since the radio stations involved in this study employed the strategy being studied, the theory of the culture industry by Adorno and Horkheimer is also incorporated; these radio stations use a method that provides a formula in the radio industry, aiming to establish brand recall and generate more profit by targeting a big portion of the listening audience.

Six DJs from three mass-oriented FM radio stations were interviewed for this study, their programs monitored and analyzed to see how their on-air identities are presented and reflected in the content. The posts of the DJs and fans on their Facebook pages were also documented to see what feedback the audience gives to these DJs.

It was determined in this study that the on-air identities of DJs are still based on their real ones, and that these identities are reflected in their programs through their spiels, language, anecdotes, and other creative performances. While these DJs target a certain group of people or attempt to represent Filipino characteristics and values, they still perpetuate a divide between themselves and the listening audience, with feedback only minimally answered or considered.

'''Keywords''': identity, fantasy themes, mass-oriented, culture industry, taste

'''IskWiki! Flipbook''': [http://iskwiki.upd.edu.ph/flipbooks/Performant4558 View Thesis]

'''AxMag Flipbook''': [http://data.axmag.com/data/201304/U97818_F208850/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations

2013-04-22T15:59:41Z

Taantiporda:

'''ABSTRACT'''

Pascual, J. T. (2013). ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations''. Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

Being the most accessible of all media platforms in the Philippines, radio is still very much a part of our daily lives, sharing our experiences and instilling in us a collective memory and identity. Listening to radio, especially to stations on the FM band is not limited to listening to songs, but more importantly, it involves listening to the disc jockeys (DJs) who provide us with entertainment and education. These DJs often project identities on-air that may be different from their true identities, and this can be seen primarily in their constructed DJ names. Rhyming words or puns are usually employed by DJs when they present themselves over the airwaves. This play of words usually reflects or represents certain groups of people in society, especially those in the working or lower classes. Aside from using groups of people as basis for their on-air names, DJs also incorporate Filipino values or characteristics in their constructed identities.

This study titled ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations'' aimed to determine how identities of DJs are constructed, how these identities are reflected in their programs, and what role do the listening audience play in the construction of these identities. Applying Bourdieu’s concept of taste, a large part of the population listens to these mass-oriented radio stations and find a connection with the DJs. With the audience constantly looking for something they can relate to in the overall performance that a DJ presents on-air, this connection demonstrates the application of the symbolic convergence theory by Ernest Bormann, particularly the construction of fantasy themes, which are reflected in the very programs and identities of the DJs. These may or may not be reacted upon by the audience. Since the radio stations involved in this study employed the strategy being studied, the theory of the culture industry by Adorno and Horkheimer is also incorporated; these radio stations use a method that provides a formula in the radio industry, aiming to establish brand recall and generate more profit by targeting a big portion of the listening audience.

Six DJs from three mass-oriented FM radio stations were interviewed for this study, their programs monitored and analyzed to see how their on-air identities are presented and reflected in the content. The posts of the DJs and fans on their Facebook pages were also documented to see what feedback the audience gives to these DJs.

It was determined in this study that the on-air identities of DJs are still based on their real ones, and that these identities are reflected in their programs through their spiels, language, anecdotes, and other creative performances. While these DJs target a certain group of people or attempt to represent Filipino characteristics and values, they still perpetuate a divide between themselves and the listening audience, with feedback only minimally answered or considered.

'''Keywords''': identity, fantasy themes, mass-oriented, culture industry, taste

'''IskWiki! Flipbook''': [ View Thesis]

'''AxMag Flipbook''': [http://data.axmag.com/data/201304/U97818_F208850/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations

2013-04-22T15:53:10Z

Taantiporda:

'''ABSTRACT'''

Pascual, J. T. (2013). ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations''. Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

Being the most accessible of all media platforms in the Philippines, radio is still very much a part of our daily lives, sharing our experiences and instilling in us a collective memory and identity. Listening to radio, especially to stations on the FM band is not limited to listening to songs, but more importantly, it involves listening to the disc jockeys (DJs) who provide us with entertainment and education. These DJs often project identities on-air that may be different from their true identities, and this can be seen primarily in their constructed DJ names. Rhyming words or puns are usually employed by DJs when they present themselves over the airwaves. This play of words usually reflects or represents certain groups of people in society, especially those in the working or lower classes. Aside from using groups of people as basis for their on-air names, DJs also incorporate Filipino values or characteristics in their constructed identities.

This study titled ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations'' aimed to determine how identities of DJs are constructed, how these identities are reflected in their programs, and what role do the listening audience play in the construction of these identities. Applying Bourdieu’s concept of taste, a large part of the population listens to these mass-oriented radio stations and find a connection with the DJs. With the audience constantly looking for something they can relate to in the overall performance that a DJ presents on-air, this connection demonstrates the application of the symbolic convergence theory by Ernest Bormann, particularly the construction of fantasy themes, which are reflected in the very programs and identities of the DJs. These may or may not be reacted upon by the audience. Since the radio stations involved in this study employed the strategy being studied, the theory of the culture industry by Adorno and Horkheimer is also incorporated; these radio stations use a method that provides a formula in the radio industry, aiming to establish brand recall and generate more profit by targeting a big portion of the listening audience.

Six DJs from three mass-oriented FM radio stations were interviewed for this study, their programs monitored and analyzed to see how their on-air identities are presented and reflected in the content. The posts of the DJs and fans on their Facebook pages were also documented to see what feedback the audience gives to these DJs.

It was determined in this study that the on-air identities of DJs are still based on their real ones, and that these identities are reflected in their programs through their spiels, language, anecdotes, and other creative performances. While these DJs target a certain group of people or attempt to represent Filipino characteristics and values, they still perpetuate a divide between themselves and the listening audience, with feedback only minimally answered or considered.

'''Keywords''': identity, fantasy themes, mass-oriented, culture industry, taste

[http://data.axmag.com/data/201304/U97818_F208850/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations

2013-04-22T14:05:34Z

Taantiporda:

'''ABSTRACT'''

Pascual, J. T. (2013). ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations''. Unpublished undergraduate thesis, University of the Philippines, College of Mass Communication.

Being the most accessible of all media platforms in the Philippines, radio is still very much a part of our daily lives, sharing our experiences and instilling in us a collective memory and identity. Listening to radio, especially to stations on the FM band is not limited to listening to songs, but more importantly, it involves listening to the disc jockeys (DJs) who provide us with entertainment and education. These DJs often project identities on-air that may be different from their true identities, and this can be seen primarily in their constructed DJ names. Rhyming words or puns are usually employed by DJs when they present themselves over the airwaves. This play of words usually reflects or represents certain groups of people in society, especially those in the working or lower classes. Aside from using groups of people as basis for their on-air names, DJs also incorporate Filipino values or characteristics in their constructed identities.

This study titled ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations'' aimed to determine how identities of DJs are constructed, how these identities are reflected in their programs, and what role do the listening audience play in the construction of these identities. Applying Bourdieu’s concept of taste, a large part of the population listens to these mass-oriented radio stations and find a connection with the DJs. With the audience constantly looking for something they can relate to in the overall performance that a DJ presents on-air, this connection demonstrates the application of the symbolic convergence theory by Ernest Bormann, particularly the construction of fantasy themes, which are reflected in the very programs and identities of the DJs. These may or may not be reacted upon by the audience. Since the radio stations involved in this study employed the strategy being studied, the theory of the culture industry by Adorno and Horkheimer is also incorporated; these radio stations use a method that provides a formula in the radio industry, aiming to establish brand recall and generate more profit by targeting a big portion of the listening audience.

Six DJs from three mass-oriented FM radio stations were interviewed for this study, their programs monitored and analyzed to see how their on-air identities are presented and reflected in the content. The posts of the DJs and fans on their Facebook pages were also documented to see what feedback the audience gives to these DJs.

It was determined in this study that the on-air identities of DJs are still based on their real ones, and that these identities are reflected in their programs through their spiels, language, anecdotes, and other creative performances. While these DJs target a certain group of people or attempt to represent Filipino characteristics and values, they still perpetuate a divide between themselves and the listening audience, with feedback only minimally answered or considered.

'''Keywords''': identity, fantasy themes, mass-oriented, culture industry, taste

[View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations

2013-04-22T14:01:54Z

Taantiporda: New page: '''ABSTRACT''' Pascual, J. T. (2013). ''PERFORManteau: The Construction of the On-air Identities of Disc Jockeys of Selected Mass-oriented and Manila-based FM Radio Stations''. Unpublishe...

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T07:08:56Z

Taantiporda:

'''ABSTRAKT'''

Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

'''IskWiki Flipbook:''' [http://iskwiki.upd.edu.ph/flipbooks/AngSagrado305 View Thesis]

'''AxMag Flipbook:''' [http://data.axmag.com/data/201303/U95495_F201057/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T07:07:50Z

Taantiporda:

'''ABSTRAKT'''

Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

[http://iskwiki.upd.edu.ph/flipbooks/AngSagrado305 View Thesis]

[http://data.axmag.com/data/201303/U95495_F201057/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T07:06:32Z

Taantiporda:

'''ABSTRAKT'''

Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

[http://iskwiki.upd.edu.ph/flipbooks/AngSagrado305 View Thesis]
[http://data.axmag.com/data/201303/U95495_F201057/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T07:05:08Z

Taantiporda:

'''ABSTRAKT'''

Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

[http://data.axmag.com/data/201303/U95495_F201057/FLASH/index.html View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T06:04:32Z

Taantiporda:

'''ABSTRAKT'''

Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T05:56:07Z

Taantiporda:

'''ABSTRAKT'''

Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan.

Para sa pag-aaral, sinuri ang mga pelikulang ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004), at ''Tirador'' (2007) upang matunghayan ang pagbabago ng pagharaya sa Quiapo bilang lunan sa larangan ng pelikula. Siniyasat din ang mga balitang patungkol sa Quiapo sa ''24 Oras'' at ''Saksi'' (GMA-7), pati na sa ''TV Patrol'' at ''Bandila'' (ABS-CBN). Sinuri rin ang mga dokumentaryong ''Mga Lihim ng Quiapo'' (2009) ng ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) ng ''Patrol ng Pilipino'' (ABS-CBN), at ang ‘mockumentary’ na ''Son of God'' (2010). Pinag-aralan ang mga ito upang matukoy kung paano nagtataguyod ng mga realidad tungkol sa Quiapo ang mga balita sa telebisyon at mga dokumentaryo.

Upang matukoy ang mga pinag-ugatan ng Quiapo bilang isang sagrado at lapastangang lunan, nangalap ng mga dokumento tungkol sa kasaysayan ng Quiapo. Gumamit rin ng etnograpiya at ng awto-etnograpiya upang makapaghatid ng isang alternatibong kasaysayan ng nasabing lunan.

Sa pagtatapos ng pag-aaral, natukoy at nadalumat, bagama’t may mga nananalaytay na similaridad sa aktuwal na lunan ang mga natatanging representasyon sa Quiapo sa pelikula at telebisyon, na ito rin ang nakakapaglilimita at nakapagtitiwali sa ilang paggagap ng mga tao sa Quiapo bilang isang lunan.

'''Keywords''': Quiapo, Maynila, produksyon ng espasyo, textong kultural, sagrado, lapastangan, balitang pantelebisyon, dokumentaryo, pelikula, etnograpiya

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'''ABSTRACT'''

This study interrogates how Quiapo is produced as a space in selected Filipino films and television programs. The study also aims to determine the roots of Quiapo being produced as a sacred and profane space.

For the study, the researcher examined the films ''Geron Busabos: Ang Batang Quiapo'' (1964), ''Bulaklak ng Maynila'' (1999), ''Santa Santita'' (2004) and ''Tirador'' (2007) to trace the development of how Quiapo is produced as a space in Filipino films. The researcher also examined primetime news content pertaining to Quiapo in ''24 Oras'' and ''Saksi'' (GMA-7), as well as ''TV Patrol'' and ''Bandila'' (ABS-CBN). Documentaries such as ''Mga Lihim ng Quiapo'' (2009) from ''I-Witness'' (GMA-7), ''Panata kay Senyor'' (2011) from ''Patrol ng Pilipino'' (ABS-CBN) and the ‘mockumentary’ ''Son of God'' (2010) have also been examined to determine how television news and documentaries establish certain realities about Quiapo.

To determine the roots of Quiapo being produced as a sacred and profane space, the researcher surveyed documents about the history of Quiapo. Ethnography and auto-ethnography have also been utilized to deliver an alternative history of Quiapo.

At the end of the study, it has been determined and realized that, although there remains some similarities between Quiapo as an actual space and Quiapo as a represented space in film and television, these perceived similarities limit and corrupt people’s understanding of Quiapo as a space.

'''Keywords''': Quiapo, Manila, production of space, cultural texts, sacred, profane, television news, documentary, film, ethnography

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Antiporda, T.A.P. A. (2013). ''Ang sagrado at lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon''. Unpublished undergraduate thesis. University of the Philippines, Diliman: College of Mass Communication.

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T05:54:35Z

Taantiporda:

Ang Sagrado at Lapastangan: Ang pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon

2013-03-27T05:50:37Z

Taantiporda: New page: '''ABSTRAKT''' Ang tisis na ito ay isang pag-aaral sa pagharaya sa Quiapo bilang lunan sa mga piling pelikula at programang pantelebisyon. Layon ng pag-aaral na matukoy ang mga pinag-ug...