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	<id>https://iskomunidad.upd.edu.ph/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Sjdereja</id>
	<title>Iskomunidad - User contributions [en]</title>
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	<updated>2026-06-19T21:43:16Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41011</id>
		<title>Babaylan X</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41011"/>
		<updated>2014-04-11T04:49:36Z</updated>

		<summary type="html">&lt;p&gt;Sjdereja: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;BABAYLAN X&lt;br /&gt;
&lt;br /&gt;
Babaylan X is a meta-film whose narrative revolves around an actress named Julia&lt;br /&gt;
dela Luna and her staple role as the daughter of the fantastic babaylan. The genealogy of the&lt;br /&gt;
political family she belongs to defines the History of the setting. The Father, Nick dela&lt;br /&gt;
Luna, displays the fallacies of the “traditional politico” and his numbness to this role brings&lt;br /&gt;
profanity to the story. A quiet portrayal of Julia’s struggle expounds on her pain of being&lt;br /&gt;
born into this family. As Julia’s self becomes conscious to what her existence entails, her&lt;br /&gt;
world splits. Forever changed by the experience of seeing her father near death, she begins&lt;br /&gt;
to understand the images in her dreams, enabling her to find her Calling.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Babaylan X places feminism at the center of its study and explores a specific historical ethnographic&lt;br /&gt;
interpretation in Filipino culture in the form of babaylanism. It uses the&lt;br /&gt;
constructs of Counter-Cinema, specifically the language of Metafilm in order to externalize&lt;br /&gt;
the babaylan experience in the form of cinema. It puts forth the cinematic elements of&lt;br /&gt;
Patriarchal Reality, Cinematic Reality, Narrative Reality, Camera Reality, Dream, Memory,&lt;br /&gt;
and Fantasy as the building blocks of this new kind of cinema form.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2005-22527-Dereja-S View Thesis]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Film Thesis]][[Category:2014]][[Category:Thesis-Narrative]][[Category:Thesis-Babaylan X]][[Category:Babaylanism]][[Category:Babaylan]][[Category:Metafilm]][[Category:Counter-cinema]][[Category:Feminism]][[Category:Feminist films]][[Category:Expe-narrative]]&lt;/div&gt;</summary>
		<author><name>Sjdereja</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41010</id>
		<title>Babaylan X</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41010"/>
		<updated>2014-04-11T04:48:47Z</updated>

		<summary type="html">&lt;p&gt;Sjdereja: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;BABAYLAN X&lt;br /&gt;
&lt;br /&gt;
Babaylan X is a meta-film whose narrative revolves around an actress named Julia&lt;br /&gt;
dela Luna and her staple role as the daughter of the fantastic babaylan. The genealogy of the&lt;br /&gt;
political family she belongs to defines the History of the setting. The Father, Nick dela&lt;br /&gt;
Luna, displays the fallacies of the “traditional politico” and his numbness to this role brings&lt;br /&gt;
profanity to the story. A quiet portrayal of Julia’s struggle expounds on her pain of being&lt;br /&gt;
born into this family. As Julia’s self becomes conscious to what her existence entails, her&lt;br /&gt;
world splits. Forever changed by the experience of seeing her father near death, she begins&lt;br /&gt;
to understand the images in her dreams, enabling her to find her Calling.&lt;br /&gt;
&lt;br /&gt;
Babaylan X places feminism at the center of its study and explores a specific historical ethnographic&lt;br /&gt;
interpretation in Filipino culture in the form of babaylanism. It uses the&lt;br /&gt;
constructs of Counter-Cinema, specifically the language of Metafilm in order to externalize&lt;br /&gt;
the babaylan experience in the form of cinema. It puts forth the cinematic elements of&lt;br /&gt;
Patriarchal Reality, Cinematic Reality, Narrative Reality, Camera Reality, Dream, Memory,&lt;br /&gt;
and Fantasy as the building blocks of this new kind of cinema form.&lt;br /&gt;
&lt;br /&gt;
[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2005-22527-Dereja-S View Thesis]&lt;br /&gt;
&lt;br /&gt;
[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Film Thesis]][[Category:2014]][[Category:Thesis-Narrative]][[Category:Thesis-Babaylan X]][[Category:Babaylanism]][[Category:Babaylan]][[Category:Metafilm]][[Category:Counter-cinema]][[Category:Feminism]][[Category:Feminist films]][[Category:Expe-narrative]][[Category:&lt;/div&gt;</summary>
		<author><name>Sjdereja</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41009</id>
		<title>Babaylan X</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Babaylan_X&amp;diff=41009"/>
		<updated>2014-04-11T04:38:27Z</updated>

		<summary type="html">&lt;p&gt;Sjdereja: Created page with &amp;quot;BABAYLAN X  Babaylan X is a meta-film whose narrative revolves around an actress named Julia dela Luna and her staple role as the daughter of the fantastic babaylan. The genea...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;BABAYLAN X&lt;br /&gt;
&lt;br /&gt;
Babaylan X is a meta-film whose narrative revolves around an actress named Julia&lt;br /&gt;
dela Luna and her staple role as the daughter of the fantastic babaylan. The genealogy of the&lt;br /&gt;
political family she belongs to defines the History of the setting. The Father, Nick dela&lt;br /&gt;
Luna, displays the fallacies of the “traditional politico” and his numbness to this role brings&lt;br /&gt;
profanity to the story. A quiet portrayal of Julia’s struggle expounds on her pain of being&lt;br /&gt;
born into this family. As Julia’s self becomes conscious to what her existence entails, her&lt;br /&gt;
world splits. Forever changed by the experience of seeing her father near death, she begins&lt;br /&gt;
to understand the images in her dreams, enabling her to find her Calling.&lt;br /&gt;
&lt;br /&gt;
Babaylan X places feminism at the center of its study and explores a specific historical ethnographic&lt;br /&gt;
interpretation in Filipino culture in the form of babaylanism. It uses the&lt;br /&gt;
constructs of Counter-Cinema, specifically the language of Metafilm in order to externalize&lt;br /&gt;
the babaylan experience in the form of cinema. It puts forth the cinematic elements of&lt;br /&gt;
Patriarchal Reality, Cinematic Reality, Narrative Reality, Camera Reality, Dream, Memory,&lt;br /&gt;
and Fantasy as the building blocks of this new kind of cinema form.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Film Thesis]][[Category:2014]][[Category:Thesis-Narrative]][[Category:Thesis-Babaylan X]][[Category:Babaylanism]][[Category:Babaylan]][[Category:Metafilm]][[Category:Counter-cinema]][[Category:Feminism]][[Category:Feminist films]][[Category:Expe-narrative]][[Category:&lt;/div&gt;</summary>
		<author><name>Sjdereja</name></author>
	</entry>
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