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	<updated>2026-06-20T14:53:54Z</updated>
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		<id>https://iskomunidad.upd.edu.ph/index.php?title=Biyaya&amp;diff=52810</id>
		<title>Biyaya</title>
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		<updated>2017-05-31T08:00:48Z</updated>

		<summary type="html">&lt;p&gt;Rptumbaga: Created page with &amp;quot;ABSTRACT  Tumbaga, R.P. (2017). Biyaya, Unpublished Undergraduate Thesis, University of the Philippines College of Mass Communication.  Biyaya chronicles three days in the liv...&amp;quot;&lt;/p&gt;
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&lt;div&gt;ABSTRACT&lt;br /&gt;
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Tumbaga, R.P. (2017). Biyaya, Unpublished Undergraduate Thesis, University of the Philippines College of Mass Communication.&lt;br /&gt;
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Biyaya chronicles three days in the lives of a young couple, Antonio and Claudine, who are on the verge of falling apart and are suddenly kidnapped by a seemingly religious group. Upon abduction, the young couple are told that they aren’t just random victims of kidnapping, but are chosen targets due to their inability to maintain a healthy relationship.&lt;br /&gt;
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The film is a deconstruction of the common narrative structure for Filipino romantic-comedies. Using satire, the film takes a completely different turn on telling a romantic story; immediately presenting an uncommon outlook on love and delving into a twisted view of religion as its foundation.&lt;br /&gt;
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The filmmaker intends to push the boundaries of the Filipino romantic-comedy; pitting the protagonists into increasingly absurd situations as consequence for failing to be a perfect couple, and nearly disguising the film as a post-modernist take on the nation’s belief of Roman Catholicism.&lt;br /&gt;
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Keywords: Absurd Comedy, Cow, Deconstruction, Post-Modernism, Religion&lt;br /&gt;
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[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2012-58330-Tumbaga- View Thesis]&lt;br /&gt;
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[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:2017 Thesis]]&lt;/div&gt;</summary>
		<author><name>Rptumbaga</name></author>
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