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	<title>Iskomunidad - User contributions [en]</title>
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	<subtitle>User contributions</subtitle>
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		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8866</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8866"/>
		<updated>2009-10-11T21:24:39Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* I. History */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;googlemap lat=&amp;quot;14.655216&amp;quot; lon=&amp;quot;121.068091&amp;quot;&amp;gt;&amp;lt;/googlemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;lt;b&amp;gt;Carillon&amp;lt;br /&amp;gt;&amp;lt;/b&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Osmena Avenue, Diliman, Quezon City, National Capital Region, Philippines‎ &amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Roberto G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Alvin Bacero Bello&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Maria Cristy Borcelis Buban&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;John Martin Rabino Caquilala&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells2.jpg‎|Carillon&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells.JPG‎|Carillon, the Bells of Diliman&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== I. History ==&lt;br /&gt;
&lt;br /&gt;
The University of the Philipines Memorial Campanille with its carillon of 46 perfectly tuned bronze bells was one of its kind in the far east and one around hundred in the world. It was the first carillon tower in the South East Asia and the first Carillon in a campus setting.&lt;br /&gt;
&lt;br /&gt;
The plan of constructing the Carillon was envisioned in 1940 by Mr. Bienvenido Gonzalez, former UP president; Architect Juan G. Nakpil, a UP Alumnus; and Conservatory Music director, Mr. Ramon Tapales. Unfortunately, all the efforts towards its formation were paralyzed because of the World War II. However, after the country’s liberation, the plan was again brought forward at the time when the University was preparing to move from the bombed-campus in Padre Faura to the green hills of Diliman. The plan was re-envisioned at a meeting of the board of directors of the UP Alumni Association, on September 18, 1948.&lt;br /&gt;
&lt;br /&gt;
The bells of the carillon were casted by the Van Bergen Bell, Chimes and Carillon Foundry, of Greenwood, South Carolina and were delivered and installed under the supervision of a Dutch Carilloneur, Prof. Adrian Antonisse, director of the Music-school of Netherlands. Professor Antonisse became the first Carilloneur of the state university. The installation started from June and the last bell was set place on July 11. The tower was constructed under the direction of Juan Nakpil, a UP Alumnus and 1973 National Artist for Architecture. This was accomplished soon after the University transferred most of the units from Manila to Diliman. &lt;br /&gt;
&lt;br /&gt;
It was the alumni who decided to donate the carillon as their contribution to the new campus. But due to lack of funds, the UP Alumni Association decided to create a funding committee. The Funding Committed formulated a project involving a nationwide campaign to raise funds for the purchase of the bells and the construction of the tower. The committee sent an appeal to more than 17,000 alumni all over the country. Struck by this gesture, the UP Board of Reagents authorized an advance sum for its construction with the understanding that the alumni association will pay them back. &lt;br /&gt;
&lt;br /&gt;
President Elpidio Quirino was the first to respond to call giving an amount of Php 1000. Prof. Juan Nakpil, consulting architect of the University, donate an amount of Php. 5 000 in memory of  Dr. Ariston Bautista Lin. Other early donors include Juan J. Carlos, practicing engineer of Manila who gave Php 500 and Capt. Alfredo G. de la Cruz of San Miguel Tarlac, Php. 10. Php. 90 000 was the target amount from all donors including the alumni, private individuals, fraternities and student councils making the project a labor of love.&lt;br /&gt;
&lt;br /&gt;
It was finally inaugurated by President Elpidio Quirino on August 1, 1952 in commemoration of the former President Manuel L. Quezon’s death.&lt;br /&gt;
&lt;br /&gt;
On August 3, 1952, Prof Antonisse was presented by the UP Conservatory of Music at a carillon concert. This was followed by a farewell concert on August 14 of the same year. College of Liberal Arts and the Conservatory of Music also sponsored two identical lectures on carillon bells and music by Prof Antonisse on July 24, week before the dedication of the UP Carillon.&lt;br /&gt;
&lt;br /&gt;
On the first Christmas Eve with the carillon installed, it was heard for two solid hours until midnight, ushering in the birth of our Lord. Likewise, it was hard on the early Easter morning proclaiming our Christ arisen.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells3.jpg|The Programme during the Carillon Inaguration on August 1, 1952&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== II. Structure and Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	The University of the Philippines Memorial Campanile is a 130-foot structure with a carillon of 46 perfectly tuned bronze bells. The tower was built under the supervision of architect Juan Nakpil, a 1973 National Artist. The funds for its construction were provided by the UP Alumni Association and donors.&lt;br /&gt;
	&lt;br /&gt;
From the outside view, the tower is painted with cream and maroon. It has a very stable foundation and has a system of vertical lines topped with a small dome. A sight of an endless spiral staircase could be seen in the building’s interior.&lt;br /&gt;
	&lt;br /&gt;
The carillon bells were installed up in the tower with the supervision of Professor Adrian Antonisse Jr., a Dutch carilloneur and director of Veendammer Muziekschool of the Netherlands. Those bells were casted by Van Bergen Bell, Chimes and Carillon Foundry. Some of the bells were named after individual donors. The largest bell which weighs about five tons was embossed of the names of the officers and the members of the board of directors of the alumni association. The last bell was set place on July 11, 1952.&lt;br /&gt;
	&lt;br /&gt;
The bells were tuned to the intervals of the chromatic scale similar to a piano, and having a range of three octaves or more. The bell which has the lowest pitch can weigh many tons. The smaller the size of the bell means the higher the pitch. The names of the  Alumni Board and donors are inscribed on some of the bells. &lt;br /&gt;
&lt;br /&gt;
There are two methods of playing the carillon. A carilloneur may strike a keyboard called a “clavier” which is similar to that of an organ but the difference is that it uses wooden pegs. According to Prof. Antonisse, one to two years of devoted study is necessary to master the instrument which requires a great deal of muscular effort to play because the fists are used in striking the keys. Each key of the clavier is connected to the clapper of the corresponding bell by means of wires and cranks. Those clappers are sufficient to bring out the full volume of sound required for carillon playing. Pedals are also attached to the levers connected with the heavier bells so that these can be played by foot. The alternative way of playing is an automatic machine which plays the carillon at pre-set hours&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! First Five Carilloneurs&lt;br /&gt;
|-&lt;br /&gt;
| Prof Adrian Antonisse Jr.&lt;br /&gt;
|-&lt;br /&gt;
| Mr. Wesley Tabayoyong&lt;br /&gt;
|-&lt;br /&gt;
| Cris Eva Gonzales&lt;br /&gt;
|-&lt;br /&gt;
| Jerry Dadap&lt;br /&gt;
|-&lt;br /&gt;
| Tony Regalaria&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Table 1 shows the first five Carilloneur of the University of the Philippines.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== III. Symbolisms and Struggles ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Loyalty&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Since it was the alumni association who mainly contributed in the construction of the Carillon, it was established that the tower symbolizes the Alumni spirit, love and loyalty. As per Juan Nakpil, the Carillon will serve as the emotional and spiritual link between the students, faculty, and alumni of the succeeding generations. He also added, “It will be a voice speaking to us from the midst of our campus – not from a distance”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Extravagance&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
	Though UP Carillon has been a symbol for Alumni’s Labor of Love, it did not escape certain issues regarding its formation and structure. During the time of its construction, the state university was also suffering from an immense financial difficulty brought about by the war. Because of this, repercussions took place for some sectors of the university objected to the formation of the Carillon calling it a symbol of extravagance and not loyalty. They contented that the money spent for its construction should have been allotted in solving the monetary problems that plagued the University. &lt;br /&gt;
&lt;br /&gt;
In response to this, the editor of the Collegian in that year wrote on his article, &amp;lt;i&amp;gt;“We do not look at it that way. To us, the Carillon is a gift of the alumni and is symbolic of their regard to the Alma Mater. To us, the Memorial Campanile is the expression of their loyalty to the cause of education which the University is dedicated. That to us is the Carillon. If loyalty ever be a luxury then the Carillon and all that it stands for is luxury, indeed”&amp;lt;/i&amp;gt;“&lt;br /&gt;
&lt;br /&gt;
Most of the University Officials believed that the Carillon symbolizes very important ideas and conceptsthat are priceless and are worthy of the enormous amount spent for its construction.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being tilted&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Carillon became controversial not also because of its monetary aftermath but also because of the assumption that the lofty structure is tilted. During that time, students of the university hoped to have another leaning tower like that of the Pisa in Italy. However, a study made by a group of Engineering professors proved that it was just an optical illusion. Only after this study did the hubbub ceased. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being out of tune&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Aside from the fact that the bells are tuned in chromatic intervals and have a range of three or more octaves, the overtones and the harmonics produced by the bells are also arranged in an order way different from those given by the strings or by an organ. Because of these, listeners who are not familiar with the Carillon thought that our bells are out of tune.&lt;br /&gt;
&lt;br /&gt;
Defending the Carillon, Arthur L. Bigelow said, &amp;lt;i&amp;gt;“In contrast to other producers of musical tone, endowed by nature with a major third, the third of the bell is minor. It is this particular overtone which gives to the bell its plaintive note, so characteristic and so distinctive from all other instruments”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Truly, before one can fully appreciate the music of the Carillon, he must first learn to distinguish the humtones from the overtones. As what Prof Antonisse has said in one of his lectures, &amp;lt;i&amp;gt;“You just don’t take Carillon Music. It is entirely different from other forms of music.”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== IV. Bibliography ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cabatuando, Patria &amp;quot;The Musical Tower&amp;quot;. &amp;lt;i&amp;gt;The Philippine Collegian&amp;lt;/i&amp;gt;. October 14, 1967.&lt;br /&gt;
&lt;br /&gt;
Mendoza, Rene E. &amp;quot;The Carillon Story&amp;quot;. &amp;lt;i&amp;gt;The Carillon Overtones, Vol 1 No. 1 &amp;lt;/i&amp;gt;. March 1957.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Legend of the Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 2 &amp;lt;/i&amp;gt;. September 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Newsletter, pp 5-6 &amp;lt;/i&amp;gt;. October 1973.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon on the Diliman Skyline&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carilloneur Speaks on Bells and Music&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 1 &amp;lt;/i&amp;gt;. July 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now on its way are the UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Alumni Homecoming Volume &amp;lt;/i&amp;gt;. April 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Quirino Donates P 1,000 to Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;UP Alumni Reunion Yearbook &amp;lt;/i&amp;gt;. 1953.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;i&amp;gt;The UP Bulletin, Vol 2 No. 1 &amp;lt;/i&amp;gt;. January 1950.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8865</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8865"/>
		<updated>2009-10-11T21:24:06Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* I. History */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;googlemap lat=&amp;quot;14.655216&amp;quot; lon=&amp;quot;121.068091&amp;quot;&amp;gt;&amp;lt;/googlemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;lt;b&amp;gt;Carillon&amp;lt;br /&amp;gt;&amp;lt;/b&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Osmena Avenue, Diliman, Quezon City, National Capital Region, Philippines‎ &amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Roberto G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Alvin Bacero Bello&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Maria Cristy Borcelis Buban&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;John Martin Rabino Caquilala&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells2.jpg‎|Carillon&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells.JPG‎|Carillon, the Bells of Diliman&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== I. History ==&lt;br /&gt;
&lt;br /&gt;
The University of the Philipines Memorial Campanille with its carillon of 46 perfectly tuned bronze bells was one of its kind in the far east and one around hundred in the world. It was the first carillon tower in the South East Asia and the first Carillon in a campus setting.&lt;br /&gt;
&lt;br /&gt;
The plan of constructing the Carillon was envisioned in 1940 by Mr. Bienvenido Gonzalez, former UP president; Architect Juan G. Nakpil, a UP Alumnus; and Conservatory Music director, Mr. Ramon Tapales. Unfortunately, all the efforts towards its formation were paralyzed because of the World War II. However, after the country’s liberation, the plan was again brought forward at the time when the University was preparing to move from the bombed-campus in Padre Faura to the green hills of Diliman. The plan was re-envisioned at a meeting of the board of directors of the UP Alumni Association, on September 18, 1948.&lt;br /&gt;
&lt;br /&gt;
The bells of the carillon were casted by the Van Bergen Bell, Chimes and Carillon Foundry, of Greenwood, South Carolina and were delivered and installed under the supervision of a Dutch Carilloneur, Prof. Adrian Antonisse, director of the Music-school of Netherlands. Professor Antonisse became the first Carilloneur of the state university. The installation started from June and the last bell was set place on July 11. The tower was constructed under the direction of Juan Nakpil, a UP Alumnus and 1973 National Artist for Architecture. This was accomplished soon after the University transferred most of the units from Manila to Diliman. &lt;br /&gt;
&lt;br /&gt;
It was the alumni who decided to donate the carillon as their contribution to the new campus. But due to lack of funds, the UP Alumni Association decided to create a funding committee. The Funding Committed formulated a project involving a nationwide campaign to raise funds for the purchase of the bells and the construction of the tower. The committee sent an appeal to more than 17,000 alumni all over the country. Struck by this gesture, the UP Board of Reagents authorized an advance sum for its construction with the understanding that the alumni association will pay them back. &lt;br /&gt;
&lt;br /&gt;
President Elpidio Quirino was the first to respond to call giving an amount of Php 1000. Prof. Juan Nakpil, consulting architect of the University, donate an amount of Php. 5 000 in memory of  Dr. Ariston Bautista Lin. Other early donors include Juan J. Carlos, practicing engineer of Manila who gave Php 500 and Capt. Alfredo G. de la Cruz of San Miguel Tarlac, Php. 10. Php. 90 000 was the target amount from all donors including the alumni, private individuals, fraternities and student councils making the project a labor of love.&lt;br /&gt;
&lt;br /&gt;
It was finally inaugurated by President Elpidio Quirino on August 1, 1952 in commemoration of the former President Manuel L. Quezon’z death.&lt;br /&gt;
&lt;br /&gt;
On August 3, 1952, Prof Antonisse was presented by the UP Conservatory of Music at a carillon concert. This was followed by a farewell concert on August 14 of the same year. College of Liberal Arts and the Conservatory of Music also sponsored two identical lectures on carillon bells and music by Prof Antonisse on July 24, week before the dedication of the UP Carillon.&lt;br /&gt;
&lt;br /&gt;
On the first Christmas Eve with the carillon installed, it was heard for two solid hours until midnight, ushering in the birth of our Lord. Likewise, it was hard on the early Easter morning proclaiming our Christ arisen.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells3.jpg|The Programme during the Carillon Inaguration on August 1, 1952&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== II. Structure and Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	The University of the Philippines Memorial Campanile is a 130-foot structure with a carillon of 46 perfectly tuned bronze bells. The tower was built under the supervision of architect Juan Nakpil, a 1973 National Artist. The funds for its construction were provided by the UP Alumni Association and donors.&lt;br /&gt;
	&lt;br /&gt;
From the outside view, the tower is painted with cream and maroon. It has a very stable foundation and has a system of vertical lines topped with a small dome. A sight of an endless spiral staircase could be seen in the building’s interior.&lt;br /&gt;
	&lt;br /&gt;
The carillon bells were installed up in the tower with the supervision of Professor Adrian Antonisse Jr., a Dutch carilloneur and director of Veendammer Muziekschool of the Netherlands. Those bells were casted by Van Bergen Bell, Chimes and Carillon Foundry. Some of the bells were named after individual donors. The largest bell which weighs about five tons was embossed of the names of the officers and the members of the board of directors of the alumni association. The last bell was set place on July 11, 1952.&lt;br /&gt;
	&lt;br /&gt;
The bells were tuned to the intervals of the chromatic scale similar to a piano, and having a range of three octaves or more. The bell which has the lowest pitch can weigh many tons. The smaller the size of the bell means the higher the pitch. The names of the  Alumni Board and donors are inscribed on some of the bells. &lt;br /&gt;
&lt;br /&gt;
There are two methods of playing the carillon. A carilloneur may strike a keyboard called a “clavier” which is similar to that of an organ but the difference is that it uses wooden pegs. According to Prof. Antonisse, one to two years of devoted study is necessary to master the instrument which requires a great deal of muscular effort to play because the fists are used in striking the keys. Each key of the clavier is connected to the clapper of the corresponding bell by means of wires and cranks. Those clappers are sufficient to bring out the full volume of sound required for carillon playing. Pedals are also attached to the levers connected with the heavier bells so that these can be played by foot. The alternative way of playing is an automatic machine which plays the carillon at pre-set hours&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! First Five Carilloneurs&lt;br /&gt;
|-&lt;br /&gt;
| Prof Adrian Antonisse Jr.&lt;br /&gt;
|-&lt;br /&gt;
| Mr. Wesley Tabayoyong&lt;br /&gt;
|-&lt;br /&gt;
| Cris Eva Gonzales&lt;br /&gt;
|-&lt;br /&gt;
| Jerry Dadap&lt;br /&gt;
|-&lt;br /&gt;
| Tony Regalaria&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Table 1 shows the first five Carilloneur of the University of the Philippines.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== III. Symbolisms and Struggles ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Loyalty&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Since it was the alumni association who mainly contributed in the construction of the Carillon, it was established that the tower symbolizes the Alumni spirit, love and loyalty. As per Juan Nakpil, the Carillon will serve as the emotional and spiritual link between the students, faculty, and alumni of the succeeding generations. He also added, “It will be a voice speaking to us from the midst of our campus – not from a distance”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Extravagance&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
	Though UP Carillon has been a symbol for Alumni’s Labor of Love, it did not escape certain issues regarding its formation and structure. During the time of its construction, the state university was also suffering from an immense financial difficulty brought about by the war. Because of this, repercussions took place for some sectors of the university objected to the formation of the Carillon calling it a symbol of extravagance and not loyalty. They contented that the money spent for its construction should have been allotted in solving the monetary problems that plagued the University. &lt;br /&gt;
&lt;br /&gt;
In response to this, the editor of the Collegian in that year wrote on his article, &amp;lt;i&amp;gt;“We do not look at it that way. To us, the Carillon is a gift of the alumni and is symbolic of their regard to the Alma Mater. To us, the Memorial Campanile is the expression of their loyalty to the cause of education which the University is dedicated. That to us is the Carillon. If loyalty ever be a luxury then the Carillon and all that it stands for is luxury, indeed”&amp;lt;/i&amp;gt;“&lt;br /&gt;
&lt;br /&gt;
Most of the University Officials believed that the Carillon symbolizes very important ideas and conceptsthat are priceless and are worthy of the enormous amount spent for its construction.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being tilted&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Carillon became controversial not also because of its monetary aftermath but also because of the assumption that the lofty structure is tilted. During that time, students of the university hoped to have another leaning tower like that of the Pisa in Italy. However, a study made by a group of Engineering professors proved that it was just an optical illusion. Only after this study did the hubbub ceased. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being out of tune&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Aside from the fact that the bells are tuned in chromatic intervals and have a range of three or more octaves, the overtones and the harmonics produced by the bells are also arranged in an order way different from those given by the strings or by an organ. Because of these, listeners who are not familiar with the Carillon thought that our bells are out of tune.&lt;br /&gt;
&lt;br /&gt;
Defending the Carillon, Arthur L. Bigelow said, &amp;lt;i&amp;gt;“In contrast to other producers of musical tone, endowed by nature with a major third, the third of the bell is minor. It is this particular overtone which gives to the bell its plaintive note, so characteristic and so distinctive from all other instruments”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Truly, before one can fully appreciate the music of the Carillon, he must first learn to distinguish the humtones from the overtones. As what Prof Antonisse has said in one of his lectures, &amp;lt;i&amp;gt;“You just don’t take Carillon Music. It is entirely different from other forms of music.”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== IV. Bibliography ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cabatuando, Patria &amp;quot;The Musical Tower&amp;quot;. &amp;lt;i&amp;gt;The Philippine Collegian&amp;lt;/i&amp;gt;. October 14, 1967.&lt;br /&gt;
&lt;br /&gt;
Mendoza, Rene E. &amp;quot;The Carillon Story&amp;quot;. &amp;lt;i&amp;gt;The Carillon Overtones, Vol 1 No. 1 &amp;lt;/i&amp;gt;. March 1957.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Legend of the Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 2 &amp;lt;/i&amp;gt;. September 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Newsletter, pp 5-6 &amp;lt;/i&amp;gt;. October 1973.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon on the Diliman Skyline&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carilloneur Speaks on Bells and Music&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 1 &amp;lt;/i&amp;gt;. July 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now on its way are the UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Alumni Homecoming Volume &amp;lt;/i&amp;gt;. April 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Quirino Donates P 1,000 to Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;UP Alumni Reunion Yearbook &amp;lt;/i&amp;gt;. 1953.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;i&amp;gt;The UP Bulletin, Vol 2 No. 1 &amp;lt;/i&amp;gt;. January 1950.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8864</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=8864"/>
		<updated>2009-10-11T21:23:34Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;googlemap lat=&amp;quot;14.655216&amp;quot; lon=&amp;quot;121.068091&amp;quot;&amp;gt;&amp;lt;/googlemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;lt;b&amp;gt;Carillon&amp;lt;br /&amp;gt;&amp;lt;/b&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Osmena Avenue, Diliman, Quezon City, National Capital Region, Philippines‎ &amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Roberto G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Alvin Bacero Bello&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Maria Cristy Borcelis Buban&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;John Martin Rabino Caquilala&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells2.jpg‎|Carillon&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells.JPG‎|Carillon, the Bells of Diliman&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== I. History ==&lt;br /&gt;
&lt;br /&gt;
The University of the Philipines Memorial Campanille with its carillon of 46 perfectly tuned bronze bells was one of its kind in the far east and one around hundred in the world. It was the first carillon tower in the South East Asia and the first Carillon in a campus setting.&lt;br /&gt;
&lt;br /&gt;
The plan of constructing the Carillon was envisioned in 1940 by Mr. Bienvenido Gonzalez, former UP president; Architect Juan G. Nakpil, a UP Alumnus; and Conservatory Music director, Mr. Ramon Tapales. Unfortunately, all the efforts towards its formation were paralyzed because of the World War II. However, after the country’s liberation, the plan was again brought forward at the time when the University was preparing to move from the bombed-campus in Padre Faura to the green hills of Diliman. The plan was re-envisioned at a meeting of the board of directors of the UP Alumni Association, on September 18, 1948.&lt;br /&gt;
&lt;br /&gt;
The bells of the carillon were casted by the Van Bergen Bell, Chimes and Carillon Foundry, of Greenwood, South Carolina and were delivered and installed under the supervision of a Dutch Carilloneur, Prof. Adrian Antonisse, director of the Music-school of Netherlands. Professor Antonisse became the first Carilloneur of the state university. The installation started from June and the last bell was set place on July 11. The tower was constructed under the direction of Juan Nakpil, a UP Alumnus and 1973 National Artist for Architecture. This was accomplished soon after the University transferred most of the units from Manila to Diliman. &lt;br /&gt;
&lt;br /&gt;
It was the alumni who decided to donate the carillon as their contribution to the new campus. But due to lack of funds, the UP Alumni Association decided to create a funding committee. The Funding Committed formulated a project involving a nationwide campaign to raise funds for the purchase of the bells and the construction of the tower. The committee sent an appeal to more than 17,000 alumni all over the country. Struck by this gesture, the UP Board of Reagents authorized an advance sum for its construction with the understanding that the alumni association will pay them back. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
President Elpidio Quirino was the first to respond to call giving an amount of Php 1000. Prof. Juan Nakpil, consulting architect of the University, donate an amount of Php. 5 000 in memory of  Dr. Ariston Bautista Lin. Other early donors include Juan J. Carlos, practicing engineer of Manila who gave Php 500 and Capt. Alfredo G. de la Cruz of San Miguel Tarlac, Php. 10. Php. 90 000 was the target amount from all donors including the alumni, private individuals, fraternities and student councils making the project a labor of love.&lt;br /&gt;
&lt;br /&gt;
It was finally inaugurated by President Elpidio Quirino on August 1, 1952 in commemoration of the former President Manuel L. Quezon’z death.&lt;br /&gt;
&lt;br /&gt;
On August 3, 1952, Prof Antonisse was presented by the UP Conservatory of Music at a carillon concert. This was followed by a farewell concert on August 14 of the same year. College of Liberal Arts and the Conservatory of Music also sponsored two identical lectures on carillon bells and music by Prof Antonisse on July 24, week before the dedication of the UP Carillon.&lt;br /&gt;
&lt;br /&gt;
On the first Christmas Eve with the carillon installed, it was heard for two solid hours until midnight, ushering in the birth of our Lord. Likewise, it was hard on the early Easter morning proclaiming our Christ arisen.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Bells3.jpg|The Programme during the Carillon Inaguration on August 1, 1952&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== II. Structure and Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	The University of the Philippines Memorial Campanile is a 130-foot structure with a carillon of 46 perfectly tuned bronze bells. The tower was built under the supervision of architect Juan Nakpil, a 1973 National Artist. The funds for its construction were provided by the UP Alumni Association and donors.&lt;br /&gt;
	&lt;br /&gt;
From the outside view, the tower is painted with cream and maroon. It has a very stable foundation and has a system of vertical lines topped with a small dome. A sight of an endless spiral staircase could be seen in the building’s interior.&lt;br /&gt;
	&lt;br /&gt;
The carillon bells were installed up in the tower with the supervision of Professor Adrian Antonisse Jr., a Dutch carilloneur and director of Veendammer Muziekschool of the Netherlands. Those bells were casted by Van Bergen Bell, Chimes and Carillon Foundry. Some of the bells were named after individual donors. The largest bell which weighs about five tons was embossed of the names of the officers and the members of the board of directors of the alumni association. The last bell was set place on July 11, 1952.&lt;br /&gt;
	&lt;br /&gt;
The bells were tuned to the intervals of the chromatic scale similar to a piano, and having a range of three octaves or more. The bell which has the lowest pitch can weigh many tons. The smaller the size of the bell means the higher the pitch. The names of the  Alumni Board and donors are inscribed on some of the bells. &lt;br /&gt;
&lt;br /&gt;
There are two methods of playing the carillon. A carilloneur may strike a keyboard called a “clavier” which is similar to that of an organ but the difference is that it uses wooden pegs. According to Prof. Antonisse, one to two years of devoted study is necessary to master the instrument which requires a great deal of muscular effort to play because the fists are used in striking the keys. Each key of the clavier is connected to the clapper of the corresponding bell by means of wires and cranks. Those clappers are sufficient to bring out the full volume of sound required for carillon playing. Pedals are also attached to the levers connected with the heavier bells so that these can be played by foot. The alternative way of playing is an automatic machine which plays the carillon at pre-set hours&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! First Five Carilloneurs&lt;br /&gt;
|-&lt;br /&gt;
| Prof Adrian Antonisse Jr.&lt;br /&gt;
|-&lt;br /&gt;
| Mr. Wesley Tabayoyong&lt;br /&gt;
|-&lt;br /&gt;
| Cris Eva Gonzales&lt;br /&gt;
|-&lt;br /&gt;
| Jerry Dadap&lt;br /&gt;
|-&lt;br /&gt;
| Tony Regalaria&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Table 1 shows the first five Carilloneur of the University of the Philippines.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== III. Symbolisms and Struggles ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Loyalty&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Since it was the alumni association who mainly contributed in the construction of the Carillon, it was established that the tower symbolizes the Alumni spirit, love and loyalty. As per Juan Nakpil, the Carillon will serve as the emotional and spiritual link between the students, faculty, and alumni of the succeeding generations. He also added, “It will be a voice speaking to us from the midst of our campus – not from a distance”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon as a symbol of Extravagance&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
	Though UP Carillon has been a symbol for Alumni’s Labor of Love, it did not escape certain issues regarding its formation and structure. During the time of its construction, the state university was also suffering from an immense financial difficulty brought about by the war. Because of this, repercussions took place for some sectors of the university objected to the formation of the Carillon calling it a symbol of extravagance and not loyalty. They contented that the money spent for its construction should have been allotted in solving the monetary problems that plagued the University. &lt;br /&gt;
&lt;br /&gt;
In response to this, the editor of the Collegian in that year wrote on his article, &amp;lt;i&amp;gt;“We do not look at it that way. To us, the Carillon is a gift of the alumni and is symbolic of their regard to the Alma Mater. To us, the Memorial Campanile is the expression of their loyalty to the cause of education which the University is dedicated. That to us is the Carillon. If loyalty ever be a luxury then the Carillon and all that it stands for is luxury, indeed”&amp;lt;/i&amp;gt;“&lt;br /&gt;
&lt;br /&gt;
Most of the University Officials believed that the Carillon symbolizes very important ideas and conceptsthat are priceless and are worthy of the enormous amount spent for its construction.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being tilted&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Carillon became controversial not also because of its monetary aftermath but also because of the assumption that the lofty structure is tilted. During that time, students of the university hoped to have another leaning tower like that of the Pisa in Italy. However, a study made by a group of Engineering professors proved that it was just an optical illusion. Only after this study did the hubbub ceased. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Carillon being out of tune&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Aside from the fact that the bells are tuned in chromatic intervals and have a range of three or more octaves, the overtones and the harmonics produced by the bells are also arranged in an order way different from those given by the strings or by an organ. Because of these, listeners who are not familiar with the Carillon thought that our bells are out of tune.&lt;br /&gt;
&lt;br /&gt;
Defending the Carillon, Arthur L. Bigelow said, &amp;lt;i&amp;gt;“In contrast to other producers of musical tone, endowed by nature with a major third, the third of the bell is minor. It is this particular overtone which gives to the bell its plaintive note, so characteristic and so distinctive from all other instruments”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Truly, before one can fully appreciate the music of the Carillon, he must first learn to distinguish the humtones from the overtones. As what Prof Antonisse has said in one of his lectures, &amp;lt;i&amp;gt;“You just don’t take Carillon Music. It is entirely different from other forms of music.”&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== IV. Bibliography ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cabatuando, Patria &amp;quot;The Musical Tower&amp;quot;. &amp;lt;i&amp;gt;The Philippine Collegian&amp;lt;/i&amp;gt;. October 14, 1967.&lt;br /&gt;
&lt;br /&gt;
Mendoza, Rene E. &amp;quot;The Carillon Story&amp;quot;. &amp;lt;i&amp;gt;The Carillon Overtones, Vol 1 No. 1 &amp;lt;/i&amp;gt;. March 1957.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Legend of the Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 2 &amp;lt;/i&amp;gt;. September 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Newsletter, pp 5-6 &amp;lt;/i&amp;gt;. October 1973.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carillon on the Diliman Skyline&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Carilloneur Speaks on Bells and Music&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 3 No. 1 &amp;lt;/i&amp;gt;. July 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now on its way are the UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Alumni Homecoming Volume &amp;lt;/i&amp;gt;. April 1952.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Quirino Donates P 1,000 to Carillon&amp;quot;. &amp;lt;i&amp;gt;The UP Bulletin, Vol 1 No. 4 &amp;lt;/i&amp;gt;. August 1949.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The UP Carillon Bells&amp;quot;. &amp;lt;i&amp;gt;UP Alumni Reunion Yearbook &amp;lt;/i&amp;gt;. 1953.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;i&amp;gt;The UP Bulletin, Vol 2 No. 1 &amp;lt;/i&amp;gt;. January 1950.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7943</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7943"/>
		<updated>2009-09-14T02:59:22Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Nakpil.  130-feet.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* [[Public Art at UP Diliman]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7931</id>
		<title>Sundial</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7931"/>
		<updated>2009-09-14T02:45:12Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;University of the Philippines Sundial&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
The Sundial of the University of the Philippines Diliman is presently located along G. Apacible Street between the College of Engineering and the National Engineering Center. It serves as the testament of loyalty of the alumni engineers to their Alma Mater.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[A. Background]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. &#039;&#039;First&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           The first sundial ever made by the alumni engineers of the University of the Philippines stood in the middle of the Manila campus on Taft Avenue in the 1920s. This was considered as the largest sundial built in the world at that time. It had steel arches and a gnomon 60 feet long. Unfortunately, to make way for the ROTC parade grounds, the first sundial in UP was torn down in the 1930s.&amp;lt;/nowiki&amp;gt;&amp;lt;ref&amp;gt;Insert footnote text here&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;II. &#039;&#039;Second&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           In the span of almost two decades, engineers of the university built another sundial that was placed on the west lawn of Melchor Hall--College of Engineering. Although the second one was smaller, it was still as impressive as the first structure. It was also made of steel standing on a concrete area. Its gnomon is shaped like a slide rule, making it as the symbol of mathematics. Sadly, a strong typhoon destructed it in 1968.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;III. &#039;&#039;Present&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
         After the two destructions, the UP Alumni Engineers built another sturdier concrete sundial in 1972. It is installed and is presently between the Melchor Hall and the National Engineering Center Building. At the base of its gnomon is the year 1947 representing the foundation year of the Alumni Engineers.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/nowiki&amp;gt;&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_avenue&amp;diff=7930</id>
		<title>University avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_avenue&amp;diff=7930"/>
		<updated>2009-09-14T02:41:47Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: University avenue moved to University Avenue&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[University Avenue]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7929</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7929"/>
		<updated>2009-09-14T02:41:47Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: University avenue moved to University Avenue&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;br /&gt;
Tribute to Higher Education.&lt;br /&gt;
University Gateway.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Oblation&amp;diff=7924</id>
		<title>Oblation</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Oblation&amp;diff=7924"/>
		<updated>2009-09-14T02:39:33Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: New page: Guillermo Tolentino.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Guillermo Tolentino.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7915</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7915"/>
		<updated>2009-09-14T02:38:16Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;br /&gt;
Tribute to Higher Education.&lt;br /&gt;
University Gateway.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7913</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7913"/>
		<updated>2009-09-14T02:37:39Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7911</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7911"/>
		<updated>2009-09-14T02:37:27Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* Headline text */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;br /&gt;
&lt;br /&gt;
==&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7907</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7907"/>
		<updated>2009-09-14T02:37:13Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;br /&gt;
&lt;br /&gt;
== &lt;br /&gt;
== Headline text ==&lt;br /&gt;
 ==&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7904</id>
		<title>University Avenue</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=University_Avenue&amp;diff=7904"/>
		<updated>2009-09-14T02:36:39Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: New page: Napoleon Abueva.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Napoleon Abueva.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7901</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7901"/>
		<updated>2009-09-14T02:35:38Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Nakpil.  130-feet.&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7900</id>
		<title>Carillion</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Carillion&amp;diff=7900"/>
		<updated>2009-09-14T02:35:10Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: New page: Carillon&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Carillon&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7873</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7873"/>
		<updated>2009-09-14T02:30:29Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* IV. Other Tri-College Buildings */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=UP_Sunken_Garden&amp;diff=7864</id>
		<title>UP Sunken Garden</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=UP_Sunken_Garden&amp;diff=7864"/>
		<updated>2009-09-14T02:27:53Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* University of the Philippines Sunken Garden */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;University of the Philippines Sunken Garden&#039;&#039;&#039; ==&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
          Next to the Oblation, the Sunken Garden would be the best suited famous landmark/site of the University of the Philippines. It is in the heart of the 2.2 km. Academic Oval surrounded by acacia trees. It has been the most favorable place for the UP and non-UP communities for its wide and shady area to present a place for a number of activities. The setting of the sun provides a perfect backdrop for the people who want to spend time in the Garden.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
[[Image:Sunken Garden.jpg|200px|thumb|right|UP Diliman &#039;&#039;&#039;Sunken Garden&#039;&#039;&#039; - Photo by Chris Villarin (ChrisVillarin.com)]]&lt;br /&gt;
&#039;&#039;&#039;[[A. Background]]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
   The General del Pilar Parade Grounds is the official name of the Sunken Garden, as it is popularly called. It is a five-hectare area of vast land—which is able to serve almost three football fields—and is the largest vacant land in the Diliman campus where various outdoor activities can be performed. It was basically, a basin and is believed to sink every year since it lies in a fault line. Because of the water spring that originates from it, the Sunken Garden used to be half-submerged in water.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[B. Surrounding Buildings]]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
  The UP Sunken Garden is surrounded by a number of buildings:&lt;br /&gt;
	To its North lies the Malcolm Hall—College of Law&lt;br /&gt;
	To its South lies the Benitez Hall—College of Education&lt;br /&gt;
 	To its East lies the Vinzons Hall (where one has an exact view of the Garden) and the College of Business Administration&lt;br /&gt;
	To its West is the Gonzales Hall—University Library or Main Library&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[C. Surrounding Artifacts]]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
    Aside from the buildings, the Sunken Garden is also circumferenced by artifacts like the following:&lt;br /&gt;
  1. &#039;&#039;Beltran&#039;&#039; &lt;br /&gt;
	These are the benches that line the edges of the Sunken Garden. They give a more comfortable option for those who are not too fond of Indian-sitting/sitting on the grass. They were built in memory of the late and highly respected Luis Beltran. In fact, each bench bears the name of a colleague or a friend of him.&lt;br /&gt;
  2. &#039;&#039;Acacia Trees&#039;&#039;&lt;br /&gt;
	The view of the Sunken would not be complete without the trees that encircle it. The trees are mainly Acacia trees where students and non-students stay under its shades for school work and other activities.&lt;br /&gt;
  3. &#039;&#039;Grandstand&#039;&#039;&lt;br /&gt;
	Here in the Sunken lies the Grandstand that provides an overlook of the five-hectare expanse. The old Grandstand is a box-like structure that resembles to a torii—a gateway of a Shinto temple. It is a long open one that looked like a waiting shed. Architect Froilan Hong’s modification of the initial design transformed the box-like structure into a pyramid-design one with a red roofing and four-angled pegs. The new Grandstand accentuates the vast empty space of green grass.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[D. Events]]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
  1. &#039;&#039;Cadena de Amor Festival&#039;&#039;&lt;br /&gt;
	1950 CDA Festival&lt;br /&gt;
  2. &#039;&#039;ROTC&#039;&#039;&lt;br /&gt;
	The General del Pilar Parade grounds is where ROTC Cadets undergo their Citizens Military Training or CMT. Every weekend, a large gathering of males stand and march in the field for hours. It is also the venue for the annual presentation of corps sponsors at the end of first semester.&lt;br /&gt;
  3. &#039;&#039;Latagaw Cup&#039;&#039;&lt;br /&gt;
	Through the year, the Sunken becomes a venue for a lot of sport activities and festivals. One of which is the Latagaw Cup , a soccer event competed by various student organizations inside the University of the Philippines. Philippine indigenous games are also held here as part of the celebration of the UP Diliman Month during February. During summer, you will see Frisbee throwers, kite flyers with kites of different shapes and sizes all over the field.&lt;br /&gt;
  4. &#039;&#039;UP Fair&#039;&#039;&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[E. Interaction with People]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Category:UP Diliman]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7859</id>
		<title>Sundial</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7859"/>
		<updated>2009-09-14T02:25:06Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;University of the Philippines Sundial&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
The Sundial of the University of the Philippines Diliman is presently located along G. Apacible Street between the College of Engineering and the National Engineering Center. It serves as the testament of loyalty of the alumni engineers to their Alma Mater.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[A. Background]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. &#039;&#039;First&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           The first sundial ever made by the alumni engineers of the University of the Philippines stood in the middle of the Manila campus on Taft Avenue in the 1920s. This was considered as the largest sundial built in the world at that time. It had steel arches and a gnomon 60 feet long. Unfortunately, to make way for the ROTC parade grounds, the first sundial in UP was torn down in the 1930s.&amp;lt;/nowiki&amp;gt;&amp;lt;ref&amp;gt;Insert footnote text here&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;II. &#039;&#039;Second&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           In the span of almost two decades, engineers of the university built another sundial that was placed on the west lawn of Melchor Hall--College of Engineering. Although the second one was smaller, it was still as impressive as the first structure. It was also made of steel standing on a concrete area. Its gnomon is shaped like a slide rule, making it as the symbol of mathematics. Sadly, a strong typhoon destructed it in 1968.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;III. &#039;&#039;Present&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
         After the two destructions, the UP Alumni Engineers built another sturdier concrete sundial in 1972. It is installed and is presently between the Melchor Hall and the National Engineering Center Building. At the base of its gnomon is the year 1947 representing the foundation year of the Alumni Engineers.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{UP Diliman}}&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7855</id>
		<title>Sundial</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Sundial&amp;diff=7855"/>
		<updated>2009-09-14T02:23:54Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;University of the Philippines Sundial&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
The Sundial of the University of the Philippines Diliman is presently located along G. Apacible Street between the College of Engineering and the National Engineering Center. It serves as the testament of loyalty of the alumni engineers to their Alma Mater.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[A. Background]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. &#039;&#039;First&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           The first sundial ever made by the alumni engineers of the University of the Philippines stood in the middle of the Manila campus on Taft Avenue in the 1920s. This was considered as the largest sundial built in the whole world at that time. It had steel arches and a gnomon 60 feet long. Unfortunately, to make way for the ROTC parade grounds, the first sundial in UP was torn down in the 1930s.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;II. &#039;&#039;Second&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
           In the span of almost two decades, engineers of the university built another sundial that was placed on the west lawn of Melchor Hall--College of Engineering. Although the second one was smaller, it was still as impressive as the first structure. It was also made of steel standing on a concrete area. Its gnomon is shaped like a slide rule, making it as the symbol of mathematics. Sadly, a strong typhoon destructed it in 1968.&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;III. &#039;&#039;Present&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt;&lt;br /&gt;
         After the two destructions, the UP Alumni Engineers built another sturdier concrete sundial in 1972. It is installed and is presently between the Melchor Hall and the National Engineering Center Building. At the base of its gnomon is the year 1947 representing the foundation year of the Alumni Engineers.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{UP Diliman}}&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7844</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7844"/>
		<updated>2009-09-14T02:20:18Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;br /&gt;
&lt;br /&gt;
((UP Diliman))&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7842</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7842"/>
		<updated>2009-09-14T02:19:33Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: Undo revision 7840 by Rgpaulino (Talk)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7840</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7840"/>
		<updated>2009-09-14T02:19:14Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;br /&gt;
&lt;br /&gt;
[[UP Diliman]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7839</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7839"/>
		<updated>2009-09-14T02:18:39Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: Undo revision 7838 by Rgpaulino (Talk)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7838</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7838"/>
		<updated>2009-09-14T02:18:01Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;br /&gt;
&lt;br /&gt;
((UP Diliman))&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7798</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7798"/>
		<updated>2009-09-14T01:59:43Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* II. Parts of AS */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the meeting place of the artists and scientists of UP where they used to hold intellectual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7793</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7793"/>
		<updated>2009-09-14T01:56:52Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* I. History of Palma Hall/Arts and Sciences */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty. &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the mneeting place of the artists and scientists of UP where they used to hold intelecctual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7791</id>
		<title>Palma Hall</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=Palma_Hall&amp;diff=7791"/>
		<updated>2009-09-14T01:55:44Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: /* I. History of Palma Hall/Arts and Sciences */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Palma Hall&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Art Studies 2 THR-2&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sir Robert G. Paulino&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Report by:&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Ina Camua&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Karina Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&#039;&#039;Sharmaine Gonzales&amp;lt;br /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;PAGE STILL UNDER CONSTRUCTION&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== I. History of Palma Hall/Arts and Sciences ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:rafaelpalma.jpg|Plaque commemorating the birth centenary of Rafael Palma (AS Lobby)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Palma Hall used to be the home of the College of Liberal Arts, at present, it is more commonly known as &amp;quot;AS&amp;quot;, and currently houses the College of Social Sciences and Philosophy. It was named after Rafael Palma (1874-1974), who served as president of the university from 1923 to 1933. Rafael Palma formally assumed the Presidency of the University of the Philippines on July 18, 1925 after having served as acting President for nearly two years.&lt;br /&gt;
&lt;br /&gt;
Before the start of the first semester of the academic year 1959-1960, the College of Liberal Arts was reorganized into three academic units -the University College, the College of Arts and Sciences and the Graduate School of Arts and Sciences. All three units, however, were served by only one faculty &lt;br /&gt;
&lt;br /&gt;
The College of Liberal Arts was reorganized in order to solve the problem that may result with the implementation of the basic education program. The University College started its operations during the first semester of 1959-1960. It was given the task of teaching the general education courses, including the humanities, social sciences and natural sciences, for the first two years. To strengthen the foundation of a liberal education, the college was expected to continue the general education, as well as to correct some aspects taught in high school. &lt;br /&gt;
&lt;br /&gt;
Meanwhile the third and subsequent years of college studies were handled by the College of Arts and Sciences which was mandated to continue offering undergraduate courses in the humanities, social scien-ces, natural and physical sciences, mathematics and languages. These disciplines were offered by the college as fields of specialization. As such, the third and subsequent years of college studies of a student were focused on one discipline for in-depth study, aside from other related disciplines, called free electives, which he may rake. &lt;br /&gt;
&lt;br /&gt;
The different roles played by the University College and the College of Arts and Sciences necessitated separate administrations. To avoid the overlapping of roles of the two colleges and to integrate the various disciplines, three major divisions were formed to take the place of the academic departments -- the Division of Humanities, Division of Social Sciences, arid the Division of Natural Sciences. The traditional academic disciplines operated under their respective divisions without any departmental head &lt;br /&gt;
&lt;br /&gt;
On 26 October 1983, the UP Board of Regents issued Administrative Order No.170 creating three new colleges from the former College of Arts and Sciences - the College of Social Sciences and Philosophy (CSSP), ripe College of Arts and Letters (CAL), and the College of Science (CS). [http://web.kssp.upd.edu.ph/history.html]&lt;br /&gt;
&lt;br /&gt;
== II. Parts of AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS Lobby&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as_mural.jpg|Plaque found below the AS Mural&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The mural at the AS Lobby, titled &amp;quot;The Arts and Sciences&amp;quot;, was made by National Artist, Vicente Manansala in 1960. With a length of 14 meters and a width of 2 meters, &amp;quot;The Arts and Sciences&amp;quot; is the biggest mural in the UP Diliman Campus.&lt;br /&gt;
&lt;br /&gt;
The floor of the AS Lobby has a &#039;&#039;terrazzo granolithic&#039;&#039; design.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:canteen.jpg|Plaque found outside the &amp;quot;Basement&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;AS Canteen - known at present as the &amp;quot;Basement&amp;quot;, the AS Canteen used to be the mneeting place of the artists and scientists of UP where they used to hold intelecctual debates in the 60&#039;s and 70&#039;s. Some of the topics were Existentialism and Marxism. A prominent figure in the canteen was Salome Flores, more popularly known among the students as &amp;quot;Mommy&amp;quot;. The canteen was closed in the 90&#039;s. At present, it serves as the office of the Archeological Studies Program.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:as2ndflr.jpg|Plaque at the AS 2nd floor Lobby&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
AS 2nd floor Lobby - during the latter part of the 70&#039;s, the AS 2nd floor Lobby became known as the &amp;quot;Second Floor Republic&amp;quot; among the student activists. It served as the &#039;tambayan&#039; of three activist fraternities/sororities; the Pi Sigma/Pi Sigma Delta, the Sigma Kappa Pi/Sigma Delta Pi, and the Alpha Sigma/Sigma Alpha Nu, and other organizations such as Kalilayan, Asylum and Kutang Bato.&lt;br /&gt;
&lt;br /&gt;
AS 209 - served as the office of the UP President from 1951-1956. Used by then UP President, Vidal A. Tan.&lt;br /&gt;
&lt;br /&gt;
AS 207 - served as the meeting place of the Consultative Committee on Student Affairs (CONCOMSA) from 1974-1975. The CONCOMSA was a group of students in charge of preparing the return of the UP Student Council (USC) which was abolished during the Martial Law in 1972. It also served as the office of the AS Student Council, SINAG and the Freshmen Orientation Program Committee (FOPC).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:2ndmural.jpg|Plaque beside &amp;quot;Mga Natatanging Pilipino&amp;quot;&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
2nd floor Mural &amp;quot;Mga Natatanging Pilipino&amp;quot; - the mural was made by the UP Artists&#039; Circle Fraternity in 1996. It features exceptional Filipinos who played important roles in the Propaganda Movement (1882-1892), the EDSA Revolution (1986) and other student leaders.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. AS Steps&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;C. AS Walk&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;D. Libraries&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Third World Studies Center is found along the AS Walk. The Third World Studies Center (TWSC) of the University of the Philippines is an academic research institute based at the College of Social Sciences and Philosophy (CSSP), committed to analyze and develop alternative perspectives on Philippine, regional and global issues. [http://www.upd.edu.ph/~twsc/about_us.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Theaters&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:guerrero.jpg|Plaque outside the Guerrero Theatre (AS 2nd floor Lobby, UP Diliman)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Found at the AS 2nd floor Lobby, the Wilfrido Ma. Guerrero Theatre is dedicated to the former director of the UP Dramatic Club, Wilfrido Ma. Guerrero, &amp;quot;whose works as a playwright for over two generations... have given (the) theatre an epoch of Philippine drama that will remain a part of (the Filipinos&#039;) heritage.&amp;quot; It was first opened on September 16, 1976. Renovation of the theatre was completed in the year 2000 through the efforts of Claro T. Llaguno (UP Diliman Chancellor, 1996-1999), Emerlinda Roman (UP Diliman Chancellor, 1999-2000) and Leonor M. Briones (Treasure of the Philippines, Bureau of the Treasury).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Museums&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:anthro.jpg|Plaque outside the Anthropology Museum (AS 2nd floor)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
The Anthropology Museum, found at the AS 2nd floor, was opened on July 13, 1967 through the efforts of then University Secretary, Iluminada Panlilio. Its first exhibit featured Prof. H. Otley Beyer&#039;s collection of archeological and ethnological artifacts. The said collection was first featured in 1668 at the Museum and Institute of Archeology and Ethnology in Aviles Street, Manila which was destroyed during the 2nd World War. Natividad Noriega, Beyer&#039;s personal secretary, served as the museum&#039;s first curator.&lt;br /&gt;
&lt;br /&gt;
== III. Departments and Offices in AS ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A. AS 101&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
AS 101 is the Office of the College Secretary for CSSP. This is where students can get their TCG (True Copy of Grades), dropping slips, ChangeMat slips (Change of Matriculation), and registration materials (Form 5 and Form 5A) during enrolment. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B. CSSPSC Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The CSSP Student Council Office is located on the first floor of the West Wing of Palma Hall. Aside from being the office of the college council, it also has a student lounge, and students are allowed to borrow books from their collection. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;C. Geog Information System Lab&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D. OSA&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Student Affairs oversees various student services and activities. Its duties are as follows: (source: http://web.kssp.upd.edu.ph/osa/history.html) &amp;lt;br /&amp;gt;&lt;br /&gt;
a.	To render guidance and counseling services &amp;lt;br /&amp;gt;&lt;br /&gt;
b.	To coordinate student groups and activities &amp;lt;br /&amp;gt;&lt;br /&gt;
c.	To serve as a center where students can feel free to drop in for any form of assistance; where their complaints are heard and acted upon; and where they can be provided with clear and adequate information on college rules. &amp;lt;br /&amp;gt;&lt;br /&gt;
The OSA is where students can make reservations for rooms in Palma Hall, and where posters to be posted in the campus are submitted for approval. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Graduate Program (PH 111)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
PH 111 is the office of the college’s Graduate Program. This is for students who have finished their undergraduate studies and would like to take up their Masters or Doctorates in CSSP.&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;F. Office of the Dean&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of the Dean is found on the first floor of Palma Hall, in the AS Lobby. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G. Sinag Office&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H. UPDGO (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The UP Diliman Gender Office is a unit under the office of the Chancellor, which is mandated to promote gender rights as human rights. Their office is found on the second floor of Benton Hall. Students may come here if they need counseling and assistance regarding gender-related matters and problems. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I. OASH (Benton Hall)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
The Office of Anti-Sexual Harassment is found on the second floor of Benton Hall. OASH is where students may file any sexual harassment/assault complaints. &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;J. DZUP (Room 134)&amp;lt;br /&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:dzup.jpg|&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
Formed by Prof. Consuelo V. Fonacier of the Department of Speech and Drama, the DZUP office used to be in Palma Hall. It was originally a lab and transmitter project of the Department of Electrical Engineering. The lab was transferred to the Arts and Sciences while the transmitter remained at the College of Engineering. Prof. Leticia H. Tison created the curriculum for Radio Broadcasting which is now still a part of the Department of Speech Communication and Theater Arts. During the Diliman Commune in 1971, DZUP was used by the activists where they read poems by Amado V. Hernandez. The DZUP office was transferred to the College of Mass Communication in 1987.&lt;br /&gt;
&lt;br /&gt;
== IV. Other Tri-College Buildings ==&lt;br /&gt;
&lt;br /&gt;
A. PHAn&amp;lt;br /&amp;gt;&lt;br /&gt;
B. CAL&amp;lt;br /&amp;gt;&lt;br /&gt;
C. Science Pavillions&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=User_talk:Rgpaulino&amp;diff=7770</id>
		<title>User talk:Rgpaulino</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=User_talk:Rgpaulino&amp;diff=7770"/>
		<updated>2009-09-14T01:35:30Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: New page: testing&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;testing&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7755</id>
		<title>User:Rgpaulino</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7755"/>
		<updated>2009-09-14T01:32:55Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi! Welcome to the [[University of the Philippines]]&lt;br /&gt;
&lt;br /&gt;
Hi! Welcome to the [[University of the Philippines|Peyups]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7740</id>
		<title>User:Rgpaulino</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7740"/>
		<updated>2009-09-14T01:29:48Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi! Welcome to the [[University of the Philippines]]&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
	<entry>
		<id>https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7724</id>
		<title>User:Rgpaulino</title>
		<link rel="alternate" type="text/html" href="https://iskomunidad.upd.edu.ph/index.php?title=User:Rgpaulino&amp;diff=7724"/>
		<updated>2009-09-14T01:25:55Z</updated>

		<summary type="html">&lt;p&gt;Rgpaulino: New page: testing&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;testing&lt;/div&gt;</summary>
		<author><name>Rgpaulino</name></author>
	</entry>
</feed>