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Friends with Benefits: A Discourse Analysis on Framing US-Philippine relations in Print Media Through the Coverage of the Enhanced Defense Cooperation Agreement (EDCA)

2015-06-07T15:46:06Z

Mtbrown: Created page with " == '''Title''' == Friends with Benefits: A Discourse Analysis on Framing US-Philippine relations in Print Media Through the Coverage of the Enhanced Defense Cooperation Agr..."

== '''Title''' ==

Friends with Benefits: A Discourse Analysis on Framing US-Philippine relations in Print
Media Through the Coverage of the Enhanced Defense Cooperation Agreement (EDCA)

== '''Abstract''' ==

This study examines discourse production in reportage of foreign affairs. The
Enhanced Defense Cooperation Agreement (EDCA) had been reported just a month
before US President Obama’s state visit to the Philippines, which marked another
military agreement between the two allies. The media has played a role in deepening the
public acceptance of the Philippines-United States relations. Essentially, the mutual
decisions of states affect the welfare of the public, and the media is vital to let the public
know of it.

This body of work discusses and distinguishes vested interests of stakeholders, the
conflicting frames the print media chose to deliver in its reportage, and the
representations of diplomatic concepts of friendship, peace and security in Philippines-
United States foreign policy.
The study ties together the use of critical discourse analysis, media diplomacy
theory, postcolonial theory and framing analysis to unveil frames used by Philippine
Daily Inquirer (PDI), The Philippine Star (PStar) and Manila Bulletin (MB) in
representing these diplomatic concepts. It combines the results of coded print articles
about EDCA from March 15 to July 29, 2014, and coded official government documents.

The study points out that (a) PDI used conflicting frames while PStar and MB employed
non-conflicting frames in their reportage; (b) security is the main purpose for the birth of
EDCA but friendship exists because of the long-standing US-Philippine history that seeks
x
to maintain peace in international relations; and (c) US interests in deepening ties with
the Philippines are to advance its strategy of Asia rebalance, thwart economic growth of
China, and counter insurgency in the South. The need for EDCA was rationalized in
light of the Philippine-China territorial dispute that the US pursued to reinforce military
strength in the Asian region.

Evaluating the power relations between the stakeholders is pertinent to achieve
the study’s purpose of molding the Filipino populace as critical thinkers who are
concerned of the society they live in.

Keywords: EDCA, US-PH relations, Foreign Affairs Beat, Critical Discourse Analysis, Media Diplomacy Theory, Transitivity Analysis

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2011-00637-Brown-Me View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Journalism Thesis]][[Category:2015 Thesis]][[Category:Thesis--Broadsheets]][[Category:Thesis--Military Bases Agreements]]

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:20:32Z

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Title: A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory

Citation: Ante, A.G.C.P., Brown, M.L.T (2014). A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory. Unpublished undergraduate creative output/reflection paper. Manila: University of the Philippines Diliman-College of Mass Communication.

Abstract: The use of Queer, Genre and Marxist Theories in this short creative output and reflection paper to assess deliver a new perspective in the 1995 film adpatation of Chuck Palahniuk's "Fight Club" directed by David Fincher.

Note: These works are in fulfillment of the requirements under Dean Rolando B. Tolentino for his Film 171 (Film Theory and Criticism) class for the second semester A.Y. 2013-2014. These works are subjected to the guidelines in the copyright page.

[http://obletorr.upd.edu.ph/download.php?id=ec97e2603afdb4a06b4525a8f4143a73b95eedad&f=Brown-Ante_Film%20171%20Creative%20Output-Fight%20Club%20trailer.torrent download video]

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2011-00637-Brown-An#page-1 view reflection paper]

[[Category:Class Projects]][[Category:CMC Class Project]][[Category:Department of Film and Audio-Visual Communication Class Project]][[Category:2014 Class Project]][[Category:Class Project--Film Theory]][[Category:Class Project -- Queer]][[Category:Class Project--Marxist]][[Category:Class Project--Genre Studies]]

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:16:06Z

Mtbrown:

Title: A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory

Citation: Ante, A.G.C.P., Brown, M.L.T (2014). A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory. Unpublished undergraduate creative output/reflection paper. Manila: University of the Philippines Diliman-College of Mass Communication.

Abstract: The use of Queer, Genre and Marxist Theories in this short creative output and reflection paper to assess deliver a new perspective in the 1995 film adpatation of Chuck Palahniuk's "Fight Club" directed by David Fincher.

Note: These works are in fulfillment of the requirements under Dean Rolando B. Tolentino for his Film 171 (Film Theory and Criticism) class for the second semester A.Y. 2013-2014. These works are subjected to the guidelines in the copyright page.

[http://obletorr.upd.edu.ph/download.php?id=ec97e2603afdb4a06b4525a8f4143a73b95eedad&f=Brown-Ante_Film%20171%20Creative%20Output-Fight%20Club%20trailer.torrent download video]

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2011-00637-Brown-An#page-1 view reflection paper]

[[Category:Class Projects]][[Category:CMC Class Project]][[Category:Department of Film and Audio-Visual Communication Class Project]][[Category:2014 Class Project]][[Category:Class Project--Film Theory]][[Category:Class Project--Feminism]][[Category:Class Project--Psychoanalysis]]

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:15:05Z

Mtbrown:

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:08:00Z

Mtbrown:

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:07:09Z

Mtbrown:

Title: A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory

Citation: Ante, A.G.C.P., Brown, M.L.T (2014). A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory. Unpublished undergraduate creative output/reflection paper. Manila: University of the Philippines Diliman-College of Mass Communication.

Abstract: The use of Queer, Genre and Marxist Theories in this short creative output and reflection paper to assess deliver a new perspective in the 1995 film adpatation of Chuck Palahniuk's "Fight Club" directed by David Fincher.

Note: These works are in fulfillment of the requirements under Dean Rolando B. Tolentino for his Film 171 (Film Theory and Criticism) class for the second semester A.Y. 2013-2014. These works are subjected to the guidelines in the copyright page.

[download video http://obletorr.upd.edu.ph/download.php?id=ec97e2603afdb4a06b4525a8f4143a73b95eedad&f=Brown-Ante_Film%20171%20Creative%20Output-Fight%20Club%20trailer.torrent]

Brown-Ante Film 171 Creative Output Reflection Paper

2014-04-01T08:06:24Z

Mtbrown: Created page with "Title: A Revisualized Fight Club Trailer: Queer, Genre and Marxist Theory Citation: Ante, A.G.C.P., Brown, M.L.T (2014). A Revisualized Fight Club Trailer: Queer, Genre and M..."