https://iskomunidad.upd.edu.ph/api.php?action=feedcontributions&feedformat=atom&user=Mfreodica 2026-05-10T15:32:05Z User contributions MediaWiki 1.42.3 https://iskomunidad.upd.edu.ph/index.php?title=The_Conqueror%E2%80%99s_Ventriloquist:_A_Qualitative_Study_of_the_Audiovisual_Translation_in_the_2012_Restoration_of_Manuel_Conde%E2%80%99s_Genghis_Khan_(1952)&diff=52862 2017-06-08T12:01:40Z

<p>Mfreodica: Created page with &quot;Reodica, M. (2017). The Conqueror’s Ventriloquist: A Qualitative Study of the Audiovisual Translation in the 2012 Restoration of Manuel Conde’s Genghis Khan (1952). (Under...&quot;</p> <hr /> <div>Reodica, M. (2017). The Conqueror’s Ventriloquist: A Qualitative Study of the<br /> Audiovisual Translation in the 2012 Restoration of Manuel Conde’s Genghis Khan<br /> (1952). (Undergraduate thesis, University of the Philippines, Diliman, Philippines.)<br /> <br /> Manuel Conde's Genghis Khan is a culturally and historically significant<br /> masterpiece as the first Filipino film to receive international distribution and acclaim<br /> across the world, being dubbed into 17 languages and grossing $17 million dollars.<br /> (Tiongson, 2008, p. 72) However, due to the poor history of archiving and preservation in<br /> the Philippines, it had long been considered lost. In 2012, it was restored by L'Immagine<br /> Ritrovata and repatriated to the Philippines with an English audiovisual translation. (San<br /> Diego, 2012)<br /> This research used Evan-Zohar’s Polysystem Theory and Chaume’s Integrated<br /> Textual Analysis of the audiovisual semiotic codes to evaluate the audiovisual translation<br /> of the film. The addition of the narrator as a filmic and technological device resulted in<br /> shifts in cultural bearings of the film. The study also describes the resulting sense of<br /> aesthetic distancing, othering, and domestication from the point of view of the researcher<br /> as a bilingual viewer. Overall, the voice-over manifests discrepancies reflect the<br /> linguistic inequality between Philippine cinema and Hollywood.<br /> <br /> Key words: film studies, Audiovisual Translation, Genghis Khan, linguistic inequality, Manuel Conde, Integrated Textual Analysis, Polysystem Theory, Philippine Cinema, postcolonial theory<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2012-57213-PDFsam_m View Thesis]<br /> <br /> [[Category:Theses]][[Category:CMC Thesis]][[Category:Film Institute Thesis]][[Category:2017 Thesis]][[Category:Thesis--Film Studies]][[Category:Thesis--Audiovisual translation]]</div>

Mfreodica