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"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T16:20:57Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós" here!]'''

[[Category:Theses]][[Category:2023 Thesis]][[Category:Undergraduate Thesis]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:Thesis--Reality Television]][[Category:Thesis--Television Editing]][[Category:Thesis--Representation in Media]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T16:19:16Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate Thesis]][[Category:Thesis--Reality Television]][[Category:Thesis--Television Editing]][[Category:Thesis--Representation in Media]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T16:18:23Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate Thesis]][[Category:Thesis--Reality Television]][[Category:Thesis--Television Editing]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T16:12:32Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate Thesis]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T16:10:13Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós: The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate Thesis]]

Category:College of Mass Communication Thesis

2023-07-18T16:09:10Z

Mdveslino: Created page with "These theses are from the College of Mass Communication at the University of the Philippines, Diliman. Other theses from the College of Mass Communication, labeled with the abbreviated "CMC Thesis", may be found [https://iskomunidad.upd.edu.ph/index.php/Category:CMC_Thesis here]. Non-CMC theses may also be found [http://iskwiki.upd.edu.ph/index.php/Category:Theses here]. To archive a thesis, one needs to follow '''How to upload a t..."

These theses are from the [[UP_College_of_Mass_Communication|College of Mass Communication]] at the University of the Philippines, Diliman. Other theses from the College of Mass Communication, labeled with the abbreviated "CMC Thesis", may be found [https://iskomunidad.upd.edu.ph/index.php/Category:CMC_Thesis here]. Non-CMC theses may also be found [http://iskwiki.upd.edu.ph/index.php/Category:Theses here].

To archive a thesis, one needs to follow '''[[How to upload a thesis on iskwiki|these instructions]].'''

[[Category:Theses By College|Mass_Communication]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T14:04:26Z

Mdveslino:

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)], and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] and [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] while grounded by [https://doi.org/10.2307/1229039 Crenshaw’s (1991)] lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang [https://en.wikipedia.org/wiki/Survivor_(American_TV_series) ''Survivor'' (2000–)] upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina [https://insidesurvivor.com/survivor-edgic-an-introduction-3094 Holmes (2015)] at [https://www.theringer.com/tv/2020/5/13/21256821/survivor-edgic-analysis-winners-edit Lindbergh (2020),] isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni [https://doi.org/10.2307/1229039 Crenshaw (1991).] Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós: The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate theses]]

"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

2023-07-18T13:47:55Z

Mdveslino: Created page with "====='''Title'''===== :"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022) ====='''Citation (APA, 7th Edition)'''===== :Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman. ====='''Abstract (English)'''===== :This study i..."

====='''Title'''=====
:"The Queen Stays Queen, Adiós": The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, ''Survivor'' (2000–), and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by Holmes (2015) and Lindbergh (2020), while grounded by Crenshaw’s (1991) lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang ''Survivor'' (2000–) upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina Holmes (2015) at Lindbergh (2020), isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni Crenshaw (1991). Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós: The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate theses]]

The Queen Stays Queen

2023-07-18T13:46:45Z

Mdveslino: Blanked the page

The Queen Stays Queen

2023-07-18T13:36:09Z

Mdveslino:

====='''Citation (APA, 7th Edition)'''=====
:Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman.

====='''Abstract (English)'''=====
:This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-oriented storytelling. Specifically, this critiques the editing of the competitive reality television series, ''Survivor'' (2000–), and how the editing of its women winners of color impact the stories of their respective successes. In order to develop a more comprehensive understanding of how editing for competitive reality television is intentional in its weaving of narratives for successful individuals with marginalized identities, this study employs the fan-made, formalist framework of Edgic as explored by Holmes (2015) and Lindbergh (2020), while grounded by Crenshaw’s (1991) lens of representational intersectionality to understand the ways in which intersectional hegemony pervaded their media representations on ''Survivor.'' This study finds that the editing logic of ''Survivor'' ultimately underrepresented, undervalued, and undersold the legacies of these women winners of color as subordinate to their white and/or male competitors, even when their multidimensional stories were far more nuanced than their edited portrayals had made them seem.

:KEYWORDS: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

====='''Abstrak (Filipino)'''=====
:Sa pagsusuring ito, iniimbestigahan at pinupuna ang mga epekto ng pag-edit ng Amerikanong programang ''Survivor'' (2000–) upang tumatak sa alaala ang mga kuwento ng kababaihang may kulay na nanalo rito. Upang mapatunayan na sadyang na-edit ang salaysay ng mga nanalong kababaihan sa mga paraang hindi makatwiran ayon sa kanilang pagkakakilanlan bilang mga babaeng may kulay, mariing ginagamit ng sanaysay na ito ang Edgic nina Holmes (2015) at Lindbergh (2020), isang teorya na umusbong sa mismong komunidad ng mga taga-hanga ng ''Survivor,'' at bilang na rin sa pagsusuri nito ang ''representational intersectionality'' ni Crenshaw (1991). Sa panonood ng mga napiling ''season'' ng ''Survivor,'' natuklasan ng pag-aaral na ito na maselan ang pag-edit ng programa sa mga kababaihang may kulay na nanalo rito. Mas binibigyang halaga ang mga perspektibo ng kanilang mga mapuputi at/o lalaking katimpalak, kahit natatangi at makabuluhan din ang mga kuwentong ukol sa pagkakakiklanlan ng mga nanalong kababaihang may kulay.

:MGA KEYWORD: Formalist criticism, representational intersectionality, identity, media representation, representation in media, editing, television, competitive reality television, critical analysis, textual analysis

'''[https://iskwiki.upd.edu.ph/viewer/?fb=2018-08193-VESLINO_ View "The Queen Stays Queen, Adiós: The Impact of Editing on the Legacies of Women Winners of Color on Survivor (2000–2022)" here!]'''

[[Category:Theses]][[Category:CMC Thesis]][[Category:College of Mass Communication Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2023 Thesis]][[Category:Undergraduate theses]]

The Queen Stays Queen

2023-07-18T13:32:00Z

Mdveslino:

The Queen Stays Queen

2023-07-18T13:24:39Z

Mdveslino: Created page with "====='''Citation (APA, 7th Edition)'''===== :Vesliño, M. L. D. (2023). ''“The queen stays queen, adiós”: The impact of editing on the legacies of women winners of color on Survivor (2000–2022)'' [Unpublished undergraduate thesis]. University of the Philippines, Diliman. ====='''Abstract (English)'''===== :This study interrogates the narrative faculties of editing for reality television, in particular its capacity to reflect various realities through results-orie..."