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Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-19T06:35:23Z

Lldeguzman1:

'''ABSTRACT'''

De Guzman, L.P.L. (2014). ''Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan.'' Unpublished Undergraduate Thesis. University of the Philippines, Diliman.

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.

This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.

The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.

This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:2014 Thesis]]

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-19T05:47:17Z

Lldeguzman1:

'''ABSTRACT'''
De Guzman, L.P.L. (2014). ''Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan.'' Unpublished Undergraduate Thesis. University of the Philippines, Diliman.

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.

This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.

The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.

This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:2014 Thesis]]

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-10T03:35:37Z

Lldeguzman1:

'''SHIFTING PERSPECTIVES:
DOCUMENTARY, FACTUALITY, POVERTY PORNOGRAPHY
AND THE DUMAGAT-REMONTADOS OF SITIO KINABUAN'''

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.

This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.

The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.

This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:2014 Thesis]]

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-08T07:10:51Z

Lldeguzman1:

'''SHIFTING PERSPECTIVES:
DOCUMENTARY, FACTUALITY, POVERTY PORNOGRAPHY
AND THE DUMAGAT-REMONTADOS OF SITIO KINABUAN'''

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.

This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.

The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.

This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography

http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma#page-1

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-08T07:10:08Z

Lldeguzman1:

'''SHIFTING PERSPECTIVES:
DOCUMENTARY, FACTUALITY, POVERTY PORNOGRAPHY
AND THE DUMAGAT-REMONTADOS OF SITIO KINABUAN'''

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.

This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.

The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.

This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography
[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma#page-1]

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-08T07:08:25Z

Lldeguzman1:

SHIFTING PERSPECTIVES:
DOCUMENTARY, FACTUALITY, POVERTY PORNOGRAPHY
AND THE DUMAGAT-REMONTADOS OF SITIO KINABUAN

I-Witness is considered to be the Philippines’ longest running news and public affairs documentary program since it first aired on January 18, 1999 in GMA-7. Through the years, it has featured a lot of compelling stories on poverty, corruption, and culture. With the network’s tagline of Serbisyong Totoo (True Service), I-Witness has established their branding of factuality in the stories they present to their audience. On April 3, 2013, I-Witness aired the documentary Rattan sa Pusod ng Sierra Madre which featured the Dumagat-Remontados of Sierra Madre in Tanay, Rizal as they gathered rattan for a living.
This research analysed the reception of the Dumagat-Remontados upon watching themselves as subjects in the aforementioned documentary.
The Reception Theory of David Morley (1992/1999) was used as a guide in gathering and analysing the responses of the Dumagat-Remontados, and the critique of Annette Hill (2007) on the hybridity of factuality in factual television genres was used in interpreting the redefinition of the Dumagat-Remontados to the factuality in documentaries.
This research redefined the factuality in documentaries through the eyes of the often “othered” audience members—the “subjects” of spectatorship.

Keywords: Documentary, reception study, hybridity, factuality, poverty pornography
http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2010-34091-De-Guzma#page-1

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-08T07:06:35Z

Lldeguzman1:

Shifting Perspectives: Documentary, Factuality, Poverty Pornography and the Dumagat-Remontados of Sitio Kinabuan

2014-04-08T06:41:12Z

Lldeguzman1: Created page with "SHIFTING PERSPECTIVES: DOCUMENTARY, FACTUALITY, POVERTY PORNOGRAPHY AND THE DUMAGAT-REMONTADOS OF SITIO KINABUAN I-Witness is considered to be the Philippines’ longest runn..."