Iskomunidad - User contributions [en]

Mga Inukit na Ul-ul-lit: Tattooed Stories

2015-06-06T07:29:56Z

Ilfabros:

Fabros, I. J. F. L.(2015) Mga Inukit na Ul-ul-lit, Unpublished Undergraduate Thesis,
University of the Philippines, College of Mass Communication.

Recently, there has been an influx of tourists in a village high up in the mountains of
Kalinga to get a mark of what people call the dying practice of batek, the traditional
hand-tap tattoo method rooted in Cordillera. Mga Inukit na Ul-ul-lit is a documentary
about the spotlight on Buscalan Village brought about by the romanticization of the
ethnic practice and the creation of the concept of “the Last Mambabatok” (Last
Traditional Tattooist). The film is shot from the perspective of Filipino city-dwellers, the
perspective where most of the romanticizing comes from, who have trekked the village
to try to ask for a tattoo. The visual narrative is a journey leading up to the tattooing
process itself, with each step of the way revealing and debunking oppressive
expectations that a Filipino visitor might have before getting there. The film explores the
personal and collective motivations for the romanticization of this specific cultural
material as well as the effect of this perspective on the perceiver and the perceived.
Edward Said’s Orientalism helps in guiding this analysis of the interaction between the
very west-oriented city dwellers and the “traditional”, “oriental” hilltribe.

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2008-39133-MGA-INUK#page-1 View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:UP Film Institute Thesis]][[Category:2015]][[Category:Tattoo]][[Category:Kalinga]]

Mga Inukit na Ul-ul-lit: Tattooed Stories

2015-06-06T07:29:04Z

Ilfabros:

Mga Inukit na Ul-ul-lit: Tattooed Stories

2015-06-06T07:26:31Z

Ilfabros:

Fabros, I. J. F. L.(2015) Mga Inukit na Ul-ul-lit, Unpublished Undergraduate Thesis,
University of the Philippines, College of Mass Communication.

Recently, there has been an influx of tourists in a village high up in the mountains of
Kalinga to get a mark of what people call the dying practice of batek, the traditional
hand-tap tattoo method rooted in Cordillera. Mga Inukit na Ul-ul-lit is a documentary
about the spotlight on Buscalan Village brought about by the romanticization of the
ethnic practice and the creation of the concept of “the Last Mambabatok” (Last
Traditional Tattooist). The film is shot from the perspective of Filipino city-dwellers, the
perspective where most of the romanticizing comes from, who have trekked the village
to try to ask for a tattoo. The visual narrative is a journey leading up to the tattooing
process itself, with each step of the way revealing and debunking oppressive
expectations that a Filipino visitor might have before getting there. The film explores the
personal and collective motivations for the romanticization of this specific cultural
material as well as the effect of this perspective on the perceiver and the perceived.
Edward Said’s Orientalism helps in guiding this analysis of the interaction between the
very west-oriented city dwellers and the “traditional”, “oriental” hilltribe.

[http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2008-39133-MGA-INUK#page-1 View Thesis]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Film Thesis]][[Category:2015]][[Category:Thesis--Tattoo]][[Category:Thesis--Kalinga]]

Mga Inukit na Ul-ul-lit: Tattooed Stories

2015-06-06T07:15:27Z

Ilfabros: Created page with "Fabros, I. J. F. L.(2015) Mga Inukit na Ul-ul-lit, Unpublished Undergraduate Thesis, University of the Philippines, College of Mass Communication. Recently, there has been an..."