Iskomunidad - User contributions [en]

E kasi, babae

2013-04-02T18:36:06Z

Fdrodriguez:

Title:
'''E KASI, BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS'''

'''Abstract:'''

This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.

This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

'''Keywords:'''
film, gender, homophobia, patriarchy, representation, same-sex love, women

'''View thesis''': [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:35:44Z

Fdrodriguez:

Title:
'''E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS'''

'''Abstract:'''

This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.

This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

'''Keywords:'''
film, gender, homophobia, patriarchy, representation, same-sex love, women

'''View thesis''': [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:35:23Z

Fdrodriguez:

Title:

'''E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS'''

'''Abstract:'''

This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.

This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

'''Keywords:'''
film, gender, homophobia, patriarchy, representation, same-sex love, women

'''View thesis''': [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:34:43Z

Fdrodriguez: This study examines whether the representations of women who love women in Filipino films are supporting or deconstructing the dominance of patriarchy in society.

Title:
'''E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS'''

'''Abstract:'''
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.

This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

'''Keywords:'''
film, gender, homophobia, patriarchy, representation, same-sex love, women

'''View thesis''': [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:32:52Z

Fdrodriguez: This study examines whether the representations of women who love women in Filipino films are supporting or deconstructing the dominance of patriarchy in society.

Title:
'''E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS'''

'''Abstract:'''
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.

This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords:
film, gender, homophobia, patriarchy, representation, same-sex love, women

View thesis: [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:25:28Z

Fdrodriguez:

Title:
E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS

Abstract:
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.
This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords: film, gender, homophobia, patriarchy, representation, same-sex love, women

View thesis: [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis]]

E kasi, babae

2013-04-02T18:24:56Z

Fdrodriguez:

E kasi, babae

2013-04-02T18:22:07Z

Fdrodriguez:

E kasi, babae

2013-04-02T18:20:01Z

Fdrodriguez:

E kasi, babae

2013-04-02T18:18:15Z

Fdrodriguez:

E kasi, babae

2013-04-02T18:17:32Z

Fdrodriguez:

Title:
E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS

Abstract:
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.
This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords: film, gender, homophobia, patriarchy, representation, same-sex love, women

View thesis: [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:CMC)Thesis]][[Category:Department of Broadcast Communication Thesis]][[Category:2013 Thesis[[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]][[Category:<2013> Thesis]] where you can replace place holder categories with actual ones.

E kasi, babae

2013-04-02T18:15:36Z

Fdrodriguez:

Title:
E KASI BABAE: MYTHS ABOUT WOMEN WHO LOVE WOMEN IN FILIPINO FILMS

Abstract:
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.
This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords: film, gender, homophobia, patriarchy, representation, same-sex love, women

View thesis: [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:'''(CMC)''' Thesis]][[Category:'''(Department of Broadcast Communication)''' Thesis]][[Category: '''(2013)''' Thesis[[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]][[Category:<2013> Thesis]] where you can replace place holder categories with actual ones.

E kasi, babae

2013-04-02T18:13:27Z

Fdrodriguez: New page: Title: E KASI BABAE: Myths about women who love women in Filipino films Abstract: This qualitative study examines the representation of women who love women as observed in Filipino films...

Title:
E KASI BABAE: Myths about women who love women in Filipino films

Abstract:
This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.
This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords: film, gender, homophobia, patriarchy, representation, same-sex love, women

View thesis: [[Image:E_KASI_BAB44.pdf]]

[[Category:Theses]][[Category:'''(CMC)''' Thesis]][[Category:'''(Department of Broadcast Communication)''' Thesis]][[Category: '''(2013)''' Thesis[[Category:Thesis--Subject Field]][[Category:Thesis--Subject Sub-field]][[Category:<2013> Thesis]] where you can replace place holder categories with actual ones.

File:E KASI BAB44.pdf

2013-04-02T18:07:05Z

Fdrodriguez:

File:E KASI, BABAE - Myths about women who love women.pdf

2013-04-02T13:48:47Z

Fdrodriguez: This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy

This qualitative study examines the representation of women who love women as observed in Filipino films which are considered broadcast texts. The research explores whether such representations are supporting or deconstructing the dominance of patriarchy in society. Through purposive sampling, the researcher studied the films T-bird at Ako (1982) and Rome & Juliet (2006) as the materials of the research. I chose these films because they were possibly the earliest and the latest Filipino films that mainly focused on woman-to-woman love. Using textual analysis as a methodology, the study explores the issues of homophobia, gender and women’s oppression. The units of analysis are the representations and interactions of both female and male characters, script, symbolisms and narrative development.
This study examines the Filipino struggle for lesbian visibility as cited by Roselle Pineda (2001). The study identifies, describes and critiques the differences and similarities in the representations of love between the 1982 film and the 2006 film; it is important to note that the former was produced before the active struggle for lesbian visibility began in the Philippines. This research offers a critique of the existing representations as interpreted by a woman.

Keywords: film, gender, homophobia, patriarchy, representation, same-sex love, women