https://iskomunidad.upd.edu.ph/api.php?action=feedcontributions&feedformat=atom&user=Cfgabriel 2026-04-04T00:10:05Z User contributions MediaWiki 1.42.3 https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57196 2018-05-08T10:55:43Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract: This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting. Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text. First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law. A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-GABRIEL- View Thesis<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication Thesis]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57195 2018-05-08T10:42:57Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract: This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting. Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text. First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law. A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-GABRIEL- View Thesis<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57194 2018-05-08T10:42:40Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract: This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting. Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text. First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law. A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-GABRIEL- View Thesis]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law_Abstract&diff=57193 2018-05-08T10:42:18Z

<p>Cfgabriel: Cfgabriel moved page Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law Abstract to Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law over redirect</p> <hr /> <div>#REDIRECT [[Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57192 2018-05-08T10:42:18Z

<p>Cfgabriel: Cfgabriel moved page Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law Abstract to Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law over redirect</p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract: This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting. Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text. First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law. A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-GABRIEL- View Abstract]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57191 2018-05-08T10:32:01Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract: This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting. Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text. First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law. A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-GABRIEL- View Abstract]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57189 2018-05-08T10:31:43Z

<p>Cfgabriel: Cfgabriel moved page Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law to Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law Abstract</p> <hr /> <div></div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57188 2018-05-08T10:29:53Z

<p>Cfgabriel: Blanked the page</p> <hr /> <div></div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57187 2018-05-08T10:03:23Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation:<br /> Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract:<br /> This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting.<br /> Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text.<br /> First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law.<br /> A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-Gabriel, View Thesis]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category: Department of Broadcast Communication Thesis]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Multimodality]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57186 2018-05-08T10:02:33Z

<p>Cfgabriel: </p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation:<br /> Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract:<br /> This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting.<br /> Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text.<br /> First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law.<br /> A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> <br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-Gabriel, View Thesis]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category: Department of Broadcast Communication Thesis]][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Thesis--Multimodality]]</div>

Cfgabriel https://iskomunidad.upd.edu.ph/index.php?title=Never_Forget:_Multimodality_and_Postmemory_in_the_Digital_Museum_of_Martial_Law&diff=57183 2018-05-08T03:31:34Z

<p>Cfgabriel: Created page with &quot;Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Post...&quot;</p> <hr /> <div>Title: Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law<br /> <br /> Citation: Gabriel, China Marie Giuliani F. (2018). Never Forget: Multimodality and Postmemory in the Digital Museum of Martial Law. Unpublished Undergraduate Thesis, University of the Philippines Diliman: College of Mass Communication.<br /> <br /> Abstract:<br /> This study seeks to answer the question: can media memorialize political repression? Specifically, it examines how the Digital Museum of Martial Law in the Philippines constructs a popular postmemory of that particular period under the Marcos regime in an online setting.<br /> Guided by Hirsch's work on postmemory and Lemke's framework for multimodality, I employ a multimodal semiotic discourse analysis to determine how memory of martial law is constructed in three types of digital content housed in the museum, namely: a video poem, a short film, and an interactive timeline. I use the principle of compositionality by Kress and van Leeuwen to analyze the meanings of words and images present in each type of digital content and to come up with a comprehensive analysis of the online museum as an integrated text.<br /> First, I describe each type of digital content according to its linguistic and visual modes. My next step is to describe the chosen texts in relation to one another. After this, I interpret the potential meanings of the selected modes, both within each text and intertextually, according to their compositionality (e.g., information value, salience, framing). Finally, I synthesize these meanings in a universal critique of the Digital Museum of Martial Law.<br /> A humble contribution to local literature on memory studies, my study promotes multimodal discourse as a means of remembering political oppression in the Philippines during Marcos's martial law in the age of historical revisionism and postmemory.<br /> Keywords: postmemory, martial law, multimodal, online, compositionality<br /> <br /> [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-41671-Gabriel, View Thesis]<br /> <br /> [[Category: CMC Thesis]][[Category:Theses]][[Category:Department of Broadcast Communication][[Category:2018 Thesis]][[Category:Postmemory]][[Category:Thesis--Multimodality]]</div>

Cfgabriel