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	<updated>2026-04-09T12:04:26Z</updated>
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		<id>https://iskomunidad.upd.edu.ph/index.php?title=I_Slay&amp;diff=57478</id>
		<title>I Slay</title>
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		<updated>2018-05-24T14:59:09Z</updated>

		<summary type="html">&lt;p&gt;Aadeleon3: Category:ThesesCategory:CMCn ThesisCategory:Department of Broadcast Communication ThesisCategory:2018Category:Thesis--Audience StudiesCategory:Thesis--Fandom Study&lt;/p&gt;
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&lt;div&gt; &#039;&#039;I Slay, Okay?: How Mediated Race in Western Pop Music Videos Affect A Filipina’s Self­Concept&#039;&#039;&lt;br /&gt;
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This thesis examines the effects of mediated race on morena Filipinas. Specifically, it looks at how Beyonce affects the self­-concept of her morena Filipina fans, thus posing the question: how does the representation of Beyonce’s body in her album Lemonade affect and represent the self-­concept of her morena Filipina fans? The researcher believes that representations of Beyonce’s body have the capacity to influence the ideal image of a person’s self­-concept, which is why the researcher wants to determine whether its effects lead to a congruent or incongruent self­-actualization. Using Carl Rogers’ three components of the Self­Concept Theory, supplemented by the Representation Theory, Self ­Objectification Theory and the Critical Race Theory, the thesis utilizes a thematic analysis on ten screenshots from Beyonce’s Lemonade, and fifteen online interviews with 18­25 year old members of the Beyonce Philippines Facebook group. The interviews are structured into three parts in order to discover each participant’s self-­image, idealized self, and perceived self­-esteem. Furthermore, the study intends to take a critical look at the findings with some postcolonial analysis.&lt;br /&gt;
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&#039;&#039;Keywords:  Lemonade, morenas, representation theory, self­concept theory, critical race theory&#039;&#039;&lt;br /&gt;
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View Thesis: [http://iskwiki.upd.edu.ph/flipbook/viewer/?fb=2014-01880-De-Leon, View Thesis]&lt;/div&gt;</summary>
		<author><name>Aadeleon3</name></author>
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